Null Wenglein, Josef (attrib.) - 1845 Munich - 1919 Bad Tölz, German landscape p…

Description

Wenglein, Josef (attrib.) - 1845 Munich - 1919 Bad Tölz, German landscape painter, pupil of the painter Adolf Heinrich Lier, whose coloristic tendencies, calculated to express deep moods, particularly attracted him. Like Lier, Wenglein drew his motifs exclusively from the nearer and further surroundings of Munich, preferably from the Isar regions, he knew how to reproduce the changing daylight, especially in spring and autumn, with a fine feeling for the faintest stirrings of the atmosphere and to vary the gray pleasure tone of the Bavarian plateau with great virtuosity in all nuances, "Weidevieh an der Tränke", oil/mahogany panel, approx. 16x31,5cm, approx. 29x43cm, Lit. :Thieme/Becker 35, Bruckmanns Lexikon der Münchner Kunst 4, Internet

2180

Wenglein, Josef (attrib.) - 1845 Munich - 1919 Bad Tölz, German landscape painter, pupil of the painter Adolf Heinrich Lier, whose coloristic tendencies, calculated to express deep moods, particularly attracted him. Like Lier, Wenglein drew his motifs exclusively from the nearer and further surroundings of Munich, preferably from the Isar regions, he knew how to reproduce the changing daylight, especially in spring and autumn, with a fine feeling for the faintest stirrings of the atmosphere and to vary the gray pleasure tone of the Bavarian plateau with great virtuosity in all nuances, "Weidevieh an der Tränke", oil/mahogany panel, approx. 16x31,5cm, approx. 29x43cm, Lit. :Thieme/Becker 35, Bruckmanns Lexikon der Münchner Kunst 4, Internet

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August Fink, Bauernhof bei Lenggries A farmhouse situated between meadows and trees along a path, with the misty mountains of the Alpine foothills in the background, slightly impasto landscape painting in fresh colours, oil on canvas, late 19th century, inscribed "Lenggries" and signed "Fink" lower right, minor retouching, gilt stucco frame with metal label "August Fink 1846-1916", folded dimensions approx. 67 x 53.5 cm. Artist information: German landscape painter (1846 Munich to 1916 Munich), initially active as a merchant, pupil of Adolf Stademann and Eduard Schleich the Elder, from 1872 pupil of Adolf Heinrich Lier, later joined Josef Wenglein, active in Munich from 1874, represented at art exhibitions in Düsseldorf, Nuremberg, Munich (Glaspalast) and Berlin, paintings owned by the Neue Pinakothek Munich, Kunstsammlungen Nürnberg and the Bavarian Royal House, created ceiling scenes for the "Hellblauer Saal" in Herren-Chiemsee Palace, famous for his autumn and winter landscapes, source: Thieme-Becker und Vollmer.

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Ernst Bröcker, Morgenstimmung am Bach Brook landscape under a cloudy sky, the trees cast shadows on the calm water, high-quality, impressionistic landscape painting with dominant green and earth tones, the alternation of impasto colour application in the areas and glazing painting style in the contours creates a pleasant depth effect, oil on canvas, mid 20th cent, signed lower right "E. Bröckert München", on the reverse of the stretcher stamped "J. Eisenmann München 23, Siegfriedstr. 25", on the frame with stamp of the Munich frame shop "Hartmann", somewhat in need of cleaning, magnificent frame, rebated dimensions 60 x 70 cm. Artist information: German landscape and veduta painter (1893 Munich - 1963 Munich), considered one of the last representatives of landscape painting in the succession of Josef Wenglein, active in Munich and Dachau, source: Bruckmann "Münchner Maler".

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Ernst Bröcker, See im Gebirge Autumnal high mountain landscape with mountain lake in the morning mist in front of windswept conifers and mountain silhouette, slightly impasto landscape painting, partly in spatula technique, oil on canvas, c. 1940, signed and inscribed "E. Bröcker München", craquelure, colour loss, in need of restoration, framed in the original gilt stucco frame (bumped, rest.bed.), rebate dimensions approx. 80 x 100 cm. Autumnal high mountain landscape with mountain lake in the morning mist in front of windswept conifers and mountain silhouette, slightly impasto landscape painting, partly in spatula technique, oil on canvas, c. 1940, signed and inscribed "E. Bröcker München", craquelure, colour loss, in need of restoration, framed in the original gilt stucco frame (bumped, rest.bed.), rebate dimensions approx. 80 x 100 cm. Artist info: German landscape and veduta painter (1893 Munich to 1963 Munich), considered one of the last representatives of landscape painting in the succession of Josef Wenglein, active in Munich and Dachau, source: Bruckmann "Münchner Maler".

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Ernst Bröcker, Hochgebirgslandschaft sommerliche Hochgebirgslandschaft, mit Blick vorbei an Krüppelkiefern auf imposante Bergkulisse, pastose landscape painting, partially in spatula technique, oil on canvas, c. 1940, signed and inscribed "E. Bröcker München" lower left, craquelure, minor cleaning required, originally framed in a beautiful gilt stucco frame, rebate dimensions approx. 80.5 x 100 cm. sommerliche Hochgebirgslandschaft, mit Blick vorbei an Krüppelkiefern auf imposante Bergkulisse, pastose landscape painting, partially in spatula technique, oil on canvas, c. 1940, signed and inscribed "E. Bröcker München" lower left, craquelure, minor cleaning required, originally framed in a beautiful gilt stucco frame, rebate dimensions approx. 80.5 x 100 cm. Artist info: German landscape and veduta painter (1893 Munich to 1963 Munich), considered one of the last representatives of landscape painting in the succession of Josef Wenglein, active in Munich and Dachau, source: Bruckmann "Münchner Maler".

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