Null Esche, Emil - 1896 Schlößchen-Porschendorf - 1948 Augsburg, "Blumenstillleb…

Description

Esche, Emil - 1896 Schlößchen-Porschendorf - 1948 Augsburg, "Blumenstillleben", oil/panel, splendid still life with colorful dahlias in a vase, signed and dated (19)41 lower left, approx. 92x74cm, frame minimally bumped approx. 106.5x88cm. Emil Esche initially trained as a decorative painter, after which he studied at the Augsburg Werkkunstschule under Karl Rupflin, then at the Akademie der Bildenden Künste in Munich under Franz Klemmer, from 1923 Esche worked full-time as a painter in Augsburg and ran a studio from 1930. Literature: Internet

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Esche, Emil - 1896 Schlößchen-Porschendorf - 1948 Augsburg, "Blumenstillleben", oil/panel, splendid still life with colorful dahlias in a vase, signed and dated (19)41 lower left, approx. 92x74cm, frame minimally bumped approx. 106.5x88cm. Emil Esche initially trained as a decorative painter, after which he studied at the Augsburg Werkkunstschule under Karl Rupflin, then at the Akademie der Bildenden Künste in Munich under Franz Klemmer, from 1923 Esche worked full-time as a painter in Augsburg and ran a studio from 1930. Literature: Internet

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Carl Jutz the Younger, Prächtige Villa im Park sunlit, partly wreathed, sophisticated villa with partially lowered shutters and a sweeping terrace, which leads over a stone staircase into a magnificent wild, shady park, slightly pastose, partly executed with a pointed brush, high-quality painting with skilful light treatment, oil on canvas, incised signature "C. Jutz jun[ior]" and dated "[19]98", folded dimensions approx. 25 x 37 cm. Artist information: actually Carl Ernst Bernhard Jutz, German landscape painter (1873 Düsseldorf - died 1915 near Radun in Belarus), son and pupil of the animal painter Carl Jutz the Elder, initially studied for four years at the Badische Kunstschule Karlsruhe under Gustav Schönleber until ca. 1896. 1896 he continued his studies at the Düsseldorf Academy, where he was a master pupil of Eugen Dücker, travelled to Rügen, through Transylvania, Hungary, the Black Forest, the Harz Mountains and the Eifel, participated in Düsseldorf art exhibitions from 1902 and the Great Berlin Art Exhibition from 1903, 1904-05 with Emil Schultz-Riga, Hans Deiker and Theodor Groll founding member of the "Novembergruppe" Düsseldorf, 1908 and 1911 represented at the Munich Glaspalast, member and temporary board member of the Düsseldorf Artists' Association and member of the Artists' Support Association, 1896-1915 member of the Düsseldorf Artists' Association "Malkasten", active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Baumgärtel "Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819-1918", Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Dressler, Kunstchronik 1915 and Wikipedia.

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Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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