Null MISCELLANEOUS AUTHORS.
Love / Hate. From Magritte to Cattelan
2004
Illustra…

Description

MISCELLANEOUS AUTHORS. Love / Hate. from Magritte to Cattelan 2004 Illustrated catalog published on the occasion of the exhibition held at the Museum of Contemporary Art, Chicago (May 30-November 7, 2004) 20 x 14.5 cm Villa Manin Azienda Speciale edition Pages 226 Defects

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MISCELLANEOUS AUTHORS. Love / Hate. from Magritte to Cattelan 2004 Illustrated catalog published on the occasion of the exhibition held at the Museum of Contemporary Art, Chicago (May 30-November 7, 2004) 20 x 14.5 cm Villa Manin Azienda Speciale edition Pages 226 Defects

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Starting price 250 EUR

Magritte, RenéBlue Box. Deluxe edition. With 1 exhibition catalog "Magritte" of the Galerie national du Jeu de Paume in Paris ed. by Daniel Abadie, 3 etchings on Rivers paper, 5 canvas pieces (various sizes) with color reproductions, 4 ill. with color reproductions on self-adhesive paper and 1 trompe-l'oeil window in serigraph. Paris/Antwerp, Ludion/Ronnie Van de Velde, 2003. 4°. The catalog with 302 num. P. OLwd. with ill. OS dust jacket. The components in OHldr. folding box (folio, with the trompe-l'oeil behind plexiglass in the cover) in OPp. slipcase. Magritte, René Blue Box. Deluxe edition. With 1 exhibition catalog "Magritte" of the Galerie national du Jeu de Paume in Paris ed. by Daniel Abadie, 3 etchings on Rivers paper, 5 canvas pieces (various sizes) with color reproductions, 4 sheets with color reproductions on self-adhesive paper and 1 trompe-l'oeil window in serigraph. Paris/Antwerp, Ludion/Ronnie Van de Velde, 2003. 4°. The catalog with 302 num. P. OLwd. with ill. OS dust jacket. The components in OHldr. folding box (folio, with the trompe-l'oeil behind plexiglass in the cover) in OPp. slipcase. One of 1000 num. Copies. Numbered in the enclosed information sheet. - With texts by Michel Butor, Patrick Roegiers, Jean Roudaut, Jean-Michel Goutier, Renilde Hammacher and 3 numbered original etchings from Magritte's estate ('Les Amants', Le Viol', La Trahison des images'). - The edition contains 3 portfolios (each with ill. Ceci n'est pas une pipe', 'Biere de Porc/Confiture de Cheval', 'L'Évidence éternelle') with the above-mentioned contents as well as 2 folders with info sheets and 1 further folder printed with photographs with 1 p. of the contents of the edition. Contents of the edition, screen print of "Les mots et les images" on the inside of the box cover. - Very elaborate and good copy. Deluxe edition. With 1 exhibiton catalogue, 3 etchings from the estate, 5 pieces of canvas with col. reproductions, 4 leaves with col. reproductions on adhesive paper as well as 1 trompe-l'oeil window in silkscreen. - The catalogue: origin. cloth with ill. jacket. The elements inside origin. half marocco clamshell box in origin. boards slipcase. - One of 1000 numbered copies. Numbered in attached info sheet. - The edition contains 3 portfolios (each with ill. label) with the above mentionned contents as well as 2 portfolios with info sheet and 1 further with edition info, the box cover verso with silk-print. - Nice copy of an elaborative edition. This work is taxed. The hammer price is subject to a premium of 23.95% and the final invoice amount to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 40000 EUR

Maurizio CATTELAN (born 1960). Punizion - 1991. Ink and pen on thirty sheets of school paper pinned to a painted wooden panel. Signed and dated on the back of one sheet. 165 x 188 cm (frame). Includes painted wooden box with Galerie Perrotin certificate signed by the artist. Provenance : - Galerie Perrottin, Paris - Private collection, Paris - Sotheby's London sale, October 16, 2009 (catalog no. 33) - Phillips sale, London, October 17, 2013 (catalog no. 137) - Monegasque private collection. Exhibition: - "Maurizio Cattelan", Espace Jules Verne, Bretigny sur Orge, 1997 (reproduced in catalog) - "Présumé innocent (L'art contemporain et l'enfance)", Musée d'Art Contemporain de Bordeaux, 2000 (reproduced p. 117 of catalog) - "Maurizio Cattelan: All" Guggenheim Museum, New York, November 4, 2011 to January 22, 2012 (reproduced under no. 10 p. 192 of catalog). Bibliography: - "Maurizio Cattelan", by Francesco Bonami, London, 2000 (reproduced p. 66,68 and 69) - Maurizio Cattelan", by Francesco Bonami, London, 2003 (reproduced p. 66,68 and 69). Note: Duchamp is dead! Long live Cattelan! Such is Maurizio, a self-taught artist, certainly the most gifted of the 21st century, the very man who overthrew the Pope and brought Hitler to his knees. A shocking yet thought-provoking artist. In the work we're auctioning, he asks us about the role of school, which the artist sums up as "learning to fail". In the same spirit as the work "Charlie don't surf", in which the young man is literally nailed to his school desk by pencils, he shows how, through constraint, we seek to subjugate those who don't fit the mold, those who are different because they are too lively, too intelligent, too free or too much of everything. These punishments, in the form of repetitive, stupid and alienating lines, lead to minor humiliations and bruised egos. Not everyone dies, of course, but some go down, and others, rarer still, decide to escape... Today, his works can be found in the world's most famous museums, in the most prestigious collections, including that of François Pinault. Each new work by the artist provokes a systemic reaction and emotion in the art world and in society at large. After his retrospective in New York in 2012, the ultimate recognition for a living artist, the Asian world has recently taken an interest in his work, with a retrospective at Art Beijing in China in 2022. Whether it's his banana taped to the wall sold for €120,000 at Art Basel, his self-portraits sold for several million dollars or his "Him" sold for $17 million in New York, the prices of Cattelan's works are soaring with him! There's no stopping the former dunce Maurizio, half embarrassed half amused on his bike, he smiles... "This work created in 1991, originally entitled repetita invant, refers to the repetitive writing exercises that teachers used to give pupils, as a form of punishment. "Fighting in class is dangerous" was spelled out a thousand times, dictated over and over again, and written on numerous sheets of school notebooks, which the little Italians then had to display on the classroom walls. Equally present and insistent are the red corrections that change a simple preposition in each sentence. The slightest change in the preposition ("in" versus "di") carries with it a more important warning through its repetition: "Class struggle is dangerous". In interviews, Cattelan has explained how his work was influenced by the difficulties he experienced at school, in particular a failed reading test, which he remembers with particular pain. More than a simple reflection on education, this work relates disruptions at school to political resistance, seeing the school system as a microcosm of the social tensions that persist and endure in the adult world. Indeed, the lesson learned by heart (through repetition), forces docility and submission in young minds that are future citizens" (Nancy Spector, Maurizio Cattelan: All - Guggenheim Museum Exhibition Catalogue, New York, 2009, page 93).

Estim. 20 - 30 EUR

Collection of specialist literature on Japanese ceramics 23 items, some in Japanese, including Pottery in Japan, Tamba Pottery, A Potter in Japan, The world of Japanese Ceramics, Hamada Potter and various exhibition catalogues, format max. 4°, well-read copies with various signs of age and wear.

Estim. 10 - 20 EUR

PORTUGUESE LITERATURE PORTUGUESE LITERATURE Eleven works by various Portuguese authors. Br. Defective covers.

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