Null MISCELLANEOUS AUTHORS
Parkett Vol. 63
2001
Reviewed in collaboration Tracey…

Description

MISCELLANEOUS AUTHORS Parkett Vol. 63 2001 Reviewed in collaboration Tracey Emin, Jeremy Blake, William Kentridge, Gregor Schneider 25.5 x 21.5 cm Pages 213 Defects

61

MISCELLANEOUS AUTHORS Parkett Vol. 63 2001 Reviewed in collaboration Tracey Emin, Jeremy Blake, William Kentridge, Gregor Schneider 25.5 x 21.5 cm Pages 213 Defects

Auction is over for this lot. See the results

You may also like

Estim. 20 - 40 EUR

Léonard de Géréon, La Rampe et les Coulisses. Esquisses biographiques des directeurs, acteurs et actrices de tous les théâtres. Paris, chez les marchands de nouveautés, 1832. In-8, 292p. An interesting work for the study of theater people of this period. Provenances: Henri Espirac (1890-1950), baritone and bibliophile; sale Anne-Marie Meininger (Tajan, March 15, 2007, no. 188). Bradel half parchment, title page, untrimmed. Paper yellowed, small tear at head of upper spine. Petite biographie des acteurs et actrices des théâtres de Paris. Avec l'âge de ces dames. Published in Paris, Marchands de Nouveautés, 1832-1833. Small In-16, 108p. Bradel, smooth white parchment spine, brown title-piece with gilt title, year of edition at tail. Contemporary binding. Some scattered foxing. A good copy. Petite biographie des acteurs et actrices des théâtres de Paris. Paris, Lemoine, 1826. In-16, 133p, paperback. Alphonse Karr, Les Guêpes. Paris, Au bureau du Figaro, 1840. In-32, 96-96-94p. First edition, gathering in 1 volume the 3 issues of May, June and July 1840: 96, 96 and 94 pages. Frontispiece repeated at the head of each issue, wood-engraved by Verdeil (no longer engraved from August 1840). With the publication of the July 1840 issue of "Les Guêpes", Balzac launched his "Revue Parisienne". Balzac, in association with DUTACQ, founded this magazine in the hope of achieving similar success to that of "Les Guêpes". The astute Dutacq was already publishing Alphonse Karr's successful magazine under the same conditions, with a monthly circulation of 20,000. We know that Balzac's Revue Parisienne was not as successful as expected (only 3 issues from July to September 1840), whereas Les Guêpes was published for ten years, from 1839 to 1849. Attractive period binding, red basane, spine with 3 nerves decorated with gilt motifs, 3 cold irons, gilt pallets and roulettes. 2 corners slightly dulled. Alexandre Laya, Etudes historiques sur la vie privée, politique et littéraire de M. A. Thiers - histoire de quinze ans. : 1830-1846. Paris, Furne & Paulin, 1846. 2 vol. in-8, XV-416-XLIIp & IV-215-CCLXXIIIp. Attractive half-basane, speckled edges, scattered foxing. Armand Dayot, Journées révolutionnaires - 1830 - 1848. Paris, Flammarion, sd. Oblong folio. Important work reproducing documents from the period: paintings, sculptures, drawings, autographs, etc. Prize book, full percaline with the coat of arms of the city of Paris. Joints worn at ends, corners worn.

Estim. 20 - 30 EUR

Large bundle of art magazines consisting of: 1) Die Kunst, published by F. Bruckmann AG Munich, Bruno Cassirer Berlin, 13th volume 1912, issues 6-12, 14th volume 1912/13, issues 1, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 17th volume, 1915/16, issues 1, 2, 6, 7, 11, 12, 20th volume 1918/19, issues 2, 3, 4, 2 x 5, 7, 9, 10, 12, 22, 21st volume 1919/20, issues 3, 4, 7, 11, 12, 22. Jahrgang 1918/19, Heft 2, 3, 4, 2 x 5, 7, 8, 9, 10, 12, 21. Jahrgang 1919/20, Heft 3, 4, 7, 11, 22. Jahrgang 1920/21, Heft August, 23. Jahrgang 1921/22, Heft 3, 30. Jahrgang 1928/29, Heft 1-12 (7 missing); 2) Dekorative Kunst, two bound volumes, vol. 7 1901 and vol. 27 1919; 3) Deutsche Kunst und Dekoration, ed. Alexander Koch Darmstadt, 1st volume 1898, issues 3, 4, 5, 23rd volume 1919, issue 12, 24th volume 1920, issue 12, 26th volume 1923, issue 8; 4) Innendekoration, edited by Alexander Koch, partly with the collaboration of Henry van de Velde, 13th volume 1902, volume March, issue 12, issue 12, issue 12, issue 12, issue 12, issue 12, issue 8; 3) Innendekoration, edited by Alexander Koch, partly with the collaboration of Henry van de Velde, 13th volume 1902, volume March, issue 12 Jahrgang 1902, vol. March, April, June, August, 20. Jahrgang 1909, vol. January, February, plus some single sheets from the February 1902 issue, format max. 4°, all in original paperback, some spines damaged, marginal tears, some loose, signs of age and study.

Estim. 250 - 300 EUR

Scandinavia - HAZELIUS (Arthur). Souvenirs du Musée du Nord: reproductions, with descriptive text, of objects kept at the museum, published with the collaboration of various artists and authors. Sl, [c. 1895]. In-4 oblong, green chagrin, title stamped in gold on first cover (period binding). Album alone, complete with 42 chromolithographed plates representing a collection of ethnographic and craft objects from the Nordic Museum in Stockholm. The plates are captioned and show costumes, sledges, jugs, sculptures, furniture, embroidery, a rural living room, etc. A good copy. Slight spotting, wear to binding.

Estim. 3 500 - 3 700 EUR

JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]