Null MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911.
Ink and watercolor on pa…
Description

MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911. Ink and watercolor on paper. Signed and dated. Adhered to poster board. 21.5 x 14 cm (unframed). This lot will not be included in our post auction sale.

923 

MARIANO FOIX (1860-1914). "GIRL AND DONKEY", 1911. Ink and watercolor on paper. Signed and dated. Adhered to poster board. 21.5 x 14 cm (unframed). This lot will not be included in our post auction sale.

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Set of 9 studies on Balzac: Alain, Reading Balzac. Laboratoires Martinet, 1935. Cazauran, "Sur Catherine de Médicis" by Honoré de Balzac. Collection de l'ENS de jeunes filles, 1976. Ponceau, Paysages et destins balzaciens. Paris, Myrte, 1950. Métadier, Balzac homme politique. L'Harmattan, 2006. Vouga, Balzac malgré lui. José Corti, 1957. Giraudoux, Le film de la duchesse de Langeais d'après la nouvelle de Balzac. Grasset, 1942, illustrations by Laglenne. Ki Wist, Les manuscrits de premier jet de Honoré de Balzac. Henriquez, 1964. 2 volumes in common cover. Lot of 12 studies on Balzac: Le Breton, Balzac l'homme et l'oeuvre. Boivin, sd. Faguet, "En lisant les beaux vieux livres". Extract from his 1911 book. Favre, Balzac et le temps présent. Flammarion, 1888. Demi-basane. Faguet, Dix neuvième siècle, études littéraires. Société française d'imprimerie et de librairie, 1900. Half-percaline. Neefs, Balzac, l'éternelle genèse. Manuscrits modernes, 2015. Brunetière, Etudes critiques sur l'histoire de la littérature française. Hachette, sd, seventh series. Dédéyan, Le faustisme romantique de Balzac. Revue des lettres modernes, n°39, Autumn 1958. Pommier, Créations en littérature. Hachette, 1955. Copy with dispatch to the writer André Maurois. Myrdal, Balzac und der Realismus Essays. Bucherei Oberbaum, 1978. Janis Glasgow, Une esthétique de comparaison - Balzac et George Sand. Nizet, 1978. Wedmore, Balzac. London, Walter Scott, 1890. Claudia Schmölders, über Balzac. Diogènes, 1977. Set of 9 studies on Balzac: Barny, Etudes textuelles 3. Volume 63, 1993, 5 texts on Balzac. Pommier, Créations en littératures. Hachette, 1955. Evans, Louis Lambert et la philosophie de Balzac. José Corti, 1951. Chardon, Expliquez-moi Balzac (2 Balzac). Foucher, 1962. Voivenel, Autour des femmes et l'amour. Raoul Lion, 1950. Copy enriched with a letter to Dr. Moynier. Ingrid Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie humaine. Romanistischer Verlag, 1995. Garnand, The influence of Walter Scott on the works of Balzac. NY, Octagon books, 1971. Weigand, Stendhal und Balzac, essays. Leipzig, Im Inselverlag, 1911. [autographs by Bardèche] Set of 15 studies on Balzac: Balzac et l'Italie. Paris, Des Cendres, 2003. Lucey, Les ratés de la famille - Balzac et les formes sociales de la sexualité. Paris, Fayard, 2008. Guise, Balzac. Nancy, Presses universitaires, 1994. Adamson, The genesis of Le Cousin Pons. Oxford university press, 1966. Swahn, Balzac et le merveilleux - étude du roman balzacien 1822-1832. Lund University press, 1991. Surville, Balzac, sa vie et ses oeuvres. Paris, librairie nouvelle, 1858. Bérard, La genèse d'un roman de Balzac - Illusions perdues 1837 - du manuscrit à l'édition. Paris, Colin, 1961. Affron, Patterns of failure in La Comédie humaine. Yale university press, 1966. Prendergast, Balzac - Fiction and Melodrama. Edward Arnold, 1978. Vanoncini, Figures de la Modernité. Paris, Corti, 1984.

Hans Heinen, "Aprilwetter" Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Artist info: actually Johann Heinen, German painter. Painter, copyist and restorer of paintings (1860 Krefeld to 1943 Munich), artistically self-taught, active in Munich from 1890, participated in the exhibitions in the Glaspalast Munich in 1908 and 1917 as well as in the "Juryfreie Kunstausstellung" in 1911 and 1916, member of the Reichsverband Bildender Künstler Deutschlands, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse and Müller-Singer.