Null Müller-Ried, Heinrich - Paar - 1880 Munich, "Blick auf Meihern", "Pfünz", w…

Description

Müller-Ried, Heinrich - Paar - 1880 Munich, "Blick auf Meihern", "Pfünz", watercolor/paper, torn once, browned, monogrammed lower right, inscribed 1 x 'Pfünz' lower left and dated. (19)56, titled and signed on the reverse, matted approx. 26x41cm and 27.5x38cm, frame behind glass, bumped, approx. 43x57cm and 45x55cm

2200

Müller-Ried, Heinrich - Paar - 1880 Munich, "Blick auf Meihern", "Pfünz", watercolor/paper, torn once, browned, monogrammed lower right, inscribed 1 x 'Pfünz' lower left and dated. (19)56, titled and signed on the reverse, matted approx. 26x41cm and 27.5x38cm, frame behind glass, bumped, approx. 43x57cm and 45x55cm

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Anton Doll, Ankunft am Jagdhaus Horse team, just reaching the open gate of a hunting lodge, drawing with skilfully executed line, graphite on paper, around 1870, signed "A. Doll" lower right, mounted on backing paper, here old inscribed "A. Doll", minimally stained, mounted under passepartout, sheet dimensions approx. 17.5 x 17 cm. Artist info: German landscape painter. Landscape painter (1826 Munich - 1887 Munich), his talent for drawing was already evident as a child, encouraged by the portrait painter and lithographer Franz Dahmen (1793-1865), prematurely completed his law studies, subsequently turned to landscape painting as an autodidact, influenced by Heinrich Bürkel and Adolf Stademann, member of the Munich Kunstverein from 1852, organised exhibitions in Dresden, Vienna and Munich from 1854-86, active in Munich, source: Thieme-Becker, Saur: Thieme-Becker, Saur, Bötticher, Müller-Singer, Bénézit, Bruckmann, Müller-Singer, Wikipedia and Internet.

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Carl Müller-Baumgarten, Herbstliches Isartal View of the river and gravel banks of the Isar on a cloudy autumn day, in the background the Alps stand out in rich blue from the earth-coloured landscape, slightly impasto study in muted colours, oil on canvas, 1st half 20th century, signed "Müller-Baumgarten" lower right and inscribed "München", on the reverse of the stretcher barely legibly labelled "Isartal [...]", somewhat in need of cleaning, small retouch in the area of the forest, frame modern, rebate dimensions approx. 50 x 70 cm. Artist information: also Karl Müller, German painter and graphic artist. Painter and graphic artist (1879 Leipzig - 1964 Munich), initially a pupil at the Leipzig Academy, studied from 1903 at the Munich Academy under Carl von Marr, Ludwig von Löfftz and Angelo Jank, exhibited at the Munich Glaspalast, member of the Reichsverband Bildender Künstler Deutschlands and the Munich artists' association "Der Bund", active in Munich, source: Thieme-Becker, Dressler, Matrikel der Münchner Akademie, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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Carl Müller-Baumgarten, Blick auf die Zugspitze summer view of the Zugspitze under a loosely cloudy sky, in the foreground a village view with magnificent perennial gardens, friendly landscape painting with a loosely pastose, partly pointed brushstroke, oil on canvas, 1st half 20th cent, signed "Müller-Baumgarten" lower right, on the reverse of the stretcher a barely legible location annotation "Blick auf Zugspitze bei O[...]" as well as a further illegible annotation in lead, minor restorations in the lower left half of the painting as well as in need of cleaning, framed, folded dimensions approx. 45.5 x 60.5 cm. Artist information: also Karl Müller, German painter and graphic artist. Painter and graphic artist (1879 Leipzig - 1964 Munich), initially a student at the Leipzig Academy, studied from 1903 at the Munich Academy under Carl von Marr, Ludwig von Löfftz and Angelo Jank, exhibited at the Munich Glaspalast, member of the Reichsverband Bildender Künstler Deutschlands and the Munich artists' association "Der Bund", active in Munich, source: Thieme-Becker, Dressler, Matrikel der Münchner Akademie, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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Leopold Schmutzler, Mädchen im roten Kleid Breast portrait of a racy, lascivious beauty with long red hair, smiling and avoiding the viewer's gaze, impasto genre painting with broad brushstrokes in effective colours, oil on cardboard, around 1900, signed upper right "L. Schmutzler", painting ground somewhat bulging, scratches, framed in an old gilt stucco frame (bumped) (in need of restoration), rebate dimensions approx. 85 x 56 cm. Artist information: Austrian genre and portrait painter (1864 Mies in Bohemia [Stříbro] to 1940 Munich), studied from 1880 at the Vienna Academy under Christian Griepenkerl, August Eisenmenger and Carl Leopold Müller, from 1882 at the Munich Academy under Otto Seitz, study visits to Rome, Paris and New York, represented in the Landesgalerie Budapest, the Städtische Galerie Nürnberg and other collections, received numerous honours, including the Order of Isabel la Catolica and the Medal II. Class at the Munich International in 1909, board member of the Munich Artists' Co-operative, member of the General German Art Co-operative and the Reich Association of Visual Artists in Germany, organised the Great German Art Exhibition at the House of German Art in Munich in 1938-40, active in Munich, sources: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, matriculation register of the Munich Academy, Müller-Singer, Bruckmann "Münchner Maler des 19./20. Jh.", Toman, Fuchs and Wikipedia.

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