Null Neil LEIFER

Ali-Foreman, October 30, 1974, Kinshasa

Pigment print under a…

Description

Neil LEIFER Ali-Foreman, October 30, 1974, Kinshasa Pigment print under author's control Signed in the margin. 16 x 20 cm Note. Cornered, Mohamed Ali feels his time is coming.

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Neil LEIFER Ali-Foreman, October 30, 1974, Kinshasa Pigment print under author's control Signed in the margin. 16 x 20 cm Note. Cornered, Mohamed Ali feels his time is coming.

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Estim. 90 - 135 EUR

Otmar Alt, Paar Grafiken colourful compositions with figurative echoes, colour screenprints on light card, around 2000, each signed "O. Alt" in lead below the image on the right, minimal traces of storage, copies in fresh colours, image dimensions approx. 32 x 30 cm, sheet dimensions approx. 41 x 37 cm. Artist information: German painter, graphic artist, illustrator, sculptor and porcelain painter (born 1940 in Wernigerode/Harz), 1951 moved to West Berlin, 1956-58 apprenticeship as window dresser and poster painter, 1959-60 studied at the Meisterschule für Kunsthandwerk Berlin, 1960-66 at the Hochschule der Bildenden Künste (HBK) Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel, 1964-66 master student of Prof. Hermann Bachmann, from 1966 onwards at the Hochschule der Bildenden Künste (HBK) Berlin under Karl Hartung, Bernhard Heiliger and Ulrich Knispel. Hermann Bachmann, freelance from 1966, worked as a stage design assistant in Frankfurt am Main and Trier, 1967 Franz Roh Prize, from 1969 member of the artists' association "Edition Außenkunst", undertook numerous study trips, including to the USA, Canada, Greenland, Finland, Iceland, Paris and the South Seas, 1974-77 stay in Italy, from around 1969 also sculptor, worked for the Rosenthal/Selb porcelain manufactory, among others, lives in Hamm/Norddinker, source: AKL and Internet.

Estim. 150 - 225 EUR

Matthias Schöneburg, Paar Zeichnungen junge Frau mit Sonnenhut und in die Ferne gerichtettem Blick und stehende weibliche Akt, pastel chalks with partial white heightening on tinted paper, dated "2002" and "2009" as well as ligated monogram "MS", each matted and framed behind glass, folded dimensions approx. 60 x 40 cm and 48 x 30 cm. Artist info: German painter and graphic artist (born 1974 in Weimar), apprenticeship as a carpenter, worked as a technician, 1998-2002 studied painting in Mannheim, freelance since 2004, also works as a teacher at various institutions, source: Website of the artist.

Estim. 50 - 60 EUR

[BONAPARTE (Louis Napoléon)]. Cour des Pairs. Attack of August 6, 1840. Réquisitoires et répliques de M. Franck Carré, procureur général du Roi. Paris, Imprimerie Royale, 1840. In-4, 44 pp. Bradel, dark blue half-percaline, title page in red marble (late 19th c. binding). Requisitions and reply by the procureur général in the Cour des Pairs trial of the failed coup attempt at Boulogne-sur-mer. "On the night of August 5 to 6, 1840, Louis-Napoléon Bonaparte landed with some fifty conspirators near Boulogne-sur-Mer. Taking the town, the sub-prefecture and the town hall would require too many troops. The conspirators decided to go to the barracks of the 40th infantry regiment to ask for reinforcements. The attempt failed. Forced to flee, Louis-Napoléon and a few accomplices boarded a canoe to reach their boat. Gunfire broke out, the Prince was wounded, the canoe capsized and the fugitives were rescued. [...] He is sentenced to life imprisonment in the fortress of Ham [...]. He escaped after six years' imprisonment. He returned to London until the revolution of 1848, when he became the first President of the French Republic, on December 10, 1848. The Boulogne-sur-Mer conspiracy followed a first attempt in Strasbourg on October 30, 1836. Louis-Napoléon hoped to raise the garrison and march on Paris to overthrow the July monarchy. It was an immediate failure, and the prince and his accomplices were arrested. At the request of Louis-Napoléon's mother, Queen Hortense, King Louis-Philippe convinced the government to let the prince leave for the United States, where he landed on March 30, 1837. Meanwhile, his accomplices were tried before the Strasbourg Assize Court, and acquitted by the jury on January 18, 1837, to public acclaim. Although this attempt was a failure, it did enable him to make a name for himself in France, and to be associated with his uncle in Bonapartist imagery." Senate.

Estim. 50 - 80 EUR

BAZAINE (Jean). Set of 5 issues of Derrière Le Miroir devoted to Bazaine, folio in ff. in illustrated covers by or after the artist: - n°55-56, [16] pp. incl. covers and Chroniques + 1 f. prospectus, published in May 1953 for the exhibition of 30 paintings by BAZAINE at Galerie Maeght. Text by Marcel Arland. 2 original color lithographs, 1 quadruple-page. - n°96-97, [12] pp. including cover, published for the exhibition of BAZAINE's paintings and watercolors at the Galerie Maeght in April 1957. Poems by André Frénaud. 4 original lithographs in color, 3 original lithographs in black, including 1 double-page spread. - n°170, 28 pp. + cover, published in March 1968 for the exhibition of BAZAINE's watercolors and drawings at the Galerie Maeght. Texts by René Char and Jean Tardieu. 6 original lithographs. - n°197, [24] pp. + cover, published in April 1972 for the exhibition of works by BAZAINE at Galerie Maeght. Text by Marcel Jouandeau. 10 original color lithographs (3 double-page), 4 facsimile drawings and 20 reproductions. - n°215, 32 pp. + cover, published in October 1975 for the BAZAINE exhibition at the Galerie Maeght. Fragments and quotations from painters. 7 original color lithographs, 2 color reproductions and 12 black reproductions.

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