Null DONALD JUDD
(1928 - 1994)
Donald Judd
2004
Illustrated monographic catalog …
Description

DONALD JUDD (1928 - 1994) Donald Judd 2004 Illustrated monographic catalog published on the occasion of the exhibition held at Tate Modern, London (February 5-April 25, 2004) 31 x 24.5 cm Museum edition Pages 284 Without defects

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DONALD JUDD (1928 - 1994) Donald Judd 2004 Illustrated monographic catalog published on the occasion of the exhibition held at Tate Modern, London (February 5-April 25, 2004) 31 x 24.5 cm Museum edition Pages 284 Without defects

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Albert Ebert, "Die Gespensterlektüre" young man in a dark interior reading a book, surrounded by two small devils, see catalogue raisonné Brade/Stula R 23, etching printed in brown, signed and dated in lead below the image on the right "A. Ebert 1964", numbered "18/20" on the left and titled "Die Gespensterlektüre" in the centre, monogrammed and dated "AE (19)64" in the plate, browned, matted and framed behind glass. Artist information: German painter and graphic artist (1907 Halle/Saale to 1976 Halle/Saale), considered the most important naive artist of the GDR, 1921 began an unfinished apprenticeship as a bricklayer, then worked as an occasional and unskilled labourer until 1939, including 1928-34 as a self-employed wool merchant and as a furniture carrier, construction worker, market assistant etc., 1939-45 military service in the 2. After being wounded and captured, he spent time in a military hospital, where he discovered painting as a vocation, 1946-47 studied at the "Burg Giebichenstein" art academy in Halle under Charles Crodel and Waldemar Grzimek, largely self-taught, from 1947 construction worker and 1948 temporary trainee in restoration techniques at the Moritzburg State Gallery in Halle, 1948 first exhibition participation with the artists' association "Die Fähre" and freelance painter until 1951, from 1951 member of the Association of Visual Artists (VBK) of the GDR, 1951-52 restoration course with Kurt Bunge, 1954-56 worked as a stoker at Burg Giebichenstein and construction worker in Halle, from 1956 freelance in Halle with the support of friends and a scholarship from the CDU (GDR), 1973 honoured with the Art Prize of the City of Halle, took part in the art exhibitions of the GDR from 1958-77, source: Vollmer, Eisold "Artists in the GDR", picture atlas "Art in the GDR" and Wikipedia.

[Japan] [Japan] Extensive documentation including - I. Jippensha, A pied sur le Tokaido, Picquier, 1992. - D. Ogrizek, "Le Japon, un portrait en couleur, Odé, 1960. - E. Guimet, Promenades japonaise, drawings after nature by Regamey, publisher's binding, Charpentier, 1878. - C. Shimizu, Women of Japan, Imprimerie nationale 1997. - Une histoire du Japon à travers son art, Robert Laffont, 1965. - G. Fahr Becker, L'estampe japonaise, Taschen, 2007. - C. Shimiza, Le Japon du XIXe siècle, la redécouverte, AGEP, 1990. - C. Shimizu, L. Frédéric, L'art des estampes japonaise, Editions de Crémille, 1990. - J. Hillier, Les maîtres de l'estampe japonaise, Phaidon, 1954. - Le Japonisme," éditions Réunion des musées nationaux, exhibition catalog 1988. - M. Novak and Z. Cerna, Japanese Tales, GrÜnd, Bratislava 1970. - Donald Richie, L'art des fleurs au Japon hier et aujourd'hui, Bibliothèque des arts, 1967. - J. A. Michener, Estampes japonaises, Office du livre de Fribourg, 1964. - Various works. - Edmond de Goncourt, Outamaro, le peintre des maisons vertes, Roissart, Grenoble, full leather binding, illustrations hors texte, quarto, 1978. - La collection Tokugawa, Le Japon des Shogun, Musées des beaux arts de Montréal, 1989. - Sotheby's catalog, Huguette Beres collection, November 27, 2002 - S. E Lee, Hiroshige, carnets d'esquisse, Phébus, 2001 - M. Grivel, Hiroshige, Les albums du cabinet d'estampes de la BN, Albin Michel, 1984. - W. Boller, Hokusai, Editions Clairefontaine, Lausanne, 1955. - M. Ouspenski, Hiroshige, Cent vues d'Edo, Parkstone, 1997. - M. Forrer, Hokusai, Bibliothèque de l'image, 1996. - Hiroshige, Tokaido, Editions du Chêne, 1960, in a Japanese-style canvas slipcase. - Le Japon éternel by Kawase Hasui, Langlaude, 2011. - E. H and P. Jude, Mathurin Méheut, voyage d'un peintre breton au Japon, Ouest France, 2004. - Hokusai, " Les cents vues du mont Fuji ", Hazan , three volumes in facsimile bound in Japanese style, 2008 presentation by N. Delay - Portier et Poncetton, La femme dans l'art japonais, Librairie des arts décoratifs, Calavas, 1934. - Lafacadio Herna, Le Japon Inconnu, études psychologiques, Paris, Albin Michel, no date. - Fumiko Takebayashi, Contes japonais, Paris, Fasquelle, 193 - K. Yamata, Vies de Geishas, Paris, Gallimard, 1934 - Franz Toussaint, Les pins chantent, ornements de Vergély, René Kieffer éditeur, 193 - Céda Akinari, Contes de pluie et de lune, Paris, Gallimard, circa 1940 - M-H Lelong, Spiritualité du Japon, Julliard, La Croix du Sud, 1961 - Judith Gauthier, Le paravent de soie et d'or, Paris, Charpentier et Fasquelle, 1904 - I. Morris, La vie de cour dans l'ancien Japon, Paris, Gallimard, 1964 - P. Loti, Japoneries d'automne, Paris, Levy 1890 - Okakura Kakuzo, Le livre du thé, Paris, Delpeuch, 1927 - M. Dubard, Le japon pittoresque, Paris, Plon et Cie, 1879 - Kikou Yamata, Masako, Stock, 1942. Numbered edition 102 - Soulié de Morant, Le trésor des loyaux samouraïs, Piazza, 1927 - Régamey, Le Japon Pratique, Hetzel, circa 1890 Le chrysanthème solidaire, edition of the Smith manuscript Lesouef japonais 96, Paris, 1984, BN département des manuscrit - G. Atken, M. Delafond, La collection d'estampes japonaises de Claude Monet, Maison de Monet Giverny, 1987 - Utamaro, L'almanach des maisons vertes, Picquier, 2008 and miscellaneous - Japanese prints and drawings from the Vever Collection, Sotheby Parle Bernet, 1976 (3 volumes in quarto in slipcase. - Highly important Japanese prints from the Henri Vever collection: final part, Sothebys, identically bound sale catalog, 30/10/1997. - G.A. Audsley and James L. Bowes, La céramique japonaise, édition française, publiée sous la direction de M. A. RAcinet. In two volumes, Paris, Firmin Didot, 1880. Modern buff binding with corners.