Null FRANCESC AGUILAR VILLALONGA (1942). "TORRENT DE PAREIS", 1979.
Oil on canva…

Description

FRANCESC AGUILAR VILLALONGA (1942). "TORRENT DE PAREIS", 1979. Oil on canvas. Signed. On the reverse, signed, located and dated. 46 x 38 cm; 60.5 x 52 cm (frame).

711

FRANCESC AGUILAR VILLALONGA (1942). "TORRENT DE PAREIS", 1979. Oil on canvas. Signed. On the reverse, signed, located and dated. 46 x 38 cm; 60.5 x 52 cm (frame).

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Estim. 20 - 40 EUR

Set of 10 studies on Balzac: Barbéris, Balzac, a realistic mythology. 1971. P Louis, Les types sociaux chez Balzac et Zola. 1925. Abraham, Créatures chez Balzac. 1931. Clouard, Balzac, pages sociales et politiques. 1910. Flat, Seconds essais sur Balzac. 1894. Lemer, Balzac sa vie son oeuvre. 1892. Fleichsmann, Napoléon par Balzac. Sd. Honoré de Balzac, Morceaux choisis, introduction et notres de Joachim Merlant, 1927. Lukacs, Balzac and French Realism. 1967. Bellessort, Balzac et son oeuvre. 1936. Good lot, most volumes bound. Lot of 4 studies on Balzac: Wurmser, La comédie inhumaine. 1970. Fine mailing from the author. Important and interesting work. Dictionary of Balzac. 1969. Delattrre, Les opinions littéraires de Balzac. 1961. Citron, Dans Balzac. 1986. Set of 6 studies on Balzac: Le dictionnaire Rastignac. Paris, Valmonde, 1998. Faillie, La femme et le code civil dans la Comédie humaine d'Honoré de Balzac. Photocopied copy bound in half binding with corners (imitation leather). Colloque de Cerisy, Balzac l'invention du Roman. Paris, Belfond, 1982. F Marceau, Balzac et son Monde. Paris, NRF Gallimard, 1970. Saint Paulien, Napoléon Balzac et l'Empire de la Comédie humaine. Paris, Albin Michel, 1979. Gagneux, Le musée imaginaire de Balzac. Paris, Beaux-Arts éditions, 2012. Publisher's boards. Lot of 12 studies on Balzac: Bertault, Balzac l'homme et l'oeuvre. Paris, Boivin, 1946. Envoi au vicaire général Pierre Gounin. Alert de Bersaucourt, Etudes et recherches. Paris, Mercure de France, 1913. Half-chagrin with corners. Guichardet, Le père Goriot by Honoré de Balzac. Folio. Verdoot, Ce sacré Balzac ou une histoire d'amour. Paris, Panthéon, 1999. P-L Rey, La comédie humaine - Balzac. Paris, Hatier, 1979. Lovenjoul, Autour de Honoré de Balzac. Slatkine, 1973. Proust, Le Balzac de monsieur de Guermantes. Ides et Calendes, 1950. Francesco Fiorentino, Introduzione a Balzac. Laterza, 1989. Roland Barthes, S/Z. Éditions du Seuil, 1970. Frederick Wedmore, Balzac. London, Walter Scott, 1890. Bertaut, Balzac's Le père Goriot. Sfelt, 1947. Henry James, Tre saggi su Balzac. Il melangolo, 1988. Honoré de Balzac - A Paris. Editions complexe, 1993. Set of 8 studies on Balzac: Aurée d'Esneval, Balzac et la provinciale à Paris. Nouvelles éditions latines, 1976. Le Breton, Balzac. Boivin & Cie, sd. A-M Baron, Balzac ou l'auguste mensonge. Nathan, 1998. Bertault, Balzac et la religion. Slatkine, 1980. Colloque Balzac - Europe. January-February 1965. Traces of readings (underlining in bic and stabilo). Guyon, La pensée politique et sociale de Balzac. A. Colin, 1947. Guyon, La Création littéraire chez Balzac. A. Colin, 1951. Berthier, La vie quotidienne dans la Comédie humaine de Balzac. Hachette, 1998.

Estim. 850 - 1 275 EUR

Fred Thieler, attr., Abstraction Informal composition in black, red, white and blue, impasto painting in palette knife technique, oil on paper, indistinctly signed and dated "[19]58" lower right, inscribed "F. Thieler" on the reverse, craquelure, framed behind glass and mat, mat opening approx. 38 x 27.5 cm. Artist information: actually Fritz Wilhelm Ernst Richard Thieler, called himself Fred Thieler, German painter and graphic artist, important representative of Art Informel (1916 Königsberg - 1999 Berlin), from 1937 initially studied medicine at the Albertina Königsberg, military service in WW2 in Poland and France, 1941 in Berlin. In 1941, because of his Jewish mother, he was discharged from military service and forbidden to continue his medical studies; persecuted as a half-Jew, he became a student trainee for a Munich lighting and photo studio and at the same time a pupil at Hein König's private painting school in Munich, In 1942, he evaded a Gestapo summons by going underground, subsequently active together with Mac Zimmermann in the resistance against the Nazi regime in the circle of the "White Rose", 1946-50 studied at the Munich Academy under Karl Caspar, where he turned to abstraction, 1951-53 studied in Paris, where he was a student of Stanley William Hayter at "Atelier 17", socialised in Paris with Hans Hartung, Serge Poliakoff and Pierre Soulages, in Berlin from 1952 member of the group "Zen 49", from 1953 member of the "Neue Gruppe München", 1954 admission to the Deutscher Künstlerbund, 1959-81 professorship at the Hochschule der Bildenden Künste Berlin, 1972-73 visiting professor at the "College of Art and Design" Minneapolis, 1976-83 representative of the Federal Republic of Germany at the International Association of Art and its Vice President in 1979, 1978 member of the New Darmstadt Secession of the Academy of Arts, 1980-83 Vice President of the Academy of Arts, received various honours such as the Lovis Corinth Prize Regensburg in 1985 and the Federal Cross of Merit 1st Class in 1985. Class, active in Berlin, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", "Neue Deutsche Biographie" and Wikipedia.

Estim. 1 400 - 1 600 EUR

ALCEU RIBEIRO (Artigas, Uruguay, 1919 - Palma de Mallorca, 2013). "Figura", 1992. Assemblage in painted wood. Signed, titled and dated on the back. Measurements: 46.5 x 23.5 cm. Painter, sculptor and muralist, Alceu Ribeiro trained with Joaquín Torres-García starting in 1939, thanks to a scholarship that allowed him to settle with his brother, also an artist, in Montevideo. He studied with the master for ten years, until his death in 1949, and during his student years his work was already recognized with several prizes at the National Salon of Montevideo, in 1940, 1941, 1942, 1943 and 1945. The following year, in 1946, he became known in Paris through the Muestra de Pintura Moderna Uruguaya held there. In 1949 he founded the workshop El Molino, which he converted into the center of Montevideo's intelligentsia, and that same year he carried out his first commission for mural painting for the Palacio de la Luz in the Uruguayan capital. Shortly afterwards, in 1953, he held his first individual exhibition at the Faculty of Architecture of the same city. He also continued to participate in official exhibitions with great success, and carried out important mural projects, both pictorial and sculptural. In 1962 he becomes a professor at the Universidad del Trabajo in Montevideo, and the following year he makes a long working trip to Europe, where he leaves after holding several exhibitions on tour in South America, among other places at the Zea Museum in Medellin (Colombia). In 1964 he returns to Montevideo, and three years later he holds his first solo exhibition in the United States, at the Mayfair Gallery in Washington D.C. From then on Ribeiro exhibited his work in museums and galleries in South America, the United States and Europe, finally settling in 1979 in Palma de Mallorca. He is currently represented in the National Museum of Fine Arts and the Juan Manuel Blanes Museum in Montevideo, the Museum of Contemporary Art in Madrid, the National Museum of São Paulo and other public and private collections in Europe and America.

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