Null Sam SZAFRAN (1934-2019)
Foliage: Aralia IV, 1990

Heliogravure after a soft…

Description

Sam SZAFRAN (1934-2019) Foliage: Aralia IV, 1990 Heliogravure after a soft varnish etching Unsigned On vellum 34.5 x 24 cm INFORMATION: This heliogravure was published by the Fondation du Crédit Lyonnais pour les Arts in 1990, in direct collaboration with the artist. Excellent condition, with its protective silk sheet bearing the artist's name. We can arrange shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not available in tubes: on quotation This description has been translated automatically: Sam SZAFRAN (1934-2019) Foliage: Aralia IV, 1990 Heliogravure after a soft varnish engraving Unsigned On vellum 34.5 x 24 cm INFORMATION: This photogravure was published by the Crédit Lyonnais Foundation for the Arts in 1990, in direct collaboration with the artist. Excellent condition, with its protective silk sheet bearing the artist's name We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

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Sam SZAFRAN (1934-2019) Foliage: Aralia IV, 1990 Heliogravure after a soft varnish etching Unsigned On vellum 34.5 x 24 cm INFORMATION: This heliogravure was published by the Fondation du Crédit Lyonnais pour les Arts in 1990, in direct collaboration with the artist. Excellent condition, with its protective silk sheet bearing the artist's name. We can arrange shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not available in tubes: on quotation This description has been translated automatically: Sam SZAFRAN (1934-2019) Foliage: Aralia IV, 1990 Heliogravure after a soft varnish engraving Unsigned On vellum 34.5 x 24 cm INFORMATION: This photogravure was published by the Crédit Lyonnais Foundation for the Arts in 1990, in direct collaboration with the artist. Excellent condition, with its protective silk sheet bearing the artist's name We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

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Estim. 1 000 - 1 200 EUR

Sam SZAFRAN (1934-2019) Lilette à la chaise de Gaudi, 2007 Lithographie sur papier Japon. Signée et numérotée sur 120. 100 x 78 cm (légères restaurations, bon état de présentation) Bibliographie : J. Clair C. Colleu-Dumond, Arborescences, Chaumont-sur-Loire, Centre d'Arts et de Nature, non paginé, reproduit.

Starting price 7500 EUR

Soledad SEVILLA (1944 - ), attributed to "Composition" Alhambra series Untitled and unsigned. Acrylic or oil on canvas. 222 x 186 cm. 90 ARTPRICE results, including 39 in Paintings: Two highest bids: Insomnio de las brumas matinale, Oil on Canvas, 212 x 110, €32,000 Subastas Segre 21/09/2021, Y hasta la estrilla asustas en su Cielo, Acrylic on Canvas, 220 x 186, €18,000 Fernando Duran 19/03/2019. References: http://www.soledadsevilla.com/inicio/alhambra/ http://www.spainisculture.com/fr/artistas_creadores/soledad_sevilla_portillo.html http://www.soledadsevilla.com/ Born in Valencia in 1944, she trained in Barcelona at the San Jorge Higher School of Fine Arts and began her artistic activity based on experimentation and geometric forms. In the early 80s, she moved to the United States, where she wrote "Las Meninas", a series of in-depth studies of Velázquez's painting "Las Meninas". She followed this up with another book devoted to the Alhambra and its architecture. Her aim is to select and analyze in detail the tensions of the action, which explains her particular interest in bulls and the bullfighter's cape (the subjects of her next collection). Since 1990, she has devoted herself primarily to the recovery of artistic spaces, such as the castle of Vélez Blanco (Almeria). Since then, she has endeavored to establish a close link between the site and her pictorial work. Some of her works have been exhibited in museums in Madrid, Barcelona, Alava Vitoria, Granada, Sweden, Alicante and Japan. She has taken part in numerous group exhibitions in Spain, Germany, Belgium, the United States, Italy and France, and has held solo exhibitions in Europe, the Americas and Asia. Alfons Roig Prize (1977), Prix National des Arts Plastiques (1993), Médaille d'Or du Mérite des Beaux-Arts (2007), Prix Velázquez des Arts Plastiques (2020), Nomination as member of the Royal Academy of Fine Arts of San Carlos de Valencia (2022). Lots can be collected by appointment only, on THURSDAY SEPTEMBER 26, 2024, in Paris IIIème (Métro : Rambuteau - Ligne 11). [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 3 000 - 4 000 EUR

Robert Garrard II subsequently R & S Garrard & Co Rare English William IV sterling silver cruet with four bottle stand london 1836-1837 Total height 18 cm; base 16 x 13.5 cm, stand height 11.5 cm. Total weight 1782 g. of shaped square form with side handle resting on four foliate feet, finely engraved and openworked with plant motifs, accompanied by four English cut glass bottles. Sterling silver, fully hallmarked London 1836-1837, silversmiths R & S Garrard & Co and inscribed "GARRARDS - PANTON STREET - LONDON". The founder of the firm was George Wickes who was apprenticed to Samuel Wastell in 1712 and free in 1720. His first mark was entered in 1722. He entered his Panton Street marks in 1735 and it is clear from the surviving Garrards' ledger that this is when he began an independent existence. The firm was known successively as George Wickes, Craig & Wickes, George Wickes, Wickes & Netherton, Parker & Wakelin, Wakelin & Taylor, Wakelin & Garrard and when Robert Garrard took sole control in 1802 it had already been established in Panton Street for sixty-seven years. On his death in 1818 he was succeeded by his three eldest sons Robert Garrard (junior), James Garrard and Sebastian Garrard, trading as R J & S Garrard. James Garrard appears to have retired c.1835 and from then until 1843, the year in which they succeeded Rundell, Bridge & Co as Crown Jewellers, they traded as R & S Garrard. From 1843 they were known as R & S Garrard & Co. and from 1909 they have traded as Garrard & Co Ltd . Item condition grading ***** excellent.

Estim. 800 - 1 200 EUR

Sam Szafran (1934-2019) L'Escalier 2011 Lithograph on paper signed lower right and annotated EA lower left Printer Atelier Idem, Paris 29 x 21 cm We would like to thank Madame Lilette Szafran, the artist's widow, for confirming the authenticity of this work This print was produced for the publication of the book "Itinéraire d'un marchand de couleurs à Montparnasse" by Edouard Adam, published by Editions du Chêne, with a preface by Pierre Soulages. French painter. His work reflects his figurative and poetic approach to reality. He misuses perspective to challenge the eye. "Samy, the street urchin, was familiar with Les Halles before it was destroyed, when it was still home to the brutal fauna of vendors, thieves and prostitutes. Gradually, slowly, he developed a refined, erudite painting sensibility. The dabbler, unaware of the teaching of his practice, would become one of the greatest painters of his time." (Jean Clair, Sam Szafran, Un gamin des Halles, ed. Flammarion)

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