Null BRUCE DAVIDSON
(1933)
East 100th Street
2003
Illustrated monograph catalog
…

Description

BRUCE DAVIDSON (1933) East 100th Street 2003 Illustrated monograph catalog 31 x 29 cm First St. Ann's Press Edition Without number of pages Defects

425

BRUCE DAVIDSON (1933) East 100th Street 2003 Illustrated monograph catalog 31 x 29 cm First St. Ann's Press Edition Without number of pages Defects

Auction is over for this lot. See the results

You may also like

Estim. 200 - 450 EUR

Reunion of 10 works by French socialists, including 7 by Proudhon, in 4 bound volumes! 1. PROUDHON (Pierre-Joseph): 1) Avertissement aux propriétaires, ou lettre à M. Considérant, sur une défense de la propriété. Second edition. Paris, Garnier Frères, 1848, 100 pp; (followed by). -2) Proposition relative à l'impôt sur le revenu, présenté le 11 juillet 1848, suivie du discours qu'il a prononcé à l'Assemblée Nationale le 31 juillet 1848. (Conforme au Moniteur Universel). Paris, Garnier Frères, 1848, 66 pp. ; (followed by). - 3) Organisation du crédit et de la circulation, et solution du problème social, sans impôt, sans emprunt, sans numéraire, sans papier-monnaie, sans maximum, sans réquisitions, sans banqueroute, sans loi agraire, sans taxe des pauvres, sans ateliers nationaux, sans association, sans participation, sans intervention de l'État, sans entrave à la liberté du commerce et de l'industrie, sans atteinte à la propriété. Paris, Garnier Frères, 1848, (4)-43 pp; (followed by). -4) Résumé de la question sociale ; banque d'échange. Paris, Garnier Frères, 1849, (4)-XIX-(1)-116 pp. + 2 ff. n.ch. (Extrait du cat. Baillière); 4 works in 1 vol. 11 by 17 cm. Crushed contemporary half-chagrin in oxblood, spine with ornate nerves. Good condition. Scattered foxing, a small ink stain in the ext. margin of 2 ff. (4th work). 1) 2nd edition (E.O.: 1841). Goldsmiths 36107; Kress C. 7543; Einaudi 4548. 2) First edition. Haubtmann p. 1067; Goldsmiths 35757; Kress C. 7549; missing from Einaudi. The Proposal of July 11, 1848 occupies pp. 3-7, the Speech of July 31, 1848, pp. 8-66. 3) 2nd edition, published the same year as the original. Goldsmiths 35756; Kress C. 7548; missing from Einaudi. 4) 2nd edition (E.O.: 1848). Goldsmiths 36697; missing from Einaudi. 2. Doctrine de Saint-Simon. First year. Exposition. 1829. Paris, Au Bureau de l'Organisateur, 1830. One volume. 12.5 by 20.5 cm. (8)-XL-327 pages. Contemporary cherry half-chagrin, spine ribbed and decorated. Spine faded, corners slightly dulled. Small corner wetness on half the pages, scattered foxing. First edition. Fournel pp. 68-72; Walch 551; Gerits-Walch 141; Einaudi 1593. "L'exposition de la doctrine was in no way, as one might suppose, a simple summary of the School's earlier works and of Saint-Simon's oeuvre. In every respect, it constitutes an original work." (Charléty, Hist. du Saint-Simonisme p. 49). It was mainly written by Carnot, Fournel and Duveyrier, and reread by Enfantin. 3. PROUDHON (Pierre-Joseph): 1) De la célébration du dimanche considérée sous les rapports de l'hygiène publique, de la morale, des relations de famille et de cité. Paris, Garnier Frères, 1850, 84 pp; (followed by). -2) Rapport du citoyen Thiers, précédé de la proposition du citoyen Proudhon, relative à l'impôt sur le revenu, et suivi de son discours prononcé à l'Assemblée nationale le 31 juillet 1848. (Conforme au Moniteur universel). Paris, Garnier Frères, 1849, 87 pp; (followed by). -3) Banque du peuple, followed by the report of the commission of Luxembourg delegates. Paris, Garnier Frères, 1849, 52 pp. 3 works in 1 volume. 11 by 17 cm. Contemporary cherry half-chagrin, spine ribbed and decorated. Good condition. Scattered foxing. 1) The original edition dates from 1839. 2) Pp. [3] to 7: Proposition relative à l'impôt sur le revenu ; pp. [9] to 28: Rapport de Thiers ; pp. [29] to 87: Discours de Proudhon du 31 juillet 1848. 3) First edition. Rare. Haubtman, P.-J. Proudhon p. 1067; Goldsmiths 36692. 4. Almanach du nouveau monde. 1850 [and 1851]. Paris, Au Bureau du Nouveau Monde, s.d. [1850-1851], 2 years in 1 volume. 11 by 15 cm. 176; 160 pages. Contemporary oxblood half-chagrin, spine ribbed. Some foxing and very slight marginal dampening (year 1851). 4 pages of music and in-text illustrations. All that has appeared of this almanac. Carteret 2554. "Almanach composed of articles by proscribed deputies, Louis Blanc, Etienne Arago, Rattier, Martin Bernard, Barthélémy. With Le travail, music by Victor Lefebvre, poetry by Etienne Arago. Should have contained articles by Barbès and Albert, which were unable to arrive due to the difficulty of communicating with the prisoners at Doullens. The title for 1851 also reads: "Par Louis Blanc".

Estim. 150 - 300 EUR

A collection of two classics on letterpress vignettes: 1. BOPPE (Auguste) and BONNET (Raoul): Les vignettes emblématiques sous la Révolution. 250 reproductions of letterheads. With the collaboration of M. Raoul Bonnet. Paris, Nancy, Berger-Levrault, 1911. One volume. 24.5 by 32 cm. VIII-181-(3) pages. Modern full cloth, black title page, cover preserved. Good condition, a few discreet scattered foxings. Sought-after first edition. Illustrated with 253 in-text figures. Edition of 500 copies. One of 480 copies on wove paper (N°76). 2. CHAMPFLEURY (Jules-François-Félix Husson, dit Fleury, dit): Les vignettes romantiques. Histoire de la littérature et de l'art 1825-1840. 150 vignettes. Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Edouard Nay, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un catalog complet des romans, drames, poésies, ornés de vignettes, de 1825 à 1840. Paris, E. Dentu, 1883. One volume. 21.5 by 31 cm. 1 portrait of Champfleury, from the Galerie contemporaine, based on a Nadar photograph (photoglyptie), added at the beginning of the volume-VIII-438 pages + 14 uncensored leaves (Champfleury's artistic works) + 10 plates h.t. Full damask silk binding with flaps, basane title-piece on spine, cover boards preserved. Spine faded, scattered brown spots. Numerous in-text illustrations. First edition. "Limited edition". A vignette by T. Johannot is in double condition with a print on Chine.

Estim. 800 - 1 000 EUR

DAVID HAMILTON (London, 1933-Paris, 2016). "Young woman asleep", 1974. Photography on gelatin silver. Signed and dated. Measures: 17 x 23.5 cm. In this photograph the author focuses on the model from a high perspective. He avoids portraying the face, not only because the young woman is lying face down, but also because he leaves the model's head out of the frame. By the position and the explicit eroticism, the author offers us a revision of Coulbert's "The Origin of the World". David Hamilton was a British photographer and film director known for his photographs of young women and girls, mainly nude. His style of approach was referred to as "Hamilton Blur", Hamilton's images became part of a debate about "art or pornography". Her artistic skills began to emerge during a job in an architect's office. At the age of 20, he went to Paris, where he worked as a graphic designer for Peter Knapp of Elle magazine. After achieving recognition, he was hired by Queen magazine in London as an art director. However, Hamilton soon realised his love for Paris, and after returning there he became the art director of Printemps, the city's largest department stores'. While Hamilton was still working at Printemps, he began doing commercial photography, and the dreamy, grainy style of his images was critically acclaimed. His photographs were sought after by other magazines such as Réalités, Twen and Photo. His additional successes included dozens of photographic books; five feature films; countless magazine exhibitions; and museum and gallery exhibitions. In December 1977, Images Gallery, a studio owned by Bob Persky at 11 East 57th Street in Manhattan, showed his photographs at the same time Bilitis was launched. At the time, art critic Gene Thornton wrote in The New York Times that they revealed "the kind of ideal that was regularly expressed in the great paintings of the past". In his book, Contemporary Photographers, curator Christian Caujolle wrote that Hamilton worked with only two fixed devices: "a clear pictorial intention and a latent eroticism, apparently romantic, but asking for trouble". In addition to depicting young women, Hamilton composed photographs of flowers, men, landscapes, farm animals, pigeons and still lifes of fruit. Several of his photographs resemble oil paintings. Most of his work gives an impression of timelessness due to the absence of automobiles, modern buildings and advertisements. In 1976, Denise Couttès explained Hamilton's success by saying, "(his photographs) express escapism. People can only escape the violence and cruelty of the modern world through dreams and nostalgia". His soft-focus style came back into fashion in Vogue, Elle and other fashion magazines from 2003 onwards. The photobooks she debuted on screen in Bilitis. Later, he married Gertrude, who co-designed The Age of Innocence, but they divorced amicably.Hamilton divided his time between Saint-Tropez and Paris. He had enjoyed a renaissance in popularity since 2005. In 2006, David Hamilton, a collection of captioned photographs, and Erotic Tales, containing Hamilton's fictional short stories, was published. At the time of his death, Hamilton was working on another book, Monograph of Montenegro.

Estim. 50 - 80 EUR

HENRIOT Gabriel (1880-1965) - Portfolio "La ferronnerie moderne". Editions d'art Charles Moreau. 45 x 33 cm. The set includes the publisher's illustrated cover, title leaf, table of contents and 29 of the 32 illustrated plates of ironwork, chandeliers, lamps by decorators such as Paul Kiss, Raymond Subès, Sue et Mare, Edouard Schenck; plate 13 shows the staircase banister in the grand dining room of the Compagnie Générale Transatlantique liner "Paris". Missing plates 2,7 and 31 (wear, foxing).

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]