Null OSWALDO GUAYASAMIN (1919-1999). Lithograph.
BAT (Bon à tirer) signed by han…

Description

OSWALDO GUAYASAMIN (1919-1999). Lithograph. BAT (Bon à tirer) signed by hand. 56.7 x 76.2 cm.

801

OSWALDO GUAYASAMIN (1919-1999). Lithograph. BAT (Bon à tirer) signed by hand. 56.7 x 76.2 cm.

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Current bid 85 EUR

Color photograph of an accumulation of Kodak cameras and film, signed lower right, dimensions: 90 x 60 cm

Estim. 6 000 - 8 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 598, p. 231, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 602, p. 234, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Estim. 5 000 - 6 000 EUR

OSWALDO GUAYASAMÍN (Quito, Ecuador, 1919 - Baltimore, USA, 1999). "Portrait", 1984. Mixed media on paper. Signed, dedicated and dated in the lower margin. Measurements: 76 x 56 cm; 94 x 74 cm (frame). One of the greatest names in Ecuadorian painting, Oswaldo Guayasamín demonstrated artistic gifts already in childhood, and even sold some paintings in the Plaza de la Independencia in his native Quito in his early years. Despite his father's opposition, he entered the School of Fine Arts in the Ecuadorian capital to study painting and sculpture, in the midst of the so-called Four Days' War. In 1941 he obtained the title and the First Prize at the Mariano Aguilera Salon in Quito, and the following year he held his first solo exhibition, at the age of twenty-three. Between the end of 1942 and the beginning of 1943 Guayasamín is in the United States, and later travels to Mexico, where he begins to work as an assistant to Orozco. He would later make a series of trips through Latin America, always finding the same situation of oppression of the indigenous society, to which he himself belonged. From then on, this will be a constant theme in his work. In these years of youth Guayasamín obtained all the National Prizes in his country, and at the age of thirty-six he won the Grand Prize of the III Bienal Hispanoamericana de Arte, celebrated in 1955 in Barcelona. Later he also won the same award at the São Paulo Biennial (1957). Throughout his career, this master exhibited his work individually not only in various Latin American countries, but also in many European countries, the Soviet Union, China and the United States. In addition to his easel paintings, he painted murals, sculptures and monuments, now present in Latin America and Europe. In 1971 Guayasamín was named president of the Casa de la Cultura Ecuatoriana, in 1978 a member of the Real Academia de Bellas Artes de San Fernando in Madrid, and a year later an honorary member of the Italian Academy of Arts. Currently his work is widely represented in the Foundation he created in Quito, and also in prominent international art galleries and private collections.

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