Null THREE RINGS WITH BRILLIANTS SIMILE.
Two of them in silver with diamonds sim…

Description

THREE RINGS WITH BRILLIANTS SIMILE. Two of them in silver with diamonds simile pavé, and the other in the shape of a snake with diamonds simile pavé. Sizes 16/56 and 11/51.

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THREE RINGS WITH BRILLIANTS SIMILE. Two of them in silver with diamonds simile pavé, and the other in the shape of a snake with diamonds simile pavé. Sizes 16/56 and 11/51.

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Estim. 1 500 - 2 000 EUR

Desk, mid 20th century design. Rosewood. Needs refinishing. Measurements: 76 x 152 x 85 cm. Desk made entirely of rosewood, with a design of refined shapes, regular straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous, organic lines. It consists of a rectangular, sharp-edged tabletop, raised on two side frames made up of two straight, rectangular legs, joined together by a lower footing of the same shape, and a half-height crossbar, which reinforces the construction. The back of the cabinet is closed with three doors, two simple side doors and a central one that acts as a hinged lid, each with an independent lock. Two drawer units are located at the front, on either side of the central leg compartment. Each side body has three drawers with smooth, moulded fronts and a recessed handle, made from the same wood.

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ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 1 000 - 1 200 EUR

Floor lamp, 1940s-50s. Gilt metal. Electrified. Measurements: 168 x 60 x 45 cm. Floor lamp of original concept, with a design based on three metal shafts that emulate the knots of the bamboo and leaves in the cane. They are finished off with cylindrical shades with lattice-like openwork.

Estim. 800 - 900 EUR

Side table in 20th century brutalist style. Wooden base and glass top. Slight damage to the wooden base. Measurements: 46 x 76 x 76 cm. The strong geometric shapes of this table harmonise with the simplicity of the style and fit in with the brutalist trend, based on the adaptation of the original raw concept and idea, adapting them to all spaces in a subtle and elegant way.

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