Null AVEL·LI ARTIS-GENER (1912-2000). "HORSE-DRAWN CARRIAGE AND CRANES".
Waterco…

Description

AVEL·LI ARTIS-GENER (1912-2000). "HORSE-DRAWN CARRIAGE AND CRANES". Watercolour and coloured pencil on paper. Signed. The reverse still retains part of the cardboard sheet to which it was attached at the corners. 23.2 x 26.7 cm (unframed). This lot will not be included in our post auction sale.

898

AVEL·LI ARTIS-GENER (1912-2000). "HORSE-DRAWN CARRIAGE AND CRANES". Watercolour and coloured pencil on paper. Signed. The reverse still retains part of the cardboard sheet to which it was attached at the corners. 23.2 x 26.7 cm (unframed). This lot will not be included in our post auction sale.

Auction is over for this lot. See the results

You may also like

Starting price 1700 EUR

Woodbury & PageCollection of 16 OPhotographs with portraits. Circa 1870. vintage. Each albumen print mounted on original studio cardboard. Each measuring approx. 9.5 x 5.5 cm. Each with photographer's stamp and stamped "Java" below the photograph and verso. Indonesia - Java Woodbury & Page Collection of 16 OPhotographs with portraits. Around 1870. vintage. Each albumen print mounted on original studio cardboard. Each measuring approx. 9.5 x 5.5 cm. Each with photographer's stamp and stamped "Java" below the photograph and verso. With 16 photographs of natives of Java. The subjects are shown in different settings. Some are splendidly dressed in traditional costume and staged in a traditional manner, with draped tools and other utensils in an everyday scene, a young woman carried by two coolies, through to a portrait of a Javanese farmer with a cart pulled by oxen. - The photo studio Woodbury and Page was founded in Batavia (now Jakarta) in 1857 by the two Englishmen Walter Bentley Woodbury and James Page. Some time later, the two younger brothers Henry James and Albert Woodbury also joined the business. In addition to creating classic studio portraits, Woodbury and Page also traveled through the Dutch East Indies, photographing a range of subjects, including royal personages as well as ordinary people, genre scenes and landscapes. - Only a few minimal stains. Overall an extremely well-preserved collection of expressive original photographs. Indonesia - Java - Collection of 16 orig. portrait photographs. Vintage. Each albumen print mounted on original studio cardboard. Each with photographer's stamp and stamped "Java" below the photograph and verso. - With 16 photographs of Javanese natives. The people portrayed are depicted in different settings. Some are splendidly dressed in traditional costume and staged in a traditional manner, with draped tools and other utensils in an everyday scene, a young woman carried by two coolies, up to a portrait of a Javanese farmer with a cart pulled by oxen. - The Photostudio Woodbury and Page was founded in 1857 by the two Englishmen Walter Bentley Woodbury and James Page in Batavia (now Jakarta). Later, the two younger brothers Henry James and Albert Woodbury also joined the business. In addition to creating classic studio portraits, Woodbury and Page also traveled through the Dutch East Indies, photographing a range of subjects, including royalty, folk, genre scenes and landscapes. - Only a few minimal stains. Altogether a very well-preserved collection of expressive portrait photographs. This work is taxed. A premium of 23.95% will be added to the hammer price and 7% (books) or 19% VAT will be added to the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 400 - 600 EUR

William Callow, An der englischen Küste bei lebhafter See am Fuß einer Schlossruine anlandende Matrosen, watercolour over graphite, signed "W. Callow" and dated "1905" lower left, on the back of the frame label and here titled "Bamboro Castle Northumberland" and inscribed "Exhibited: RWS Summer 1905,Nr. 33", matted and framed behind glass, mat cut-out approx. 29 x 44 cm. Artist information: English landscape painter, graphic artist and watercolourist (1812 Greenwich to 1908 Great Missenden), apprenticed to the painter Coply Fielding, 1825-27 apprenticed to Thales and Theodor Fielding, worked as an engraver in Paris from 1929, art teacher to the family of King Louis-Philippe I from 1831, returned to London in 1841 and admitted to the Royal Watercolour Society, moved to Buckinghamshire in 1855, numerous study trips to various European countries, source: Thieme-Becker and Wikipedia.

Estim. 35 000 - 40 000 EUR

JOSEPH MARIONI (Cincinnati, Ohio, 1943). "Yellow painting. 2001. Acrylic on canvas. Signed, titled and dated on the back. Size: 107 x 102 cm. From the seventies onwards, Joseph Marioni began an aesthetic exploration of the limits of painting. In monochrome paintings such as this one, there is a special tension between colour, light and support: Marioni repeatedly applies layers of satin colour on the painting in such a way that, depending on the incidence of light and the viewer's position, they reveal the underlying layers of colour. The painting of the American painter Joseph Marioni falls within the sphere of influence of the New York Radical Painting group, with which he shares above all the research into the parameters of painting. Joseph Marioni's works, created in a characteristic manner since 1970, combine to form a conceptual oeuvre with a resounding aesthetic that allows us to ask fundamental questions about the genre of painting. Marioni has participated in numerous solo and group exhibitions in the United States and Europe. His works are represented in major private and public collections, including the Whitney Museum of American Art in New York, the San Francisco Museum of Art, the Kolumba (Museum) in Cologne, the Kunstmuseum Wolfsburg, the Kunstmuseum Basel and the Kunstmuseum St. Joseph Marioni lives and works in New York. Solo exhibitions (selection): 2006: Peter Blum Chelsea, New York, USA 2007: Liquid Light, Wade Wilson Art, Houston, USA 2007: University Art Gallery, University of Massachusetts, New Bedford, USA 2008: Liquid Light, McNay Art Museum, San Antonio, USA. 2008: Drawing Color - between Black and White, Mark Müller Gallery, Zurich, Switzerland 2009: Beneath the Seen, Wade Wilson Art, Houston, USA 2010: Baronian-Francey, Brussels, Belgium 2011: 90 Years of New: Joseph Marioni, The Phillips Collection, Washington, USA 2012: Painting, Hengesbach Gallery, Berlin, Germany 2013: Marioni/MacPherson, UQ Art Museum, St Lucia, Queensland, Australia

Estim. 4 000 - 5 000 EUR

DAMIEN HIRST (Bristol, UK, 1965). "Circle spin Painting", 2009. Acrylic on cardboard. Stamped on the back. Measurements: 52 cm (diameter). This work was conceived for the exhibition "Requiem", held at PinchukArtCentre, Kiev, Ukraine, in 2009. The exhibition included over 100 works by the artist, such as 'A Thousand Years' (1990), 'With Dead Head' (1991) and 'Loving in a World of Desire' (1996), 'Requiem' presented the first exhibition of works from Hirst's series of oil paintings on canvas, which had begun in 2006. The "Spin paintings" are based on a novel technique of placing the canvas on a rapidly rotating device while the artist applies the paint from different angles and distances. The rotating movement of the canvas generates unexpected patterns and effects on the surface, creating colorful and dynamic compositions. These paintings are known for capturing the movement and energy in the process of creation, and reflect Hirst's postmodern aesthetic that challenges the traditional conventions of art. Damien Hirst was born in Bristol on June 7, 1965, in an economically challenged suburban environment. He never knew his biological father and his mother married a car salesman, who left them when Hirst was 13. His mother, an amateur artist and devout Christian, took care of him, but because of his father's abandonment he had to be educated from the bottom up, which is perhaps the main reason why Damien Hirst argues that art has no class. He trained at the University of Leed while combining his studies with a job at the local mortuary, which he later abandoned to move to London. During this time he was working in construction and in turn applying to various art schools such as St Martins, or the faculty of Wales. He was finally accepted at Golsdmiths College, which at the time, due to the economic recession in England, was a school that attracted bright students and creative tutors. While studying, Hirst financed his expenses by working on telephone surveys, a direct cause of his ability to fake any emotion over the phone. During his studies he also worked at McDonald's, and part-time at the Anthony D'Ofray gallery, where he learned the mechanics of the art market. Already in his second year of studies, Hirst, acquired the role of artist and curator, and managed to make an exhibition that would change the course of British art, it was his first solo exhibition with only 26 years. Four years later, in 1995, he won his second Turner Prize nomination for Mother and Child. At the age of 32, the Larry Gagosian Gallery offered him a major retrospective, after which he declared that he had no place left to exhibit, he had done it all and too fast. So soon the media baptized him with the name Hooligan Genius. Although he became a millionaire at the age of 40, Hirst's hypersensitivity became suspicious; wrapped in an aura of romanticism, he made revolutionizing the art world seem simple. On several occasions he has acknowledged his desire to be famous and in the face of criticism he has defended himself with phrases like "they could not admit to themselves that they wanted to be famous and resented not being famous" or "I think my desire was to be more famous than rich, I think the desire to create art and be famous is like the desire to live forever two obsessions: death and celebrity".

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]