Null Our Time Pamela Sue Martin and Parker Stevenson Signed Movie Photo
Our Time…
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Our Time Pamela Sue Martin and Parker Stevenson Signed Movie Photo Our Time Signed Movie Photo Autographed by Pamela Sue Martin and Parker Stevenson. 8x10 inches

36 .HL17355
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Our Time Pamela Sue Martin and Parker Stevenson Signed Movie Photo Our Time Signed Movie Photo Autographed by Pamela Sue Martin and Parker Stevenson. 8x10 inches

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Rémy Martin 300th Anniversary Cup & exceptional dinner at the Club Inspired by the iconic shape of the Coupe 250e Anniversaire created in 1974, the decanter of the Coupe 300e Anniversaire is highlighted by embossed lines, symbolizing the trace of the Centaur javelin, the Maison's iconic emblem since 1870. The decanter is presented in a bespoke wooden box containing a special note from the Maître de Chai and a unique QR code to access exclusive digital content at www.RemyMartin.com. An unforgettable experience accompanies the 300th Anniversary Cup: an exclusive, refined Rémy Martin cognac and food pairing dinner for 4 (adults) at the Club Rémy Martin, an exceptional venue dedicated to hospitality in the heart of Cognac. Since 1724, Maison Rémy Martin has had just one dream: to produce exceptional cognacs. A deep of the land, the continuity of a visionary and a passionate commitment to excellence excellence have sustained Rémy Martin for three centuries. Thanks to its masterful blends its heritage and know-how in the field of cognac cognac for several generations, and its many numerous awards, the brand appeals to the most connoisseurs the world over. Rémy Martin specializes in Fine Cognacs Champagne Cognacs, including Rémy Martin ® XO, Rémy Martin 1738 Accord Royal ® and Rémy Martin V.S.O.P. "For 300 years, the House of Rémy Martin has been passing on its knowledge and expertise from one generation from one generation to the next. Today, this extends beyond the family family heritage, and we are working with all the Maison's partners to achieve lasting excellence. sustainable excellence. We have all inherited inherited the responsibility to protect our soils for future generations. By joining forces with winegrowers of Grande and Petite Champagne, sponsoring sponsoring new talent around the world, we strive world, we strive to perpetuate this family heritage family heritage for the next 300 years. Marie-Amélie de Leusse, President of the Rémy Cointreau Group The 300th Anniversary Cup, celebrating 300 years of heritage A shining symbol of 300 years of transmission, the Coupe 300e Anniversaire, available in a very limited limited edition since January 2024, is a tribute to the to the House's heritage and its vision for the next for the next 300 years. This unique creation was created by Maître de Chai Baptiste from Rémy Martin's "Réserve Perpétuelle", a precious Rémy Martin, a precious collection of exceptional eaux_x0002_de-vie, produced exclusively exclusively from the Grande Champagne terroir, preserved by generations of cellar masters. cellar masters. Located in the heart of the Cognac region Grande Champagne is renowned for the exceptional the exceptional aromatic quality of its eaux-de-vie as well as their ageing potential. To create this 300th Anniversary Coupe, Baptiste Loiseau drew on the previous Coupe du 290e and enriched this collective work with a selection of selection of elegant and harmonious eaux-de-vie from the Grande Champagne terroir. His creation weaves an invisible link between past and present, between generations of talent, always looking the future. "Perpetual reserve is as much a process as much as a legacy. When creating a new reserve a portion for future cellar masters. cellar masters. They, in turn, will use it to create the next Coupe Anniversaire, and thus to perpetuate the tradition. To create the 300th Anniversary Cup, I came to enrich this blend this blend with the treasures of our cellars and the Grande Champagne terroir, which is what I'll bequeath I, in turn, will bequeath to future generations. By reserving a portion of the eaux-de-vie in this precious precious 300th Anniversary Cup, this is how history perpetuate history for future generations. " Baptiste Loiseau, Cellar Master at the Maison Rémy Martin.

Charlie Parker Signed Mercury Records 'Charlie Parker with Strings' Record Set Hugely desirable Charlie Parker with Strings record set from Mercury Records (C509), signed and inscribed on the inside front cover in bold blue ballpoint, “To Joe, Regards, Charlie Parker.” The set includes three 10-inch 78 RPM vinyl records containing the following songs: ‘Just Friends’ / ‘Everything Happens to Me’ (C-101), ‘East of the Sun’ / ‘You Came Along from Out of Nowhere’ (C-109), and ‘I'm in the Mood for Love’ / ‘They Can’t Take That Away From Me’ (C-109). The signed sleeve with cover design by David Stone Martin is an original issue of C-509, the second release from Bird's ‘with Strings’ sessions made for Norman Granz's labels between 1947 and 1952. These sessions with small string orchestra and rhythm sections were the realization of Parker's long-held dream to record with strings. They ultimately became the best-selling records of his lifetime. In very good to fine condition, with a crease/crack to the lower left corner of the cover. Accompanied by a 2016 letter of provenance from renowned jazz collector Norman Saks: “This letter is to authenticate an autographed ‘Charlie Parker With Strings Vol 2.’ 78 RPM album, signed on the inside photo...The signed album is reproduced on page 22 of the book Charlie Parker & Jazz Club Memorabilia: The Norman R. Saks Collection by Ken Vail. It comes from my personal collection.” Per jazz historians Richard Cook and Brian Morton: ‘There is still some pointless controversy as to the merits of Parker's with Strings projects. Pointless, because it is clear from a single chorus of 'Repetition' from 1947 or 'Stella by Starlight' in 1952 that there is a master at work here. Bird's solo construction is poised and tasteful, and much of the talk of his 'impatience' with these smooth settings is a sort of wishful thinking. He basked in them, and if on occasion he anticipates the beat, that's no more than he did with Al Haig or Thelonius Monk.’