Null MAURIZIO CATTELAN
(1960)
Rot not march
1991
Lithographic print on paper, ex…
Description

MAURIZIO CATTELAN (1960) Rot not march 1991 Lithographic print on paper, ex. 8/50 from a print run of 50 copies 80 x 12 cm Signature, date and numbering on back BIBLIOGRAPHY: Cf. V. Peruzzi, MAURIZIO CATTELAN grafiche e multipli - graphics and multiples, 2012, p. 55 (ill.)

819 

MAURIZIO CATTELAN (1960) Rot not march 1991 Lithographic print on paper, ex. 8/50 from a print run of 50 copies 80 x 12 cm Signature, date and numbering on back BIBLIOGRAPHY: Cf. V. Peruzzi, MAURIZIO CATTELAN grafiche e multipli - graphics and multiples, 2012, p. 55 (ill.)

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Set of 49 cassettes and CDs: "Peines de cœur d'une chatte anglaise", Full text read by Cathy Grandi and Georges Béjean. - La Voix de son livre, 1988. "Le Curé de Tours", full text read by Bernard Merle. - Listen to me" collection "La Messe de l'athée" - Full text, Le Livre qui parle; "La Grande Bretèche", read by Nicolas Robin "La Duchesse de Langeais" read by Fanny Ardant, 2 cassettes - La Bibliothèque des Voix, 1986. "Gambara" read by Françoise Malettra. -La Bibliothèque des voix. "La Peau de chagrin" read by Jacques Roland, 6 cassettes. - Le Livre qui parle, 1997. "Sarrazine" followed by "L'élixir de longue vie" - full text read by Sophie Chauveau and Xavier Hoffmann. - 2 cassettes, Thélème éditions, 1991. Othmar Schoeck - "Massimilla Doni" - Opera in 6 tableaux - 2 CDs, 1986. "Point de lendemain" read by Philippe Sollers, Musée du Louvre, 1 CD, 2004; "La Grande Bretèche" read by Pierre Bellemare. - 1 CD + 8-page booklet; "César Birotteau" performed by Henri Boisse, Livraphone Editions, MP3 CD, 2004; "Le Médecin de campagne" performed by Pierre Aussedat, Editions Livraphone, MP3 CD, 2004; "Eugénie Grandet" read by André Dussollier - 6 CDs "Le Curé de Tours", performed by Bernard Petit, Livraphone Editions, MP3 CD, 2004; "Études de femmes" - read by Thierry Frémont. Gallimard "écoutez lire "Le Lys dans la vallée" performed by Philippe Lejour, Livraphone Editions, MP3 CD, 2004; "La Vieille fille" performed by Sarah Jalabert, éditions Livraphone, MP3 CD, 2004; "Physiologie du rentier" full text performed by Bernard Petit "La Frélore" performed by Valérie Jeannet. Cassiopée, 2007. "L'Élixir de longue vie" performed by Valérie Jeannet. Cassiopée, 2007. "Le Médecin de campagne" performed by Pierre Aussedat. Full text, 7 Livraphone CDs. Balzac: "Le mousquetaire noir et la modiste" performed by Valérie Jeannet. Cassiopée, 2005. "Le Père Goriot" read by Jacques Castaldo - 3 cassettes La Voix de son livre, 1986. "La femme de trente ans" read by Pascal Monge, K.F.P. Le Livre à écouter. "Une ténébreuse affaire" Full text read by Yves Belluardo - CdL éditions, 1 CD MP3 "Château de Saché, visit to the Musée Balzac" 1 cassette "Facino Cane" introduction by Albert Béguin - 1 cassette Stéphane Vachon, Chronologie de la création et de la production balzaciennes. Contribution à l'étude génétique des écrits de Balzac. Paris, Université Paris VIII, 1990. 2 volumes A4. Doctoral thesis, anopisthograph printing, typed letter of dispatch from Vachon to Roger Pierrot, who was a member of the thesis jury. A good copy. Attached, by the same author, Les Travaux et les jours d'Honoré de Balzac. Chronologie de la Création balzacienne. Presses Universitaires de Vincennes / Presses du CNRS / Les Presses de l'Université de Montréal, 1992. In-8, 336p. An indispensable work for the study of Balzac's work. [Bibliography] Set of 7 volumes: E.J. Golda, Honoré de Balzac and the dedicatees of La comédie humaine (Sl, Xlibris, 2006). Royce, Balzac as he should be read (New York, Giraldi, 1946, S de Korwin-Piotrowska, Balzac en Pologne - essai de bibliographie (P, Champion, 1933). Balzac - bibliographie des oeuvres traduites en roumain et parues en volume (1852-1965) (Bucharest, Institut roumain, 1965). Royce, A Balzac bibliography (1969 reprint of the 1929 edition). Vidal, Variétés anecdotiques et historiques. Montpellier, Clerc, 1987. Waggoner, Bibliography of Balzac Criticism 1930-1990. French Research Publications, 1990. Staining on cover. Includes "De quelques Publications originales de Balzac demeurées en marge de sa bibliographie". [Bibliography] Set of 7 volumes: A Ciselet, Un grand bibliophile le vicomte de Spoelberch de Lovenjoul (P Edition universitaire, 1948). C Galantaris, Balzac bibliophile P, Puf, 1991, (offprint from Année Balzacienne 1991, with 7 plates of illustrations h.t.). Royce, Balzac as he should be read New York, Giraldi, 1946, (dispatch to James E Arnay). Royce, Indexes to A Balzac Bibliography (Chicago, University of C., 1930). D Bellos, Balzac Criticism in France 1850-1900 - The making of a Reputation (Oxford, Clarenton, 1976). Albert J. George, Books by Balzac, Syracuse University Press, 1960. Raymond Massant, Une contrefaçon belge d'Une Fille d'Ève d'Honoré de Balzac. Offprint from RHLF 1950; author's autograph letter to M. Horace Hennion.

Joan Miro (Spanish (Catalan), 1893-1983). Aquatint and etching on Guarro paper depicting an abstract composition in bright colors, plate 5 from the "Espriu" Suite, 1974. Pencil signed along the lower right; numbered 20/50 along the lower left. Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection. Lot Essay: Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy. Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color. In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art. Sight; height: 33 3/4 in x width: 27 1/2 in. Framed; height: 45 1/2 in x width: 39 in x depth: 1 in.