Null DIETER ROTH
(1930 - 1998)
Piccadilly Postcard Puzzle
2005
Box set including…

Description

DIETER ROTH (1930 - 1998) Piccadilly Postcard Puzzle 2005 Box set including 96 postcards by Dieter Roth Overall dimensions: 19 x 14 x 5 cm Hansjorg Mayer edition Defects

807

DIETER ROTH (1930 - 1998) Piccadilly Postcard Puzzle 2005 Box set including 96 postcards by Dieter Roth Overall dimensions: 19 x 14 x 5 cm Hansjorg Mayer edition Defects

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Estim. 280 - 420 EUR

Dieter Roth, "Abfall-Mischung" non-figurative composition with different coloured, partly transparent areas, see catalogue raisonné Dobke 319, colour screenprint on light wove cardboard, signed and dated "Dieter Roth 819)75" in the lower right area, slight craquelure in the thicker layers of paint, framed behind glass, sheet dimensions approx. 65 x 76 cm. Artist info: actually Dieter Roth. Karl-Dietrich Roth, Swiss graphic artist, action and object artist (1930 Hanover - 1998 Basel), 1947-1951 apprenticeship with the graphic artist Friedrich Wüthrich, 1955 designer for textile patterns, in the 1960s participation in various happenings and Fluxus events, became known for his objects designed from food, in the USA teaching position at Yale University near New York, participation in documenta 4, 6 and posthumously 11, 1982 design of the Swiss pavilion at the Venice Biennale, source: Wikipedia.

Estim. 80 - 120 EUR

Max Uhlig, Weinstock Vigorous vine drawn by wind and weather, a motif that appears several times in Max Uhlig's work, etching on laid paper, signed and dated "Uhlig (19)93" in pencil below the image on the right and inscribed "Beleg" on the left, dedication "für Winfried Henkel" on the lower edge of the sheet, image size approx. 28 x 17.3 cm, sheet dimensions approx. 44 x 32 cm. Artist info: German painter, draughtsman and graphic artist. Painter, draughtsman and graphic artist (born 1937 in Dresden), 1951-54 apprenticeship as a lettering and sign painter, 1954-55 lettering draughtsman at the TU Dresden, 1955-60 studied at the HBK Dresden under Hans Theo Richter and Max Schwimmer, 1960-61 freelance, 1961-63 master student at the German Academy of Arts in Berlin under Hans Theo Richter, subsequently freelance, also worked as a contract printer at the Künstlerhaus Dresden-Loschwitz until 1979, study visits to Brodowin near Chorin and (together with Gerda Lepke) to Lübow near Penzlin, Glowe and the Erzgebirge, 1982-98 summer visits to Deutschneudorf, 1989 guest lecturer at the Nuremberg Academy, 1991 visiting professor at the International Academy of Art and Design Hamburg, 1995-2002 Professor at the HBK Dresden, 1996 destruction of numerous works in the fire at the Künstlerhaus Loschwitz, undertook study trips to Bulgaria, Poland, London, Central Asia, the USA, Denmark and Holland, member of the VBK of the GDR, member of the Saxon Academy of Arts, received numerous honours, including the 1887 Käthe Kollwitz Prize, 1998 Hans Theo Richter Prize and the Saxon Order of Merit, 2005 Guest of Honour of the German Academy in Rome at the Villa Massimo, temporarily resident in Berlin Pankow, 1959-96 in the Künstlerhaus Dresden-Loschwitz, from 1996 in Dresden-Helfenberg, since 1991 working stays in the south of France (Faucon) in spring and autumn, source: Vollmer, Eisold "Artists in the GDR" and Internet.

Estim. 80 - 120 EUR

Max Uhlig, Gebüsch dense tangle of lines of varying strength, etching with lively plate tone on laid paper, signed and dated "Uhlig (19)93" in pencil below the image on the right and inscribed "Beleg" on the left, dedication "für Winfried Henkel" on the lower edge of the sheet, image size approx. 19 x 29.3 cm, sheet dimensions approx. 32 x 42.5 cm. Artist info: German painter, draughtsman and graphic artist. Painter, draughtsman and graphic artist (born 1937 in Dresden), 1951-54 apprenticeship as a lettering and sign painter, 1954-55 lettering draughtsman at the TU Dresden, 1955-60 studied at the HBK Dresden under Hans Theo Richter and Max Schwimmer, 1960-61 freelance, 1961-63 master student at the German Academy of Arts in Berlin under Hans Theo Richter, subsequently freelance, also worked as a contract printer at the Künstlerhaus Dresden-Loschwitz until 1979, study visits to Brodowin near Chorin and (together with Gerda Lepke) to Lübow near Penzlin, Glowe and the Erzgebirge, 1982-98 summer visits to Deutschneudorf, 1989 guest lecturer at the Nuremberg Academy, 1991 visiting professor at the International Academy of Art and Design Hamburg, 1995-2002 Professor at the HBK Dresden, 1996 destruction of numerous works in the fire at the Künstlerhaus Loschwitz, undertook study trips to Bulgaria, Poland, London, Central Asia, the USA, Denmark and Holland, member of the VBK of the GDR, member of the Saxon Academy of Arts, received numerous honours, including the 1887 Käthe Kollwitz Prize, 1998 Hans Theo Richter Prize and the Saxon Order of Merit, 2005 Guest of Honour of the German Academy in Rome at the Villa Massimo, temporarily resident in Berlin Pankow, 1959-96 in the Künstlerhaus Dresden-Loschwitz, from 1996 in Dresden-Helfenberg, since 1991 working stays in the south of France (Faucon) in spring and autumn, source: Vollmer, Eisold "Artists in the GDR" and Internet.

Estim. 10 000 - 12 000 EUR

DENNIS OPPENHEIM (Washington, 1938 - New York, 2011). Untitled, 1987. Mixed media on paper. Signed and dated on the right side. Measurements: 96 x 126 cm; 100 x 130 cm (frame). Dennis Oppenheim was an American graphic artist and sculptor. Oppenheim was born in Washington state in 1938 and trained at the California School of Arts and Crafts. In 1966 he moved to New York, where he lived and worked until his death at the age of 72. After coming into contact with the most important generations of artists of the 20th century, he became one of the forerunners of conceptual art, pioneering as a performance artist. His public recognition came at the end of the 1960s as a representative, along with other artists, of the Land Art movement. He was one of the leading contemporary artists on the international scene. Oppenheim's work is present in more than 70 major museums, collections and public spaces around the world. In Spain, his works could be seen at the Reina Sofia Museum in Madrid in 2005 and also through a retrospective organized by the Cristóbal Gabarrón Museum-Foundation in Valladolid in 2004, which later traveled to the Círculo de Bellas Artes in Madrid and other cities. He also has permanent public works in three Spanish locations: Stage Set for a Film, installed in the Paseo de Zorrilla in Valladolid in 1998, Crystal Garden, inaugurated in the Madrid municipality of Navalcarnero in February 2007 and Device to Root out Evil, installed in the city of Palma de Mallorca in 1997 and which is a replica of the one made in 1966 in Venice by the same author. Oppenheim's work is present in major museums, collections and public spaces around the world.

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