Null Works of Father Paolo Segneri of the Society of Jesus, distributed in four …
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Works of Father Paolo Segneri of the Society of Jesus, distributed in four tomes, as the following page shows: with a brief account of his life Venice 1728. In the Baglioni Print Shop In 4to (mm 227x 173), four tomes bound in leather with title printed on spine (4)

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Works of Father Paolo Segneri of the Society of Jesus, distributed in four tomes, as the following page shows: with a brief account of his life Venice 1728. In the Baglioni Print Shop In 4to (mm 227x 173), four tomes bound in leather with title printed on spine (4)

Estimate 300 - 400 EUR
Starting price 200 EUR

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Sale fees: 29 %

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Refutation of two works by Paolo Sarpi on the Pope's temporal power: 1 BELLARMINO (Roberto): Risposta del Card. Bellarmino a due libretti, uno de quali s'intitola Risposta di un Dottore in teologia, ad una lettera serittagli da un Rever. suo amico, sopra il Brevz si Censure dalla Santita di Paolo V publicate contra li Signori Venetiani. Et l'altro trattato, & revolutione sopra la validità delle Scommuniche di Gio. Gersone teologo, & Cancelliere Parisino ; tradotto dalla lingua latina nella volgare con ogni sedeltà, in opusculi due. Roma, Appresso Guglielmo Faciotto, 1606, et restampata in Ferrara, nella Stampa Camerale, 95 pp. followed by 2 BOVIO (Giovanni Antonio): Risposta del P. Maestro Gio. Antonio Bovio da Novara carmelitano alle considerationi del Padre Maestro Paolo da Venetia, sopra le Censure della Santità di Papa Paolo Quinto contra la Republica di Venetia. Roma, Appresso Guglielmo Facciotto, et in Bologna, 1606, 158 pages. 2 works in 1 volume, 10 by 15.3 cm. Muted 19th century covers. Small wetness in the lower margin of the first 10 ff. of the 1st work, otherwise very good condition. Interesting combination of two works refuting the positions of the Venetian Republic, which contested the Pope's temporal power. 1) Ferrara printing, published the same year as the original. Rare. IT \ICCU \UBOE\ 117769. The Republic of Venice commissioned Paolo Sarpi and various theologians, including Marsili, to defend its policies. They published two incendiaries, which Bellarmin refutes in this work, first published in Rome in 1606 and reprinted the same year in the main cities of the Papal States. This Ferrara edition is rare: the ICCU locates only 3 copies. 2) Edition published the same year as the original in-4. IT \ICCU \UBOE\021629. Sarpi also published his considerations on Paul V's censorship, denouncing it. Father Bovio, provincial of the Carmelite order, responded with this work, in which he justifies Venice's excommunication.

Way of Vicente Macip, Important Saint Mark the Evangelist next to the Angel, Valencian school of the Macip of the 16th century Oil on panel, this lot is paired with lot 78 of our current auction. Table measurements: 69 x 45 cm, framed measurements: 77 x 52 cm. Provenance: Madrid palace, private collection, El Viso. Juan Vicente Macip, known as Vicente Macip, sometimes transcribed Masip or Maçip (Andilla, ca. 1475-Valencia, 1545) was a Spanish Renaissance painter, father of the illustrious painter Vicente Juan Macip, better known as Juan de Juanes. He is considered a painter of the 19th century influenced by the works of Paolo de San Leocadio and Rodrigo de Osona. The primitive 19th-century appearance of his early works is due to them, such as the Porta-Coeli altarpiece in the Museum of Fine Arts of Valencia. The arrival in Valencia of some works by Sebastiano del Piombo will mark his later work, as is evident in the most notable of them, the old altarpiece of the main altar of the Segorbe cathedral, which he took charge of between 1529 and 1532, perhaps already counting on the collaboration of his son, which would explain the change in the orientation of his painting. The altarpiece of the Virgen del Remedio in the Church of San Bartolomé in Benicarló is also attributed to him. It is a painting with the Virgin and Child sitting on the throne, surrounded by different saints. The Prado Museum has, among others, two of his paintings in a circular format, representing the Visitation and the Martyrdom of Saint Agnes, painted for the chapel of Saint Thomas of Villanueva in the convent of Saint Julián in Valencia. Provenance: important private collection, El Viso, Madrid. perhaps already counting on the collaboration of his son, which would explain the change in the orientation of his painting. The altarpiece of the Virgen del Remedio in the Church of San Bartolomé in Benicarló is also attributed to him. It is a painting with the Virgin and Child sitting on the ...