Null CINDY SHERMAN
(1954)
Cindy Sherman. Retrospective
1997
Illustrated monograp…

Description

CINDY SHERMAN (1954) Cindy Sherman. Retrospective 1997 Illustrated monographic catalog published on the occasion of exhibitions held at the Museum of Contemporary Art, Los Angeles (November 2 - February 1, 1998), Museum of Contemporary Art, Chicago (February 28 - May 31, 1998), Galerie Rudolfinum, Prague (June 25 - August 23, 1998), Barbican Art Gallery, London (September 10 - December 13, 1998), Musée d'art Contemporain de Bordeaux, Bordeaux (February 6 - April 25, 1999), Museum of Contemporary Art, Sydney (June 4 - August 29, 1999) and the Art Gallery of Ontario, Toronto (October 1, 1999 - January 2, 2000) 30.5 x 23.5 cm Thames & Hudson Edition Pages 219 Defects

471

CINDY SHERMAN (1954) Cindy Sherman. Retrospective 1997 Illustrated monographic catalog published on the occasion of exhibitions held at the Museum of Contemporary Art, Los Angeles (November 2 - February 1, 1998), Museum of Contemporary Art, Chicago (February 28 - May 31, 1998), Galerie Rudolfinum, Prague (June 25 - August 23, 1998), Barbican Art Gallery, London (September 10 - December 13, 1998), Musée d'art Contemporain de Bordeaux, Bordeaux (February 6 - April 25, 1999), Museum of Contemporary Art, Sydney (June 4 - August 29, 1999) and the Art Gallery of Ontario, Toronto (October 1, 1999 - January 2, 2000) 30.5 x 23.5 cm Thames & Hudson Edition Pages 219 Defects

Auction is over for this lot. See the results

You may also like

Estim. 150 - 225 EUR

Albert Ebert, "Die Gespensterlektüre" young man in a dark interior reading a book, surrounded by two small devils, see catalogue raisonné Brade/Stula R 23, etching printed in brown, signed and dated in lead below the image on the right "A. Ebert 1964", numbered "18/20" on the left and titled "Die Gespensterlektüre" in the centre, monogrammed and dated "AE (19)64" in the plate, browned, matted and framed behind glass. Artist information: German painter and graphic artist (1907 Halle/Saale to 1976 Halle/Saale), considered the most important naive artist of the GDR, 1921 began an unfinished apprenticeship as a bricklayer, then worked as an occasional and unskilled labourer until 1939, including 1928-34 as a self-employed wool merchant and as a furniture carrier, construction worker, market assistant etc., 1939-45 military service in the 2. After being wounded and captured, he spent time in a military hospital, where he discovered painting as a vocation, 1946-47 studied at the "Burg Giebichenstein" art academy in Halle under Charles Crodel and Waldemar Grzimek, largely self-taught, from 1947 construction worker and 1948 temporary trainee in restoration techniques at the Moritzburg State Gallery in Halle, 1948 first exhibition participation with the artists' association "Die Fähre" and freelance painter until 1951, from 1951 member of the Association of Visual Artists (VBK) of the GDR, 1951-52 restoration course with Kurt Bunge, 1954-56 worked as a stoker at Burg Giebichenstein and construction worker in Halle, from 1956 freelance in Halle with the support of friends and a scholarship from the CDU (GDR), 1973 honoured with the Art Prize of the City of Halle, took part in the art exhibitions of the GDR from 1958-77, source: Vollmer, Eisold "Artists in the GDR", picture atlas "Art in the GDR" and Wikipedia.

Estim. 330 - 495 EUR

Albert Ebert, bundle of prints four works, present are "Dame mit Fächer und sitzende Frau", lithograph, catalogue raisonné Brade/Stula L18; "Mutter mit Kind III/Die Unterhaltung", etching, Brade/Stula R28; "Beim Fotografen", etching Brade/Stula R33 and "Liebespaar", etching, Brade/Stula R35, posthumous prints, each with signature of Else Ebert's estate, each work framed behind passepartout and under glass, dimensions max. approx. 14.5 x 23.5 cm. Artist information: German painter and graphic artist (1907 Halle/Saale to 1976 Halle/Saale), considered the most important naive artist of the GDR, 1921 began an unfinished apprenticeship as a bricklayer, subsequently worked as a casual and unskilled labourer until 1939, including 1928-34 as a self-employed wool merchant and as a furniture carrier, construction worker, market assistant etc., 1939-45 military service in the 2. After being wounded and captured, he spent time in a military hospital, where he discovered painting as a vocation, 1946-47 studied at the "Burg Giebichenstein" art academy in Halle under Charles Crodel and Waldemar Grzimek, largely self-taught, from 1947 construction worker and 1948 temporary trainee in restoration techniques at the Moritzburg State Gallery in Halle, 1948 first exhibition participation with the artists' association "Die Fähre" and freelance painter until 1951, from 1951 member of the Association of Visual Artists (VBK) of the GDR, 1951-52 restoration course with Kurt Bunge, 1954-56 worked as a stoker at Burg Giebichenstein and construction worker in Halle, from 1956 freelance in Halle with the support of friends and a scholarship from the CDU (GDR), 1973 honoured with the Art Prize of the City of Halle, took part in the art exhibitions of the GDR from 1958-77, source: Vollmer, Eisold "Artists in the GDR", picture atlas "Art in the GDR" and Wikipedia.

Estim. 300 - 500 EUR

[Japan] [Japan] Extensive documentation including - I. Jippensha, A pied sur le Tokaido, Picquier, 1992. - D. Ogrizek, "Le Japon, un portrait en couleur, Odé, 1960. - E. Guimet, Promenades japonaise, drawings after nature by Regamey, publisher's binding, Charpentier, 1878. - C. Shimizu, Women of Japan, Imprimerie nationale 1997. - Une histoire du Japon à travers son art, Robert Laffont, 1965. - G. Fahr Becker, L'estampe japonaise, Taschen, 2007. - C. Shimiza, Le Japon du XIXe siècle, la redécouverte, AGEP, 1990. - C. Shimizu, L. Frédéric, L'art des estampes japonaise, Editions de Crémille, 1990. - J. Hillier, Les maîtres de l'estampe japonaise, Phaidon, 1954. - Le Japonisme," éditions Réunion des musées nationaux, exhibition catalog 1988. - M. Novak and Z. Cerna, Japanese Tales, GrÜnd, Bratislava 1970. - Donald Richie, L'art des fleurs au Japon hier et aujourd'hui, Bibliothèque des arts, 1967. - J. A. Michener, Estampes japonaises, Office du livre de Fribourg, 1964. - Various works. - Edmond de Goncourt, Outamaro, le peintre des maisons vertes, Roissart, Grenoble, full leather binding, illustrations hors texte, quarto, 1978. - La collection Tokugawa, Le Japon des Shogun, Musées des beaux arts de Montréal, 1989. - Sotheby's catalog, Huguette Beres collection, November 27, 2002 - S. E Lee, Hiroshige, carnets d'esquisse, Phébus, 2001 - M. Grivel, Hiroshige, Les albums du cabinet d'estampes de la BN, Albin Michel, 1984. - W. Boller, Hokusai, Editions Clairefontaine, Lausanne, 1955. - M. Ouspenski, Hiroshige, Cent vues d'Edo, Parkstone, 1997. - M. Forrer, Hokusai, Bibliothèque de l'image, 1996. - Hiroshige, Tokaido, Editions du Chêne, 1960, in a Japanese-style canvas slipcase. - Le Japon éternel by Kawase Hasui, Langlaude, 2011. - E. H and P. Jude, Mathurin Méheut, voyage d'un peintre breton au Japon, Ouest France, 2004. - Hokusai, " Les cents vues du mont Fuji ", Hazan , three volumes in facsimile bound in Japanese style, 2008 presentation by N. Delay - Portier et Poncetton, La femme dans l'art japonais, Librairie des arts décoratifs, Calavas, 1934. - Lafacadio Herna, Le Japon Inconnu, études psychologiques, Paris, Albin Michel, no date. - Fumiko Takebayashi, Contes japonais, Paris, Fasquelle, 193 - K. Yamata, Vies de Geishas, Paris, Gallimard, 1934 - Franz Toussaint, Les pins chantent, ornements de Vergély, René Kieffer éditeur, 193 - Céda Akinari, Contes de pluie et de lune, Paris, Gallimard, circa 1940 - M-H Lelong, Spiritualité du Japon, Julliard, La Croix du Sud, 1961 - Judith Gauthier, Le paravent de soie et d'or, Paris, Charpentier et Fasquelle, 1904 - I. Morris, La vie de cour dans l'ancien Japon, Paris, Gallimard, 1964 - P. Loti, Japoneries d'automne, Paris, Levy 1890 - Okakura Kakuzo, Le livre du thé, Paris, Delpeuch, 1927 - M. Dubard, Le japon pittoresque, Paris, Plon et Cie, 1879 - Kikou Yamata, Masako, Stock, 1942. Numbered edition 102 - Soulié de Morant, Le trésor des loyaux samouraïs, Piazza, 1927 - Régamey, Le Japon Pratique, Hetzel, circa 1890 Le chrysanthème solidaire, edition of the Smith manuscript Lesouef japonais 96, Paris, 1984, BN département des manuscrit - G. Atken, M. Delafond, La collection d'estampes japonaises de Claude Monet, Maison de Monet Giverny, 1987 - Utamaro, L'almanach des maisons vertes, Picquier, 2008 and miscellaneous - Japanese prints and drawings from the Vever Collection, Sotheby Parle Bernet, 1976 (3 volumes in quarto in slipcase. - Highly important Japanese prints from the Henri Vever collection: final part, Sothebys, identically bound sale catalog, 30/10/1997. - G.A. Audsley and James L. Bowes, La céramique japonaise, édition française, publiée sous la direction de M. A. RAcinet. In two volumes, Paris, Firmin Didot, 1880. Modern buff binding with corners.

Estim. 3 300 - 3 500 EUR

URBANO LUGRÍS GONZÁLEZ (La Coruña, 1908-1973). "In the light of the moon", 1965. Ink on paper. With poem by the artist. Size: 44 x 33 cm; 64 x 53 cm (frame). Urbano Lugris began his artistic training under the influence of Nacho Viéitez, a man whose purpose was to encourage the practice of painting in the new generations. He abandoned his studies as a mercantile expert in La Coruña to move to Madrid in 1930, where he joined the Pedagogical Missions, with which he toured several Spanish cities designing costumes and sets for the theater La Barraca. During this period he met Federico García Lorca and Rafael Alberti. During the civil war he participated as a volunteer in the Republican army, going to the front of Asturias. After the end of the war in 1954 he founded in La Coruña the magazine Atlántida, with his friends Mariano Tudela and José Mª de Labra, in which he actively participated, writing articles and poems, as well as numerous illustrations and designing the front cover. In 1965 he moved to Vigo where he died on December 23, 1973. In 1997 the largest exhibition dedicated to Urbano Lugrís, curated by Rosario Sarmiento and Antón Patiño, was held at the Círculo de Bellas Artes in Madrid and at the Auditorio de Galicia in Santiago de Compostela. On the occasion of this exhibition, an important book-catalog of the exhibition was published, as well as a facsimile of the magazine Atlántida. In 2007 the book by Antón Patiño Urbano Lugrís, "Viaje al corazón del océano" (Journey to the heart of the ocean) was published. Lugrís was an almost self-taught painter whose pictorial work reflects a predilection for marine themes, portrayed with an atmosphere of dreamlike and idealized character. His pictures are almost always painted on board in small and medium formats. He was influenced by his godfather, the writer Francisco Tettamancy y Gastón and by concepts of Italian metaphysical painting, especially Carrá and Chirico, and French surrealism, the paintings of Tanguy and Magritte. Some authors wanted to relate him to Dalí, based on the use of blue as the main color in his paintings, but this detail is not taken from the Catalan, but from Platinir.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]