Null TWO BRACELETS WITH LARGE HAWSERS.
Made in silver, bracelets formed by three…

Description

TWO BRACELETS WITH LARGE HAWSERS. Made in silver, bracelets formed by three large links in the shape of a hawser. 18 cm each.

145

TWO BRACELETS WITH LARGE HAWSERS. Made in silver, bracelets formed by three large links in the shape of a hawser. 18 cm each.

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Estim. 1 500 - 2 000 EUR

Desk, mid 20th century design. Rosewood. Needs refinishing. Measurements: 76 x 152 x 85 cm. Desk made entirely of rosewood, with a design of refined shapes, regular straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous, organic lines. It consists of a rectangular, sharp-edged tabletop, raised on two side frames made up of two straight, rectangular legs, joined together by a lower footing of the same shape, and a half-height crossbar, which reinforces the construction. The back of the cabinet is closed with three doors, two simple side doors and a central one that acts as a hinged lid, each with an independent lock. Two drawer units are located at the front, on either side of the central leg compartment. Each side body has three drawers with smooth, moulded fronts and a recessed handle, made from the same wood.

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Small desk with Campus legs. France, 1960s. In oak wood. Measurements: 77 x 86 x 43 cm. Small desk made entirely of oak, including the legs, Campus model. It responds to a design imbued with personality, with handcrafted finishes that reveal a quality manufacture. Its structure is asymmetrical, raised on wedge-shaped legs, with two drawers lined up on the left side and a pencil holder with integrated sliding top at waist level. The latter simulates a third drawer in order to visually harmonize the whole.

Estim. 2 000 - 2 200 EUR

Constructivist sideboard or credenza. Italy, 1950s. Walnut, repainted. Measurements: 82 x 75 x 50 cm. This sideboard or credenza entirely made of walnut wood is distinguished by its constructivist character based on geometric shapes harmoniously assembled. It is raised on four angled legs formed by recesses and protrusions that support the main body with opening through two large doors. The emphasis on space, typical of the constructivist movement, can be appreciated.

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FOUR SILVER IMPERSE CANDELIERS, ROME, 19th CENTURY, smooth stem with two-faced Janus relief, borders at base engraved with palmette motifs. Gross weight g 2900, h 30 cm

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