Null MISCELLANEOUS AUTHORS
Identité Italienne. L'art en Italie depuis 1959
1981
…

Description

MISCELLANEOUS AUTHORS Identité Italienne. l'art en Italie depuis 1959 1981 Illustrated monographic catalog published on the occasion of the exhibition held at the Centre Pompidou (1981) 30 x 21 cm Museum edition 640 pages Defects

727

MISCELLANEOUS AUTHORS Identité Italienne. l'art en Italie depuis 1959 1981 Illustrated monographic catalog published on the occasion of the exhibition held at the Centre Pompidou (1981) 30 x 21 cm Museum edition 640 pages Defects

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Estim. 20 - 40 EUR

Honoré de Balzac, Lot of 24 volumes including: Balzac et l'Art, Balzac par P Abraham, Balzac en pantoufles, Les femmes dans la vie de Balzac, Balzac dramatiste, Le château de Saché refuge de Balzac, les années romantiques de Balzac, De quoi vivait Balzac, Répertoire de la Comédie humaine, le président Balzac, Balzac et les femmes, Balzac une vie de Roman, Honoré et moi, etc. Very good documentary set. Marc Eigeldinger, La Philosophie de l'Art chez Balzac. Genève, Pierre Cailler, 1957. In-8, 183p. A good uncut copy. Marcel Reboussin, Balzac et le mythe de Foedora. Paris, Nizet, 1966. In-8, 281p, paperback. Suzanne Jean Bérard, Illusions perdues - le manuscrit de la Collection Spoelberch de Lovenjoul. Paris, Armand Colin, 1959. In-4, 259p. Complementary thesis for the doctorate in literature. Also by the same author, La genèse d'un roman de Balzac - Illusions perdues 1837. Paris, Colin, 1961. In-8, 266p. Paperback. Albert Béguin, Balzac lu et relu. Paris, éditions du Seuil, 1965. In-8, 252p. Preface by Gaëtan Picon. Paperback. Nicole Cazauran, Catherine de Médicis et son temps dans la Comédie humaine. Geneva, Droz, 1976. In-8, 575p. Cancelled copy from the "Southampton university library". Library boards with covers glued to boards.

Estim. 3 000 - 4 000 EUR

HENRI CARTIER-BRESSON ( Chanteloup-en-Brie, France, 1908- Céreste, France, 2004). "Farmer", 1950-1959. Gelatin silver. Later print. "To Madame Bardinet en hommage" and blind copyright credit stamp (in margin). Signed in ink. Provenance: Alona Kagan Gallery NY. Measurements: 16 x 23, 5 cm. In this work of great expressiveness we see how a farmer reaches out his hand to someone who is outside the viewer's plane. The scene seems to represent a traditional image, but the artist goes further, not only because it captures a completely ephemeral moment, usual in the artist's production, but also because of the mystery of a character who is part of the scene, but whose identity is not revealed. Henri Cartier-Bresson was a French artist and humanist photographer considered a master of photography and one of the first users of 35 mm film. He pioneered the genre of street photography and considered photography as capturing a decisive moment. His first major reportage trip took him to the Ivory Coast in 1931.Photographs from his many travels quickly found a forum in magazines and exhibitions. He also gained experience in New York with Paul Strand. In the late summer of 1937, before the battle of Belchite, he traveled to Spain with Herbert Kline, former editor of New Theater magazine, and cameraman Jacques Lemare to shoot a documentary on the American Medical Bureau during the Spanish Civil War. They filmed at Villa Paz, the International Brigades hospital in Saelices, not far from Madrid, and on the coast of Valencia to document the recovery of wounded volunteers in the villas of Benicàssim. They also visited the Abraham Lincoln Brigade in Quinto, near Zaragoza, and shot the film With the Abraham Lincoln Brigade in Spain. From 1937 to 1939, Cartier-Bresson was assistant director on three films by Jean Renoir, including The Rules of the Game. In 1940, he spent nearly three years as a prisoner of war in Germany. After it was erroneously assumed that he had died in the war, the Museum of Modern Art in New York dedicated a major "posthumous" retrospective to Cartier-Bresson in 1947. That same year, together with Robert Capa, David Seymour and George Rodger, he founded the Magnum Photos agency in New York with the aim of preserving the rights to the photographers' work.Cartier-Bresson was the first photographer allowed to exhibit at the Louvre in Paris in 1955. His photographs were collected and published in Images à la sauvette (1952, Images in passing), D'une Chine à l'autre (1968, China yesterday and today) and Moscou (1955, Moscow), among others. Cartier-Bresson stopped taking professional photographs in 1972 and devoted himself intensely to the art of drawing. In 1974 he was elected a member of the American Academy of Arts and Sciences. His work is in the collections of the Art Institute of Chicago, the Museum of Modern Art, the International Center of Photography, the Victoria and Albert Museum and the J. Paul Getty Museum.

Estim. 6 500 - 7 000 EUR

JEANLOUP SIEFF (Paris, 1933-2000). "Derrière Anglais, Paris, 1969. Gelatin silver. Signed and dated in ink. With artist's stamp on the back. Measurements: 30.4 x 21 cm (image); 41 x 31 cm (paper). In "Derrière Anglais, Paris", Jeanloup Sieff emphasizes the details of women's bodies, their sensuality, the elegance of their lines and their diversity. The photographer focused his production on portraits of show business personalities and politicians, but also on reportage, landscape and nude photography. A self-taught photographer, Jeanloup Sieff made his debut as a photojournalist in 1954. A year later he joined Elle magazine, where he first worked in reportage and then in fashion photography. In 1959 he began working for Réalités and Le Jardin des Modes. He also left the Magnum agency to work on his own. He was awarded the Niépce Prize in 1959 for photographic excellence. In 1961 he settled in New York, where he collaborated with Look, Esquire, and mainly Harper's Bazaar. He stayed briefly in Europe, where he worked for Twen, Vogue and Queen. In 1967 she decided to move to Paris, where she worked for Vogue, Femme, Nova and other publications. He exhibited nationally and internationally and several of his works were acquired by various museums around the world. In 1971 she received the gold medal of the museum of modern art in Skopje and in the same year she donated several collections to the National Library in Paris. His work has received international awards from Japan to the United States and is distributed in different parts of the world. Among the awards he has received are the Niépce Prize in 1959 and the Grand Prix National de Photographie in 1992. His work can currently be found in: Bibliothèque nationale de Paris (donation), Musée Réatu (Arles), Musée Sterxhof (Belgium), Musée de Toulon, Musée d'Art Moderne (Paris), Tulsa Art & Humanities Council (Tulsa, USA), Fonds national d' Art contemporain (Puteaux), FNAC Collection, MEP (Paris), Fondation Cartier d' Art Contemporain (Paris).

Estim. 50 - 150 EUR

Mario Tozzi, Maiden by the Sea Mario Tozzi, Maiden by the Sea 1978 lithograph 70x50 cm, within frame copy 2/99 lower left pencil signature lower right Santa Chiara Urbino embossed stamp in lower center Bibliography: 1981 National Catalogue of Graphics ed.Giulio Bolaffi, number 11; 1986 Catalogue of Graphics in Italy ed.Giorgio Mondadori, number 16; 1990 Exhibition and Catalog Argenta (FE) ¿Sessant¿anni di pittura¿ ed.Bora. Data provided by the Mario Tozzi Archives.

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