Null "COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY.
Porcelain.
Restored br…

Description

"COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY. Porcelain. Restored breaks. Without stamp. Height 32 cm.

347

"COUNTRY SCENE", GERMAN FIGURAL GROUP, 20TH CENTURY. Porcelain. Restored breaks. Without stamp. Height 32 cm.

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Estim. 450 - 675 EUR

Georg Schrimpf, attr, "Blick von Krünn ins Wettersteingebirge" morning and hazy, summery foothill landscape, with hay barns in a wide plain in front of a rising mountain backdrop, fine neo-subtle landscape painting, watercolour on Schoellershammer cardboard, around 1930, unsigned, inscribed on the reverse "Blick von Krünn [sic. - meint: Krün] ins Wettersteingebirge (Obb.)", owner's annotation "Dr. Rauh Offenbach" and modern label with attribution "Schrimpf, Georg, German: München 1889-1938 Berlin", somewhat foxed and light-stained, framed behind glass and mat, mat opening approx. 46.5 x 66 cm. Artist information: actually Georg Gerhard Schrimpf, important painter and graphic artist of the New Objectivity (1889 Munich to 1938 Berlin), artistically self-taught, 1902-05 apprenticeship as a confectioner in Passau, journeyman years in Regensburg, Düsseldorf, Antwerp and Rotterdam, then travelling to Belgium and France, from 1913 friendship with Oskar Maria Graf, together travelling through Switzerland and northern Italy, staying for several months in the anarchist colony "Monte Verità" above Ascona, 1914 called up for military service, discharged in 1915 due to illness, from 1915 employed in a chocolate factory in Berlin, parallel intensive artistic activity, supported by Herwarth Walden, 1916 first exhibition in the gallery "Der Sturm", collaboration on the magazines "der Sturm" and "Die Aktion", 1917 moved to Munich, 1917 exhibition in the Galerie Neue Kunst, member of the KPD until 1919, active participation in the Munich Soviet Republic and member of the November Group, 1921 member of the "Neue Sezession" and exhibition participation in the Munich Glaspalast, 1922 trip to Italy, 1925 member of "Rote Hilfe", 1927-33 taught at the Kunstgewerbeschule München, 1932 with Adolf Dietrich, Hasso von Hugo, Theo Champion, Alexander Kanoldt, Franz Radziwill and Frank Lenk founded the artists' group "Die Sieben", 1933 appointed associate professor at the Staatliche Hochschule für Kunsterziehung in Berlin-Schöneberg, 1938 dismissed from the university by order of the Nazis, despite being categorised as a degenerate artist by Joseph Goebbels, several Nazi celebrities such as the Reich Ministers Darré and Hess were among his collectors, represented in the "Degenerate Art" exhibition in 1937, member of the Reich Association of Visual Artists in Germany, the Berlin Secession, the New Secession in Munich and the German Artists' Association in Weimar, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Wikipedia, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Davidson and Internet.

Estim. 900 - 1 350 EUR

Ludwig Adam Kunz, Table Still Life opulent arrangement of a hare, carp, lobster and oysters next to a bouquet of peonies in a silver Historicist vase, an etagere with fruit and melons and a white cockatoo on a flowerpot, Bruckmann "Münchner Maler des 19./20. Jh." notes: "... he attempted to succeed Frans Snyder, Jan Fyt or Jan Brueghel the Elder. His works have an old-masterly colouring, the objects are brought out of deep darkness in brilliant, rich colours by a warm, luminous incident light. In terms of subject matter, Kunz mainly focussed on still lifes of flowers and fruit, which he occasionally enlivened with animals - in particular a monkey or a parrot. He was also a master in the depiction of precious objects such as old wine glasses or ivory and silver tankards. ...", glazed, partially slightly impasto painting, oil on wood panel, signed and dated "L. Adam Kunz 1911" top right, old handwritten label on the reverse "Adam Ludw. Ad. Kunz - Vienna 1857-1929 Munich "Prunkstilleben" Wood 35.5 x 57 cm, a. Tellerrand bez. 1911", in need of minor restoration, originally framed in a gilt stucco frame, rebate dimensions approx. 35.5 x 57 cm. Artist information: actually Ludwig Adam Kunz, German-Austrian painterAustrian painter (1857 Vienna - 1929 Munich-Maria Einsiedel), regarded as the "Lenbach of still life painting", initially studied sculpture under Victor Oskar Tilgner, 1873-75 studied sculpture at the Vienna Academy, 1875 turned to painting and until 1878 pupil of the genre painter Josef Fux in Vienna, from 1878 further training in Munich with Franz von Lenbach and Friedrich August von Kaulbach, influenced by the painting of Peter Paul Rubens and Hans Makart, 1885-96 stay in Paris and supported by Mihály von Munkácsy, from 1896 Kunz lived in the Asam-Schlössl in the Munich district of Thalkirchen-Maria Einsiedel, Appointed professor at the Munich Academy in 1896, member of the Munich Artists' Association, exhibited at the Vienna, Dresden and Berlin art exhibitions, the Madrid Columbus Exhibition in 1892 and the Munich Glass Palace from 1917-27, received various honours such as the Great Golden Medal at the International Art Exhibition in Munich in 1897, on friendly terms with Lenbach, both artists sometimes created joint works in a division of labour, like their artistic role models Rubens and Brueghel, Lenbach painted the portraits and Kunz the framing garland of flowers, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", ÖBL, Boetticher, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Dressler, Fuchs, Paviere and Wikipedia.

Estim. 900 - 1 350 EUR

Wilhelm Velten, Jäger am Sturzbach Ultravagant high mountain landscape with a hunter, by a mountain stream falling into the valley, in front of a towering mountain backdrop, impasto landscape painting with broad brushstrokes in restrained, tonal colours, oil on canvas, c. 1880, signed and inscribed "W. Velten München", relined, restored, framed in a newer, very beautiful matching gilt frame, rebate dimensions approx. 91 x 76 cm. Ultravagant high mountain landscape with a hunter, by a mountain stream falling into the valley, in front of a towering mountain backdrop, impasto landscape painting with broad brushstrokes in restrained, tonal colours, oil on canvas, c. 1880, signed and inscribed "W. Velten München", relined, restored, framed in a newer, very beautiful matching gilt frame, rebate dimensions approx. 91 x 76 cm. Artist info: German-Russian genre painter. Genre painter (1847 St. Petersburg - 1929 Munich), studied 1867-69 at the St. Petersburg Academy, from 1869 studied at the Munich Academy, here from 1870 pupil of Wilhelm von Diez, later professor at the Munich Academy, from 1890 member of the Dachau artists' colony, represented among others in the Fine Arts Acad. Buffalo, the Neue Pinakothek and the Städtische Galerie München as well as the Staatsgalerie Prag, member of the Münchner Künstlergenossenschaft and the Münchner Sezession, active in Munich, from 1890 regular stays in Dachau and Etzenhausen, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Benezit, Dressler and Matrikel der Akademie München, "Dachauer Maler - Die Kunstlandschaft von 1801-1946", Boetticher, Bruckmann "Münchner Maler des 19./20th century", Müller-Singer and Wikipedia.

Estim. 80 - 120 EUR

Hans Heinen, "Aprilwetter" Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Artist info: actually Johann Heinen, German painter. Painter, copyist and restorer of paintings (1860 Krefeld to 1943 Munich), artistically self-taught, active in Munich from 1890, participated in the exhibitions in the Glaspalast Munich in 1908 and 1917 as well as in the "Juryfreie Kunstausstellung" in 1911 and 1916, member of the Reichsverband Bildender Künstler Deutschlands, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse and Müller-Singer.

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