ARMANDO MIRAVALLS BOVE (1916-1978). "WOMAN PORTRAIT", 1960.
Oil on canvas.
Signe…

Description

ARMANDO MIRAVALLS BOVE (1916-1978). "WOMAN PORTRAIT", 1960. Oil on canvas. Signed and dedicated. On the reverse, signed and dated. 61 x 50 cm; 68 x 57 cm (frame).

692

ARMANDO MIRAVALLS BOVE (1916-1978). "WOMAN PORTRAIT", 1960. Oil on canvas. Signed and dedicated. On the reverse, signed and dated. 61 x 50 cm; 68 x 57 cm (frame).

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Estim. 20 - 40 EUR

Lot of 11 studies on Balzac: Madeleine Fargeaud, Balzac et la recherche de l'Absolu. Paris, Hachette, 1968. Paperback. E. J. Oliver, Balzac the European. London and New York, Sheed and Ward, 1959. Full cloth. Annette Rosa and Isabelle Tournier, Balzac. Paris, Armand Colin 1992. paperback. E. Preston, Recherches sur la technique de Balzac Les Presses françaises, 1927. Paperback. Samuel Rogers, Balzac and the Novel. University of Wisconsin Press, 1953. Full cloth. Judith Lyon-Caen, La Lecture et la vie - Les usages du roman au temps de Balzac. Paris, Tallandier, 2006. Paperback. Edmond Biré, Honoré de Balzac. Paris, Honoré Champion, 1897. Paperback. Mary F. Sandars, Honoré de Balzac, his life and writings. London, John Murray, 1904. Full cloth. [Collective] Balzac and the nineteenth century : studies in French literature presented to Herbert J. Hunt by pupils, colleagues and friends / edited by D. G. Charlton, J. Gaudon and Anthony R. Pugh. Leicester University Press, 1972. Full cloth. Georges Hourdin, Balzac romancier des passions. Temps Présent, 1950. Jean-Louis Bory, Pour Balzac et quelques autres - Musique 1. Julliard, 1960, paperback. Lot of 12 studies (13 volumes) on Balzac: Nicole Felkay, Balzac et ses éditeurs 1822-1837. Essai sur la librairie romantique. Promodis, 1987. Paperback Léon-François Hoffmann, Répertoire géographique de La Comédie humaine. José Corti, 1965-1968. 2 paperback volumes. Claude Lachet, Thématique et Technique du Lys dans la Vallée de Balzac. Nouvelles éditions Debresse, 1978. Paperback. [Collective] Balzac: Illusions perdues. L'œuvre capitale dans l'œuvre. C.R.I.N., 1988. Collected by Françoise VAN Rossum-Guyon. Paperback. Stefan Zweig, Balzac, sein Weltbild aus den Werken - Volume11 of Aus der Gedankenwelt grosser Geister. Bd.11. R Lutz, 1908, paperback, poor condition. André Allemand, Honoré de Balzac - Création et passion. Plon, 1963. Paperback. Agnès Guglielmetti, Fire and light in Balzac's La Peau de chagrin. Les réseaux symboliques du vocabulaire des sensations. Paris, Lettres Modernes, 1978. Paperback. Pierre Bayard, Balzac et le troc de l'imaginaire - Lecture de La Peau de chagrin. Lettres modernes Minard, 1978. Paperback. Michel Lichtlé, Balzac, le texte et la loi. Presses Universitaires de Paris Sorbonne, 2012. Paperback. [Collective] Balzac voyageur - Parcours, déplacements, mutations. Textes réunis et présentés par Nicole Mozet et Paule Petitier. Published by Université François Rabelais, Tours, 2004. Paperback. Gabriel Faure, Pèlerinages dauphinois. Grenoble, Éditions J. Rey, 1925. Paperback. René Jouanne, Alençon sur les pas de Balzac. In: Le Pays Bas-Normand, 1970, N° 4. Paperback. Lot de 10 études sur Balzac : Aline Mura-Brunel, Silence du roman - Balzac et le romanesque contemporain. Amsterdam, Rodopi, 2004. Kristina Wingard, Les problèmes des couples mariés dans La Comédie humaine d'Honoré de Balzac. Uppsala, 1978. Thesis. Patrick Berthier, Balzac et l'imprimerie. Imprimerie nationale, 1999. Pierre Danger, L'éros balzacien - structures du désir dans la Comédie Humaine. José Corti, 1989. Claude-Marie Senninger, Honoré de Balzac par Théophile Gautier. Paris, Nizet, 1980. [Lucienne Frappier-Mazur, Genèses du Roman - Balzac et Sand. Amsterdam, Rodopi, 2004. Linzy Erika Dickinson, Theatre in Balzac's La Comédie humaine. Amsterdam, Rodopi, 2000. H.U. Forest, L'esthétique du roman balzacien. Paris, PUF, 1950. [Maison Balzac], "Souscrivez à la comédie humaine". 2001. Paperback set.

Estim. 2 200 - 2 500 EUR

ARMANDO CARDONA TORRANDELL (Barcelona, 1928 - Sant Pere de Ribes, Barcelona, 1995). Untitled, 1957. Acrylic on board. Signed and dated on the back. Measurements: 38x 46 cm; 43 x 51 cm (frame). Cardona Torrandell began his training in the humanities, to later delve into painting. His work, plastic testimony of the current world, is characterized by variegated compositions, full of human faces, calligraphic elements and inscriptions, which define his personal iconography. He organized his work in cycles: "Retablos de la gente" (1956), "Barcas" (1956), "Máquinas" (1957), "Paisajes Concretos" (1960), "Universo concentracional" (1965), "Numancia" (1972), "Naufragios" (1979), etc. He also dedicated some tribute works to Sartre, Antonio Machado, Ungaretti and Lluís Companys. In 1965 he did the scenography for "Ronda de muerte a Sinera", by Espriu-Salvat, and the following year for "La buena persona de Sezuan", by Brecth. He also collaborated with the Sitges Theater Festival. He was associated with the Parpalló Group, and was part of Crónica de la Realidad and Intrarealismo. In 1971 he was awarded the Ynglada-Guillot drawing prize. Cardona Torrandell is currently represented in the Victor Balaguer Museum in Vilanova i la Geltrú, the Vila Casas Foundation, the Rafael Zabaleta Museum and other public and private collections.

Starting price 1000 EUR

Armand MARTIAL (1884-1960), "Baigneuse", patinated terracotta signed on the side of the terrace, Height: 80 cm

Estim. 600 - 800 EUR

LAFRIQUE, Armand. Two autograph letters signed to the painter Maurice Feuillet. Hanoi, 1902-1903 1. Hanoi, November 27, 1902. Bifolium measuring 214x133 mm. On letterhead 'Gouvernement General de l'Indo-Chine ... Tonkin." French text on 2 pages, 2 blank pages follow. Handwriting in cursive, brown ink. Date at head "Hanoi 27 Novbre 1902"; signature on page 2 'Lafrique Administrateur'. With envelope headed "Exposition de Hanoi en 1902," traveled. Good conservation. Concerns the 'Exposition de Hanoi', November 3, 1902-January 31, 1903, of which Lafrique, a French government official in the colony, had been one of the organizers. Feuillet had sent some of his paintings: "...je le plaisir de vous announcer que votre belle exposition est arrive en excellent eta a Hanoi et orne dignement le coquet pavillon de la Presse. Recevez tous nos compliments. "Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. Along with: 2. Hanoi, March 6, 1903. Bifolio measuring 214x133 mm. On letterhead 'Gouvernement General de l'Indo-Chine ... Tonkin." Text in French on 4 pages. Handwriting in cursive, brown ink. Date at head 'Hanoi 6 Mars 1903'; signature on page 4 'Lafrique Administrateur'. With envelope headed "Residence Superieure du Tonkin," traveled. Good preservation. Feuillet's paintings are to be sent back to France: "Un des chefs surveillera lui-meme l'emballage et expedition de vos tableaux ... Les delegues des Societes françaises des Beaux-Arts ont ete tres severes (pour ne pas dire plus) ..." The letter concludes with a news item with a reference to Pasteur: "Le pauvre ami et sa femme suivent depuis 3 jours le tratitemente antirabique. Ils on tete mordus par un chien enrage. En ce moment 29 personnes don't 16 Europeens suivent le traitement Pasteur a Hannoi. C'est effrayant!"Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-Resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. - Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. LAFRIQUE, Armand. Two signed autograph letters to the painter Maurice Feuillet. Hanoi, 1902-1903. 1. Hanoi, November 27, 1902. Bifolio, 214x133 mm. On headed paper 'Gouvernement General de l'Indo-Chine ... Tonkin'. French text on 2 pages, follows two blanks. Cursive writing in brown ink. Date on head 'Hanoi 27 Novbre 1902'; signature at the end 'Lafrique Administrateur'. Addressed on letter envelope "Residence Superieure du Tonkin," traveled. Good specimen. It concerns the Exposition de Hanoi, November 3, 1902-January 31, 1903, of which Lafrique, an official of the French government in the colony, had been one of the organizers. Feuillet had sent some of his paintings: "... I am pleased to announce that your beautiful exhibition is arriving in Hanoi in excellent condition and adorned with the coquet pavillon de la Presse. Receive all our compliments. "Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris.Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. With: 2. Hanoi, March 6, 1903. Bifolio, 214x133 mm. On headed paper 'Gouvernement General de l'Indo-Chine ... Tonkin'. French text on 4 pages. Cursive writing in brown ink. Date on head "Hanoi 6 Mars 1903"; signature at the end of page 4 'Lafrique Administrateur'. Addressed on letter envelope 'Residence Superieure du Tonkin', traveled. Good specimen. Feuillet's paintings must be sent back to France: "Un des chefs surveillera lui-meme l'emballage et expedition de vos tableaux ... Les delegues des Societes françaises des Beaux-Arts ont ete tres severes (pour ne pas dire plus) ..." The letter ends with a news with a reference to Pasteur: "Le pauvre ami et sa femme suivent depuis 3 jours le tratitemente antirabique. Ils on tete mordus par un chien enrage. At this moment 29 people don't 16 Europeans suivent the Pasteur traitement in Hannoi. C'est effrayant!"Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. -Maurice Alexandre Albert Feuillet, 187

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