Monkey mask supporting a small monkey on its forehead. Ivory Coast. Height: 35 c…

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Monkey mask supporting a small monkey on its forehead. Ivory Coast. Height: 35 cm

646

Monkey mask supporting a small monkey on its forehead. Ivory

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Estim. 150 - 200 EUR

ALLEMAGNE, XXème siècle Trois figurines de singes en porcelaine, l'une dans le goût de Meissen jouant de la harpe, une autre d'un singe accroupi, la dernière d'un singe et son petit mangeant des épis de maïs H. 15 cm - H. 14 cm et H. 11,5 cm

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Hemba monkey mask from the Democratic Republic of Congo. H. 30 cm.

Estim. 200 - 400 EUR

A WOOD NETSUKE OF SARUMAWASHI WITH MONKEY, EDO PERIOD A WOOD NETSUKE OF SARUMAWASHI WITH MONKEY, EDO PERIOD Unsigned Japan, Edo period (1615-1868) The sarumawashi (monkey trainer) was a street artist who performed tricks with his monkey. In this very classic netsuke, the monkey trainer is depicted laying down on the ground and leaning on one elbow, with a serene facial expression, gently smiling, while the monkey is grabbing the basket of the food behind his back. Large himotoshi on the underside, one of them generously excavated to accommodate the knot. LENGTH 4.5 cm Condition: With some wear and smoothed-out chips to three feet, otherwise good condition.

Estim. 250 - 500 EUR

A FINE WOOD NETSUKE OF A SARUMAWASHI (MONKEY TRAINER), EDO A FINE WOOD NETSUKE OF A SARUMAWASHI (MONKEY TRAINER), EDO Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868) Boldly carved, the charming monkey trainer seated with one knee propped up, resting his shaved head on his arm, with a small monkey clinging to his back. The face of the trainer is jovial, his eyes wrinkling as he smiles, while the monkey looks slightly nervous, its brows raised and eyes wide. The man wearing the typical robes of his craft and a belt with a small woven pouch secured to the back. Large himotoshi to the side and underside. HEIGHT 3.8 cm Condition: Very good condition with wear, old nicks, and small scratches to the underside and himotoshi. Provenance: From the collection of Dr. Ferdinand and Dr. Gudrun Thaler-Szulyovsky, and thence by descent in the same family. The couple, who had both been practicing law, met in 1967 through their mutual passion for art. Together they built a substantial and diverse art collection over many decades.

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