Description
Nagel, Hanna - Heidelberg - 1975 ibid., "Die Dekolletierte", drawing/ink/watercolor, young, red-haired woman with veil monogrammed lower left, mounted, loose, one corner creased, remains of glue, ca. 30,5x22cm, mounted, loose, ca. 50x36cm, Hanna Nagel was a German artist, draughtswoman and book illustrator who created an early work critical of patriarchy from 1927 to 1933, in her early pictures she campaigned intensively against discrimination and inhuman conditions, in her work the artist deals with misogyny, anti-Semitism and racism, from 1925 to 1929 she studied at the Badische Landeskunstschule Karlsruhe under Karl Hubbuch, Wilhelm Schnarrenberger and Hermann Gehri, finally as a master student in Walter Conz's etching class, where she criticized the treatment of female students, especially Hilde Isay, a Jewish woman who had entered into a love affair with Karl Hubbuch; she was a member of Emil Orlik's and Hans Meid's classes, Emil Orlik saw her as a "new Kollwitz". Literature: Internet
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Nagel, Hanna - Heidelberg - 1975 ibid., "Die Dekolletierte", drawing/ink/watercolor, young, red-haired woman with veil monogrammed lower left, mounted, loose, one corner creased, remains of glue, ca. 30,5x22cm, mounted, loose, ca. 50x36cm, Hanna Nagel was a German artist, draughtswoman and book illustrator who created an early work critical of patriarchy from 1927 to 1933, in her early pictures she campaigned intensively against discrimination and inhuman conditions, in her work the artist deals with misogyny, anti-Semitism and racism, from 1925 to 1929 she studied at the Badische Landeskunstschule Karlsruhe under Karl Hubbuch, Wilhelm Schnarrenberger and Hermann Gehri, finally as a master student in Walter Conz's etching class, where she criticized the treatment of female students, especially Hilde Isay, a Jewish woman who had entered into a love affair with Karl Hubbuch; she was a member of Emil Orlik's and Hans Meid's classes, Emil Orlik saw her as a "new Kollwitz". Literature: Internet
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