Null Hess, J. - Hess, Julius, 1878 Stuttgart - 1957 Pöcking near Starnberg, "Obs…

Description

Hess, J. - Hess, Julius, 1878 Stuttgart - 1957 Pöcking near Starnberg, "Obststillleben mit Blumenstrauß", oil/canvas, signed upper right, accentuated painting style, use of strong and bright colors, his painting style refers to modernism, good condition, approx. 49x40cm, frame approx. 63,5x54cm. Hess studied in Stuttgart and Munich (under M. Meinhold and R. Herterich), he traveled to France, Spain, Florence, from 1927 to 1946 Julius Hess was a full professor of painting at the Academy of Fine Arts Munich, in his master class from 1935 were the painter Karoline Wittmann (1913-1978), Luise Niedermaier (1908-1997), Gabriele Thiersch (1920-2000), Irma Hünerfauth (1907-1998), Marianne Henselmann (1902-2002), he created portraits, landscapes and still lifes of independent coloring, he participated in exhibitions of the secessions in Munich and Berlin, he was rightly known for his still lifes, according to the art historian Matthias Arnold, his painting style is strongly influenced by Paul Cézanne. Literature: Internet

2099

Hess, J. - Hess, Julius, 1878 Stuttgart - 1957 Pöcking near Starnberg, "Obststillleben mit Blumenstrauß", oil/canvas, signed upper right, accentuated painting style, use of strong and bright colors, his painting style refers to modernism, good condition, approx. 49x40cm, frame approx. 63,5x54cm. Hess studied in Stuttgart and Munich (under M. Meinhold and R. Herterich), he traveled to France, Spain, Florence, from 1927 to 1946 Julius Hess was a full professor of painting at the Academy of Fine Arts Munich, in his master class from 1935 were the painter Karoline Wittmann (1913-1978), Luise Niedermaier (1908-1997), Gabriele Thiersch (1920-2000), Irma Hünerfauth (1907-1998), Marianne Henselmann (1902-2002), he created portraits, landscapes and still lifes of independent coloring, he participated in exhibitions of the secessions in Munich and Berlin, he was rightly known for his still lifes, according to the art historian Matthias Arnold, his painting style is strongly influenced by Paul Cézanne. Literature: Internet

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Ludwig III. (Hessen-Darmstadt)Schreiben an Major von Geuder mit eigenhändiger Unterschrift des Großerzogs von Hessen-Darmstadt (1806-1877). Darmstadt, 18. Mai 1859. 1 S. auf 1 Doppelblatt (Einzelblattmaße 28 x 22 cm). Ludwig III. (Hessen-Darmstadt) Schreiben an Major von Geuder mit eigenhändiger Unterschrift des Großerzogs von Hessen-Darmstadt (1806-1877). Darmstadt, 18. Mai 1859. 1 S. auf 1 Doppelblatt (Einzelblattmaße 28 x 22 cm). Brief anlässlich von Geuders Scheiden aus einem Regiment, in welchem er lange gewirkt und sich besondere Achtung des Großherzogs erworben hat. - Papierbedingt gebräunt, Spuren zweifacher Faltung, Falze eingerissen, etw. knitterig u. tls. fleckig.

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Document of Ludwig von Hessen Darmstadt dated 2 April 1821, certificate of appointment of Carl zu Bos, Freiherr zu Thil, as Minister for Foreign Affairs and Finance, ink on parchment, with paper coat of arms seal, good condition for its age, dimensions 22 x 33 cm.

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Peter von Hess, Infanterist Soldier carrying several bayonetted rifles with knapsack, pencil drawing on laid paper, around 1820, signed "P Hess" lower right, minimally soiled, stitched under passepartout, sheet dimensions approx. 26 x 18.5 cm. Artist information: actually Peter Heinrich Lambert Hess, also Heß, from 1861 Ritter von Hess (1792 Düsseldorf to 1871 Munich), son of the engraver Carl Ernst Christoph Hess, pupil of his father, from 1809 briefly studied at the Academy of Fine Arts in Munich, largely self-taught, travelled to Austria, Italy and Switzerland, in 1814 he created his first large-format painting "Schlacht von Arcis sur Aube", in 1833 accompanied King Otto to Greece, in 1839 he accepted an invitation from Tsar Nicholas I. to Moscow and St. Petersburg, then created frescoes for the arcades of the Munich Hofgarten, knighthood in 1861, source: Thieme-Becker, Bruckmann-Münchner Malerei des 19. Jh, Matriculation records of the Munich Academy and Wikipedia.

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