Null MAURIZIO CATTELAN
(1960)
Robbed safe (part.) - 76,400,000
1992
Folder conta…

Description

MAURIZIO CATTELAN (1960) Robbed safe (part.) - 76,400,000 1992 Folder containing a cibachrome print, ed. 31/100 out of a total print run of 100 copies in Arabic numerals and 30 in Roman numerals, Danilo Montanari Editore, Ravenna Size of folder: 32 x 22 cm Size of cibachrome print: 20 x 27.8 cm Stamp and signature Danilo Montanari Editore and numbering on the back of the cibachrome print

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MAURIZIO CATTELAN (1960) Robbed safe (part.) - 76,400,000 1992 Folder containing a cibachrome print, ed. 31/100 out of a total print run of 100 copies in Arabic numerals and 30 in Roman numerals, Danilo Montanari Editore, Ravenna Size of folder: 32 x 22 cm Size of cibachrome print: 20 x 27.8 cm Stamp and signature Danilo Montanari Editore and numbering on the back of the cibachrome print

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Estim. 10 000 - 12 000 EUR

Steve Jobs Original NeXT I.D. Badge Photograph with (8) Polaroids of NeXT Computer Founding Employees Incredible set of nine color glossy 3.5 x 4.25 Polaroid photographs of several founding employees of NeXT Computer, a group highlighted by principal founder and CEO Steve Jobs. Also pictured are George Crow, Rich Page, Susan Kelly Barnes, Tom Carlisle, Bruce Blumberg, Lynn Takahashi, Bud Tribble, and Dan’l Lewin, all of whom were former Apple Computer employees. The name of each pictured employee is annotated in the lower border in an unknown hand. The consignor notes that these pictures were taken shortly after the formation of NeXT and that these Polaroids were used as temporary company ID badges. Presented in their original file folder, with each photo stapled to their protective sleeve. In overall fine condition. George Crow — Vice President of Analog Hardware Engineering Crow joined the original Macintosh development team at Apple Computer in 1981 and designed the analog board containing the power supply and video circuitry for the first Macintosh 128K. When the prototype developed problems with the early Twiggy drive, he worked behind the scenes to replace it with Sony's new 3.5-inch floppy mechanism. He left Apple with Jobs in 1985 to become a co-founding member of NeXT as the Vice President of Analog Hardware Engineering, ultimately leaving NeXT to work for SuperMac and then Truevision. In 1999, Crow returned to Apple with Jobs back as CEO. Rich Page — Vice President of Digital Hardware Engineering Page was recruited by Jobs to join Apple Computer at the urging of John Couch. Among his achievements, Page chose to use the Motorola 68000 processor in the Lisa and the first Macintosh 128K, and he later prototyped Apple's first portable computer and the 68020-based system. Page became an Apple Fellow in 1983 and, two years later, he left Apple and joined Jobs as a founding member of NeXT. Page was responsible for developing the NeXTcube and NeXTstation. Susan Kelly Barnes — Chief Financial Officer Barnes joined Apple Computer in 1981 as the financial controller of the Macintosh division, first reporting to financial executive Debi Coleman and then directly to co-founder Steve Jobs. In 1985, Barnes and Coleman helped Jobs get Apple to acquire a 19.99% stake in Adobe Systems, the developer of PostScript. Barnes left Apple and joined Jobs as a founding member of NeXT, where she became the Chief Financial Officer. In 1989, she helped arrange an investment of $100 million by Canon in exchange for a 16.7 percent stake in the company. Barnes married fellow Apple and NeXT colleague Bud Tribble. Tom Carlisle — Director of Facilities Carlisle was an early employee of Apple Computer who worked as an interior designer. He followed Jobs to NeXT and became one of its first 10 employees as the director of facilities. Carlisle later became the facilities director at Jobs' other venture, Pixar. Bruce Blumberg — Product Marketing Manager and Senior Development Support Engineer Blumberg joined Apple in 1981 and later became a product manager in the Lisa and Macintosh divisions. In 1985, Blumberg followed Jobs to NeXT and became one of its first employees. He left NeXT in 1992 to continue his studies and became an assistant professor at the MIT Media Lab. Lynn Takahashi — Office Manager Takahashi was a member of the original Macintosh development team at Apple Computer where she worked as an assistant to co-founder Steve Jobs. In 1985, she followed Jobs to NeXT where she served as the office manager. Guy ‘Bud’ Tribble —Vice President of Software Engineering Tribble was recruited by Jef Raskin to join the original Macintosh development team at Apple Computer in 1980, helping design the user interface of the system software as manager of Mac software. He later joined Jobs at NeXT, where he became an expert in software design and object-oriented programming. Tribble is one of the few early Apple Computer employees to have completed a ‘round trip’ with Jobs to NeXT, and then back to Apple after it acquired NeXT Software in 1997. Dan’l Lewin — Vice President of Sales and Marketing Lewin was hired by Apple in January 1981 and, while assigned to the Macintosh division, established the Apple University Consortium. He eventually became the Director of Global Education Sales and Marketing. He left Apple with Jobs in 1985 and became a founding member of NeXT, where he became the Vice President of Sales and Marketing.

Estim. 10 000 - 12 000 EUR

FERNANDO GARCIA PONCE (Mérida, Yucatán, 1933 - Mexico City, 1987) Untitled. Oil and collage on canvas. Measurements: 76 x 115 cm. Provenance: Maria Lluisa Borrás Collection, Barcelona. Fernando García Ponce belongs to the generation of the late fifties called the "Generation of the Rupture", since his proposal marked a total distance with the so-called Mexican School. Thus, expressions such as geometrism, abstraction, informalism, neo-figurative, which were almost forbidden artistic expressions in the 60's, began to dominate the art scene. He was born on August 25, 1933 in Merida, Yucatan. When he was 11 years old, his family moved to the capital of the country. In 1952 he entered the National Autonomous University of Mexico to study architecture; he also attended the workshop of the Valencian painter Enrique Climent, who recognized his talent and, although he did not devote himself to teaching, decided to become his teacher. His first paintings date from 1954, they are family portraits, however, two years later, geometry increases significantly in his works. In 1957 he made several trips to Europe and decided to leave architecture to devote himself completely to painting. His first individual exhibition was at the Galería de Arte Mexicano (1959), with 26 oil paintings of still life; in 1960 he made an abstract composition entitled No. 1, a watershed that definitely marks his work. With a series of collages he receives an honorable mention in the Salón de la Plástica Mexicana. In the sixties the term Ruptura arises, which defines a generational group of artists, to which Fernando García Ponce belongs and which marked the new Mexican painting. García Ponce participates again in the Galería de Arte Mexicano and in the Colectiva de Pintura Contemporánea de México y América del Sur (1961). Two years later his painting is already totally abstract and he exhibits 14 works at the Juan Martin Gallery. He also participates in the Colectiva de Arte Actual de América y España, held in Madrid. By 1974 his painting reveals the will to synthesize the cold geometric order. During the summer of 1976 García Ponce travels with his wife Denise and his son Esteban to Paris, then spends a season in Barcelona, where he makes two graphic folders containing 10 serigraphs and 12 lithographs. Upon his return to Mexico, the Museum of Modern Art (1978) organizes a large exhibition of 40 works produced between 1977 and 1978. A year after this event, his wife Denise dies tragically, however, Garcia Ponce remains concentrated and his creativity remains intact; the painting of those years is powerful and extremely inspired. He regularly presents his annual exhibition at the Ponce Gallery and participates in group exhibitions at the Casa de las Americas (Cuba), the Picasso Museum (Antibes, France), the Jornadas Culturales de Colombia, the Carnegie Institute in Pittsburg (USA) and the National Art Center in Ottawa (Canada), among others. At 54 years of age and considered one of the most important artists of the national plastic arts, García Ponce died in his studio (July 11, 1987) of a myocardial infarction.

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