PAIR OF LEAF-SHAPED STOOLS, EARLY 20TH CENTURY.
Carved wood.
Holes due to xylop…

Description

PAIR OF LEAF-SHAPED STOOLS, EARLY 20TH CENTURY. Carved wood. Holes due to xylophagous attack. 28 x 40 x 38 cm.

542

PAIR OF LEAF-SHAPED STOOLS, EARLY 20TH CENTURY. Carved wood. Holes due to xylophagous attack. 28 x 40 x 38 cm.

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Estim. 150 - 225 EUR

Four books of specialist literature on Art Nouveau jewellery consisting of: The Art of the Jeweller, exhibition catalogue of the British Museum, Volume I text, Volume II plates; Twentieth-Century Jewelry, Barbara Cartlidge; Russian Jewellery, Mid 19th century - 20th century; Le Bijou en suisse au XXe siécle, la bibliothique des arts, format max. 4°, minor traces of study.

Estim. 20 - 30 EUR

Collection of jewellery literature Eight pieces, consisting of: 1) Bijoux Art Déco by Sylvie Raulet Paris Editions du Regard 1984, in French; 2) Costume Jewelry, the Fun of Collecting, by Nancy N. Schiffer, self-published 1988; 3) René Lalique, Schmuck und Objets d' Art, 1890-1910, monograph and catalogue raisonné by Sigrid Barten; 4) Antique and 20th. Century Jewellery by Vivienne Becker; 5) The Triumph of Art Nouveau Paris Exhibition 1900 by Philippe Jullian; 6) The Art of the Jeweller, a catalogue of the Hull Grundy Gift to the British Museum, Vol. I and II (text and illus. edited by Hugh Tait); plus 7) Jugendstil, Aufbruch zu einer neuen Architektur by Keiichi Tahara, format max. gr. 4°, one in original slipcase, neat condition with signs of use and age.

Estim. 100 - 150 EUR

Edward H. Compton, "Schneekoppe vom Kammweg" View of the highest mountain of the Giant Mountains with the Schneekoppenbaude, elaborate watercolour etching, 1st half of the 20th century, signed in pencil below the depiction on the right "E. H. Compton " and "p." (posthumous?) and titled "Schneekoppe von Kammweg (Riesengebirge)" on the left, signed "E. Harrison Compton" in the image lower left, framed behind glass, dimensions approx. 21 x 28.5 cm. Artist information: German-EnglishEnglish landscape and architectural painter and illustrator (1881 Feldafing am Starnberger See - 1960 Feldafing), pupil of his father Edward Theodore Compton and the London School of Arts and Crafts, subsequently returned to Bavaria, travelled through Tyrol, Upper Italy, Germany and England, member of the Munich artists' cooperative, exhibited at the Glaspalast in Munich, worked for a time in Potsdam and Würzburg, active in Munich and Feldafing am Starnberger See, source: Thieme-Becker, Vollmer, Bruckmann "Münchner Maler des 19./20th century", Dressler and Wikipedia.

Estim. 700 - 1 400 EUR

so-called trumpeter clock, Black Forest around1910/20, richly carved front (similar to cuckoo clock), orig. top, partly old worm infestation, at oak leaf and four antler tips replaced, bezel as a large French horn, horn hands partly carved, numerals in seconds, at the half-hour call a soldier comes out from behind the double doors (right hand with trumpet is missing), while he blows on three tin trumpets of different keys via bellows, skeleton. Brass plate movement according to: G.H.S. (Gordian Hettich & son, Furtwangen), hook gear, drive via two chains and pine cone weights, height approx. 75cm, condition of movement/housing 3

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