Null RICARDO BENAIM (1949). Untitled, 1992.
Mixed media on linen.
Signed and dat…
Description

RICARDO BENAIM (1949). Untitled, 1992. Mixed media on linen. Signed and dated on the back. With detachments on the paint layer and a deteriorated assembly of the upper pieces. 160 x 160 x 11 cm (unframed).

778 

RICARDO BENAIM (1949). Untitled, 1992. Mixed media on linen. Signed and dated on the back. With detachments on the paint layer and a deteriorated assembly of the upper pieces. 160 x 160 x 11 cm (unframed).

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[Bibliography] Set of 4 volumes: (Photocopies, A4 format in red cloth and Skivertex bindings) William Hobart Royce, Writings relative to the Life and Works of Honoré de Balzac. The University of Chicago Press, Kraus Reprint Co. 1969. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Contains all "Balzac" entries in Volumes I to XXVIII, from 1956 to 1990. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Volumes XXIX and XXX (1991-1992). L. Carteret, Le Trésor du bibliophile romantique et moderne, 1801-1875. Carteret, 1927 (Pages 41 to 92 on Balzac). Le Courrier Balzacien. Paris, 1948-1949, In-8. Set of the first 6 issues, December 1948 to December 1949, deluxe edition of 120 copies on vellum pur fil from Papeteries Johannot (N° XXII), N°6 is one of 10 H. C. copies (N°9). In sheets, printed cover, first cover with portraits of Balzac at different periods of his life on volumes 1 to 5. Good condition. Courrier Balzacien: Lot of approx. 120 issues from 1980 to 2022, some duplicates, series missing, some older issues photocopied. Anonymous [Harel, Alhoy and Jal], Dictionnaire théâtral ou douze cent trente-trois vérités sur les directeurs, Régisseurs, acteurs (etc.) des divers théâtres. 2nd edition with a supplement. Paris, Barba, 1825, in-12, 318p. The original edition is dated 1824. As a man of the theater, Harel can claim to have an inside view of the theatrical scene. At the time of publication of his dictionary, whose preface to the second edition testifies to its tumultuous reception, he was not yet director of the Odéon, and he had enlisted the help of two other authors, experienced in major publishing ventures but not at all theatrical specialists: Maurice Alhoy, a successful author, and Auguste Jal, a specialist in maritime literature. Salvador H." bookplate on title page. Bound in red half-basane, smooth spine with 5 false nerves of 3 gilt fillets, 3 cold fleurons and 2 gilt fleurons between the nerves, head and tail castors, spine slightly faded; marbled edges. A good copy.

JAVIER MARISCAL (Almazora, Castellón, 1950) for Akaba. Garriris" chair, 1987. Chrome-plated square steel tube frame with aluminum, plywood seat and red leather upholstery. In very good condition. This model is in important collections and museums such as the Victoria & Albert Museum in London, and the Museu del Disseny in Barcelona. It was exhibited at the George Pompidou in Paris for the Nouvelles Tendances exhibition in 1987. Measurements: 97 x 44 x 60 cm. The Garriris chair assimilates the animated character Mickey Mouse with the iconic ears on the backrest and his characteristic shoes. Renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).