Exquisite Still Life of Flemish Kitchen Utensils - Manner of David Reikart III (…

Description

Exquisite Still Life of Flemish Kitchen Utensils - Manner of David Reikart III (1612-1661) 17th century Antwerp Flemish school Antwerp Flemish School of the 17th century. Measurements: 42 x 31 cm. Reference bibliography: Vlieghe, Hans, Flemish art and architecture, 1585-1700, Madrid, Cátedra, 2000, ISBN 84-376-1842-8; M. Díaz Padrón, 'Two paintings by David Ryckaert III identified in the collection of the Marquis of Leganés: the annunciation and the adoration of the kings', Archivo Español de Arte 131, nr. 321 (January-March 2008), p. 81-83, BJA Renckens. Provenance: important private collection, Madrid.

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Exquisite Still Life of Flemish Kitchen Utensils - Manner of David Reikart III (1612-1661) 17th century Antwerp Flemish school Antwerp Flemish School of the 17th century. Measurements: 42 x 31 cm. Reference bibliography: Vlieghe, Hans, Flemish art and architecture, 1585-1700, Madrid, Cátedra, 2000, ISBN 84-376-1842-8; M. Díaz Padrón, 'Two paintings by David Ryckaert III identified in the collection of the Marquis of Leganés: the annunciation and the adoration of the kings', Archivo Español de Arte 131, nr. 321 (January-March 2008), p. 81-83, BJA Renckens. Provenance: important private collection, Madrid.

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Estim. 150 - 200 EUR

FLEMISH SCHOOL In the kitchen, oil on canvas, repainted, early 19th century, 73.50 x 60 cm

Starting price 100 EUR

Claude SCHURR (Paris 1921- 2014) Composition with kitchen utensils Original oil on canvas 24 x 41 cm Signed and dated lower right Claude Schurr 43

Estim. 30 000 - 35 000 EUR

CORNELIS JACOBSZ DELFF (1570-1643). "Still life of a pantry. Oil on canvas. Relined. Attached report issued by Dr. Fred G. Meijer. It has restorations. It has a 20th century frame. Signed in the upper right area. Measurements: 130 x 202 cm; 235 x 164 cm (frame). In this exuberant image, the artist, presents us with a great display of his technical quality which is evident in the game of capturing the numerous elements that make up the image, but at the same time in the ambiguity with which he conceives the scene. At first sight it appears to be a still life with figures, a very popular genre in Flanders. However, on observing the figure of the woman, it can be seen that she is not dressed like a simple shopkeeper, as her clothing and the pearl hanging from one of her ears make her a far cry from the popular idea. Behind her, a man is besieging her, leaning his face against her neck and offering her a glass of wine. This characteristic imbues the work with a gallant theme that is contextualised behind a prolific, rich and diverse still life. The still life with large figures of the Flemish school originated in the 16th century in the works of Pieter Aertsen (1508-1575) and Joachim Beuckelaer (1533-1574). Both painters produced large paintings that advanced the Baroque style through their naturalism and scenographic value, although they still show the variegation of elements typical of Mannerism. Pieter Aerstsen created a formula that consisted of placing the figure in the foreground, surrounded by large-scale foodstuffs, always depicted with particular attention to quality and detail in the Flemish tradition. Beuckelaer, a pupil of Aertsen, took this model created by his master and used it to depict religious scenes, which are always secondary to still lifes. In the 17th century the genre of the still life with figures became very important in the Flemish school, with compositions that were already more dynamic and theatrical, fully in keeping with the Baroque style, as we see here. A still-life painter, he was the son and pupil of Jacob Willemsz Delff: apart from the dates of his birth and death, no other biographical details are known. Stylistically, he belongs to that group of Dutch painters who began to paint still lifes inspired by all the Flemish market and kitchen scenes in which figures are still present. In the few works attributed to him, there is a predilection for painting the surfaces of copper and brass plates, the gleam of which is often reflected in the glass. Fish, birds (which demonstrates the soft consistency of the feathers) and fruit are frequently present, their thick background consisting of wooden planks and dark tones. The composition shows little vigour in the assemblage of objects, with a predilection for the combination of simple forms, with mostly two-dimensional effects.

Estim. 250 - 350 EUR

A composed lot of four antique iron kitchen utensils and two early iron wall applique candle lamps. 18th Century. Height: 37,5 cm - 47, 5 cm (smallest to biggest kitchenware) - H: 27,5 cm (wall lamps)

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