Null Serge Mangin
Bronze sculpture, Serge Mangin, born 1947 in Paris. Mangin stu…

Description

Serge Mangin Bronze sculpture, Serge Mangin, born 1947 in Paris. Mangin studied sculpture in Munich under Anton Rückel, who excelled in Christian art. Portrait of the French poet François Villon with hat, Villon was born around 1431/32 in Paris under the name François de Montcorbier and is considered the most important poet of the French late Middle Ages, h. 40 cm, (please note shipping instructions)

6100

Serge Mangin Bronze sculpture, Serge Mangin, born 1947 in Paris. Mangin studied sculpture in Munich under Anton Rückel, who excelled in Christian art. Portrait of the French poet François Villon with hat, Villon was born around 1431/32 in Paris under the name François de Montcorbier and is considered the most important poet of the French late Middle Ages, h. 40 cm, (please note shipping instructions)

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[Autograph, Music] Niccolò Paganini (1782-1840), violin virtuoso, composer. L.A.S. in Italian, December 27, 1838, 1p in-4 (approximate dimensions: 25*18cm). Unpublished letter to Julie Mangin (1791-ap.1855), mother of the famous scientific popularizer. He talks about his health, which was poor on his return from London and his stay in Calais. He thanks her for the translation of a brochure by Harys (?) and is proud to own a translation by Mme Mangin. He saw his son, Amédée, who honors his parents. He will spend the winter in Marseille and go to London in the spring, when he hopes to see the progress of his daughter, Clara Mangin, on the piano. Paganini's secretary was Georges Harrys (or Harris), son of a Hanover rabbi. Julie Mangin was of German origin. The letter, weakened by the original folds (closed mail with address on the back), has been lined with Japanese paper.

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GLADKY, Serge. New decorative compositions. 2nd series. Paris, Charles Moreau, (1930). In-4. Leaves in publisher's laced portfolio. 48 watercolor stencil plates. Serge Gladky (1880-1930) architect, decorator and graphic artist, particularly active in the 1920s-1930s. (interior very fresh, portfolio worn with defects to the spines). Expert: François Giard

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