Null Grégory PAISLEY
OGC Nice jersey N°28 prepared for the 2009-2010 season of t…

Description

Grégory PAISLEY OGC Nice jersey N°28 prepared for the 2009-2010 season of the French Ligue 1 Championship. The player participates in 29 matches. Match to be determined. Authentic player's autograph on the number on the back. Lotto brand. Made in Romania. Size L. Match issued shirt.

460

Grégory PAISLEY OGC Nice jersey N°28 prepared for the 2009-2010 season of the French Ligue 1 Championship. The player participates in 29 matches. Match to be determined. Authentic player's autograph on the number on the back. Lotto brand. Made in Romania. Size L. Match issued shirt.

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Estim. 20 000 - 30 000 EUR

George Washington Autograph Letter Signed to Architect of the Capitol William Thornton ALS signed “Go: Washington,” one page, 7.25 x 9, August 28, 1799. Handwritten letter to William Thornton, the architect who designed the United States Capitol. In full: "I would thank you for requesting Mr. Blagden to give me as early notice of the time, and amount, of his next call upon me, as he can, that I may prepare accordingly." In fine condition, with some faint staining, and a few short fold splits. Accompanied by a vintage press photo of one-time owner Joseph Plummer, a collector of books and Americana, holding the letter. William Thornton (1759-1828) was an American physician, inventor, painter, and architect who designed the United States Capitol. He was appointed by President George Washington as Architect of the Capitol in 1793, and by Thomas Jefferson as first Superintendent of the United States Patent Office in 1802. The present letter from Washington to Thornton is one of more than thirty recorded in The Papers of George Washington; it relates to the construction of two townhouses on Capitol Hill in Washington, D.C., designed by George Washington and built by George Blagden. During this period, Thornton was serving as Commissioner of the Federal City, and in that capacity offered advice and official approval for Washington's plans. The project had begun in the fall of 1798 with Washington's purchase of a vacant lot on the west side of North Capitol Street. Inspired by a building he had seen in Philadelphia, Washington described his vision as 'two houses, united Doors in the center, a Pediment in the Roof and dormer windows on each side of it in front, skylight in the rear' and 'three flush stories of Brick, besides Garret room...capable of accommodating between twenty and thirty borders...not costly, but elegantly plain.' Washington's builder, George Blagden, who worked as superintendent of stonework and masons at the Capitol, broke ground in December 1798. Washington took an active role in overseeing the project, providing detailed specifications for the buildings and sourcing many materials himself in order to reduce costs. In this letter, he inquires about the exact time of Blagden's next visit, so that he can "prepare accordingly"—in other words, have funds ready to pay him. Washington had secured a loan from the Bank of Alexandria to pay Blagden a $1,000 installment in July, and would pay him $1,000 more, through Thornton, in September. On November 9, 1799, Washington recorded in his diary: 'Viewed my building in the Federal City.' A week before his death, he attempted to purchase plaster for the interior. He fell ill in December, and passed away before seeing the completion of the building in 1800. George Washington's nephew and heir, Bushrod Washington, finished and furnished the townhouses, operating them as a boarding house for members of Congress. Several prominent early American legislators stayed there, including Speaker of the House Nathaniel Macon of North Carolina and William Crawford of Georgia. The property was consumed by fire when Washington burned during the War of 1812, and the lot and charred remains of the building were purchased for a mere $1,446. The buildings were restored into a larger hotel in the mid-19th century, but razed in the early 20th. Today, there stands a plaque marking their place: 'Here were the lots acquired on October 3, 1798 by General George Washington and on which he built two brick dwellings from designs by Dr. William Thornton. A dwelling remodeled from the two dwellings was owned and occupied by Admiral Charles Wilkes, the famous explorer.'

Estim. 800 - 1 000 EUR

HENRI GÖETZ (United States, 1909 - France, 1989). "Composition", 1978. Mixed media on paper. Signed and dated in the lower left corner. Measurements: 28 x 37 cm; 30 x 39 cm (frame). French-American painter and engraver, Henri Goetz is as well known for his work as for his invention of the carborundum engraving process, a procedure that uses carbon silicide as an abrasive. Born in New York, he began to draw as a child, feeling frustrated by the clumsiness of his drawings. He later began his training at the Grand Central School of Art in New York, and after finishing his studies there, in 1930 he went to Paris to broaden his knowledge. In the French capital he attended courses at the Colarossi, Julian and Grande Chaumière Academies, where he met his wife, the Dutch painter Christine Boumeester, born in Java. During these years Goetz already developed a personal surrealist style, which influenced his wife's work. In 1934, thanks to his friend Victor Bauer, an Austrian artist, Goetz held his first solo exhibition in London. It was also at this time that he met Hans Hartung, who introduced him to his circle of friends. Through him he comes into contact with Fernand Léger and Wassily Kandinsky. In 1937 he had his first exhibition in Paris, at the Bonaparte Gallery. After the outbreak of the Second World War, Goetz and his wife will collaborate with the French Resistance printing pamphlets and posters, although their main occupation will be to create identity cards. In 1939 Goetz, Christian Dotremont and Raoul Ubac created "La Main à Plume", the first surrealist publication under the occupation. After the war, Goetz devoted himself to visiting the studio of a different artist every week, and thus met Picasso, Brancusi, Julio Gonzalez, Picabia and Max Ernst. In 1947 he became the protagonist of Alain Resnais' short film "Portrait de Henri Goetz", made for the Musée National d'Art Moderne. Two years later, he began teaching, first independently and then at the Académie Ranson. Later he will also teach at the Grande Chaumière, and finally he will found his own academy, although he never charged for his lessons. In the meantime, he continued to exhibit his work in prominent European galleries. In 1968 he accepted a teaching position at the Ecole des Beaux-Arts in Paris, but when the school closed due to student strikes two weeks later he moved to the University Paris 8. That same year his wife became ill, and three years later she died. After her death Goetz came across her diaries, which he published in a book with a foreword by himself. After being hospitalized for illness, the artist committed suicide by jumping from a window on the fifth floor of the hospital in Nice in 1989. He is currently represented at the Goetz-Boumeester Museum in Villefranche-sur-Mer, on the French Riviera, as well as at the Centre Georges Pompidou in Paris, the Miró Foundation in Barcelona, the San Francisco Museum of Art, the French State Museum, the Budapest Museum, the National Museum of Modern Art in Brussels and many others around the world.

Starting price 300 EUR

Album "Souvenir des Alpes-Maritimes Nice, Monaco, Menton, La Corniche, Cannes Views and sites : Cannes, "Vue prise de la Californie", "Le boulevard de la Croisette & la Ville", "Ile Sainte-Marguerite, la prison de Masque de Fer", Nice, "La Promenade des Anglais", "La Baie des Anges & la ville", "Vue générale du Port", Villefranche, "Vue Générale prise de route de Beaulieu", Monaco, "Vue Générale de la Principauté", "La Cour d'Honneur du Palais", "Les jardins du Casino de Monte-Carlo", "Le Théâtre du Casino de Monte-Carlo", Roquebrune "Vue Générale prise de la route de la Corniche", Menton Vue Générale, c. 1880 20 albumen prints, mounted on album pages, typed captions in French in the margin, the album bears a consignment: "This album was given to me by the Duc de Doudeauville on a charming excursion made with him and Papa to the California coast. Léonie d'Hunolstein, A mon cher Papa, Juin 1881". Approx. 28 x 14.5 cm (27.5 x 45 cm)

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