Null LONG NECKLACE WITH A BAROQUE PEARL.
Without clasp.
70 cm.

Description

LONG NECKLACE WITH A BAROQUE PEARL. Without clasp. 70 cm.

120

LONG NECKLACE WITH A BAROQUE PEARL. Without clasp. 70 cm.

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Estim. 3 000 - 5 000 EUR

RPA SYSTEMS A CUSTOM .338 LAPUA MAGNUM (ACK. IMP. NON STANDARD) 'QUADLOCK' BOLT-MAGAZINE LONG RANGE TARGET RIFLE, serial no. 214007, for 2018, 32 1/4in. unsighted fluted Bartlein nitro barrel with muzzle brake, RPA quadlock receiver with accessory rail mounted with an IOR 4-28x50 telescopic sight, serial no. 06515, in Tier One ring mounts, RPA match trigger, RPA bottom metal conversion with three metal magazines, custom PSE pistolgrip stock with adjustable comb, melting skull effect patterning, Atlas folding bipod; together with a spare bolt extractor kit, nylon bolt carrier, a Forster Products .338 Lap. Mag. Full Length Sizing Die and a Forster Products .338 Lap. Mag. Ultra Micrometer Seater Die. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

Estim. 900 - 1 000 EUR

GIUSEPPE TERRAGNI (Italy, 1904 - 1943). Table "Novocomum". BD Barcelona Design edition, 1980s. Cherry wood. Measurements: 61 x 70 cm (small diameter) and 90 cm (large diameter). The "Novocomum" table was created between 1929 and 1930 by Terragni as part of the furniture for the headquarters of the Federazione degli Agricoltori, in the building of the same name in Como, which he designed. It is a piece of furniture with simple volumes, an example of rationalism and based on the sober combination of straight and curved planes. Giuseppe Terragni was an Italian architect and designer, pioneer of rationalism and author of the famous Casa del Fascio. He studied at the Technical College of Como, and then finished architecture at the Politecnico di Milano. In 1927, together with his brother Attilio, he opened an office in Como, which remained active until Giuseppe's death during World War II. Terragni created some of the most emblematic buildings of modern architecture in Italy and led Italian Rationalism, always striving to position architecture away from neoclassical and neo-Baroque revivalism. Although his career was short, cut short by his early death, Terragni created an important group of projects and consolidated concepts such as the lamellar wall or the hollowing out (he used to empty certain parts of the total volume, without losing the reference of the original object).

Estim. 12 000 - 13 000 EUR

PIERRE CHAPO (Paris, 1927-1987). Extending dining table model T40, 1970s. Elm wood. With two extensions. Without extensions the table has a round shape, with the extensions it becomes oval. Measurements: 170 x 120 x 74 cm (measurements with one extension); 120 x 74 x 74 x 74 cm (measurements without extension). Round/oval dining table T40 designed by Pierre Chapo. Like all Chapo furniture, this is a bold and robust piece of furniture anchored to tradition. It is distinguished by the four square-section legs that curve at the bottom (aesthetic that acquires the name of "duck foot") to converge at the central shaft. Pierre Chapo was initially interested in painting, but his meeting with a shipbuilding carpenter in 1947 introduced him to wood and carpentry, and led him to study architecture at the École nationale supérieure des Beaux-Arts in Paris. After traveling in Scandinavia, Central America and working for a year in the United States, he returned to Paris and pursued his interest in wood, crafting furniture mainly from solid oak, elm, ash or teak with a dual concern for contemporary design and traditional know-how. In the French capital he opened his own workshop. Influenced by the work of Charlotte Perriand for the alpine ski resort of Les Arcs, his participation in the 1967 Salon de la Société des artistes décorateurs earned him a bronze medal.

Estim. 600 - 800 EUR

Side table from the 1950s. Gilded brass and mosaic on the top. Measurements: 55,5 x 70 x 70 cm. Low side table of design of the fifties, with triangular top decorated with mosaics of sepia, red and yellow tones, and three legs of the type "bambi", of circular section and narrower towards the base, typical of the fifties. This type of legs add lightness to the design.

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