MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911.
Ink and watercolor on paper.
…

Description

MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911. Ink and watercolor on paper. Signed and dated. Adhered to poster board. 21.5 x 14 cm (unframed). This lot will not be included in our post auction sale.

923

MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911. Ink and watercolor on paper. Signed and dated. Adhered to poster board. 21.5 x 14 cm (unframed). This lot will not be included in our post auction sale.

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MARIÀ ANDREU ESTANY (Mataró, Barcelona, 1888 - Biarritz, France, 1976). "Self-portrait. Charcoal on laid paper. Measurements: 53 x 42 cm; 63 x 52 cm (frame). Painter, draftsman, engraver, sculptor, decorator and set designer, Mariano Andreu began in the art world attracted by the plastic arts of the spectacle. Mainly self-taught, he sporadically attended Francesc A. Galí's academy. He studied in London at the Municipal School of Arts & Crafts, where he was fascinated by the style of Aubrey Beardsley and by Pre-Raphaelite painting. On his return to Barcelona he joined the Decadentist group, the first manifestation of Noucentisme. In 1911 Andreu exhibited his work for the first time, in a group exhibition organized at the Faianç Català. The following year he settled in Paris, a city where he was always a great success with critics and the public, although he returned intermittently to Barcelona. Later he travels to Italy to study the works of the Renaissance, a fact that will definitively mark his work. He held several exhibitions in Barcelona, Paris, Munich, Tokyo, Osaka, London, Brussels, New York, Los Angeles and Buenos Aires. He is represented in the Museums of Theater and Contemporary Art of Barcelona, as well as in various public and private international entities.

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MARIÀ ANDREU ESTANY (Mataró, Barcelona, 1888 - Biarritz, France, 1976). "Portrait of a singer", 1912. Mixed media (watercolor and pencil) on paper. Signed and dated in the upper right corner. Measurements: 100 x 73 cm; 109 x 81 cm (frame). Painter, draftsman, engraver, sculptor, decorator and set designer, Mariano Andreu began in the art world attracted by the plastic arts of the spectacle. Mainly self-taught, he sporadically attended Francesc A. Galí's academy. He studied in London at the Municipal School of Arts & Crafts, where he was fascinated by the style of Aubrey Beardsley and by Pre-Raphaelite painting. On his return to Barcelona he joined the Decadentist group, the first manifestation of Noucentisme. In 1911 Andreu exhibited his work for the first time in a group exhibition organized at the Faianç Català. The following year he settled in Paris, a city where he was always a great success with critics and the public, although he returned intermittently to Barcelona. Later he travels to Italy to study the works of the Renaissance, a fact that will definitively mark his work. He held several exhibitions in Barcelona, Paris, Munich, Tokyo, Osaka, London, Brussels, New York, Los Angeles and Buenos Aires. He is represented in the Museums of Theater and Contemporary Art of Barcelona, as well as in various public and private international entities.

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MARIÀ ANDREU ESTANY (Mataró, Barcelona, 1888 - Biarritz, France, 1976). "Couple with guitar", 1935. Mixed media (pencil and oil) on wood. Signed and dated in the lower left corner. Measurements: 39 x 31 cm; 44 x 36 cm (frame). Painter, draftsman, engraver, sculptor, decorator and set designer, Mariano Andreu began in the art world attracted by the plastic arts of the spectacle. Mainly self-taught, he sporadically attended Francesc A. Galí's academy. He studied in London at the Municipal School of Arts & Crafts, where he was fascinated by the style of Aubrey Beardsley and by Pre-Raphaelite painting. On his return to Barcelona he joined the Decadentist group, the first manifestation of Noucentisme. In 1911 Andreu exhibited his work for the first time in a group exhibition organized at the Faianç Català. The following year he settled in Paris, a city where he was always a great success with critics and the public, although he returned intermittently to Barcelona. Later he travels to Italy to study the works of the Renaissance, a fact that will definitively mark his work. He held several exhibitions in Barcelona, Paris, Munich, Tokyo, Osaka, London, Brussels, New York, Los Angeles and Buenos Aires. He is represented in the Museums of Theater and Contemporary Art of Barcelona, as well as in various public and private international entities.

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