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Sac camera 31 cm en veau vieilli argenté, doublure en veau argenté, …

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CHANEL Sac camera 31 cm en veau vieilli argenté, doublure en veau argenté, bijouterie en métal noirci, fermeture zippée, double anse chaîne Présence de l'étiquette d'authenticité Avec carte d'authenticité Dimensions : 30 x 21 x 10 cm environ Très bon état

105 .1

CHANEL Sac camera 31 cm en veau vieilli argenté, doublure en veau argenté, bijouterie en métal noirci, fermeture zippée, double anse chaîne Présence de l'étiquette d'authenticité Avec carte d'authenticité Dimensions : 30 x 21 x 10 cm environ Très bon état

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Estim. 13 000 - 14 000 EUR

HENRI CARTIER-BRESSON (Chanteloup-en-Brie, France, 1908- Céreste, France, 2004). "Hyères, France, 1932. Gelatin silver. Later impression. Signed in ink and with photographer's copyright stamp (in margin). Provenance: Bennett Private Collection, New York. The Pompidou Center has a copy of this photograph. Measurements: 25 x 36 cm (image); 31 x 41 cm (paper). Taken at the age of 24, when Henri Cartier Bresson had just bought his small Leica camera, this snapshot becomes one of his best known images and one of the most expensive auctioned by the artist. It shows the speed and mobility that this camera gave to freeze the movement and the fleeting moment with endless aesthetic possibilities. Henri Cartier-Bresson was a French artist and humanist photographer considered a master of photography and one of the first users of 35 mm film. He pioneered the genre of street photography and considered photography as capturing a decisive moment. His first major reportage trip took him to the Ivory Coast in 1931.Photographs from his many travels quickly found a forum in magazines and exhibitions. He also gained experience in New York with Paul Strand. In the late summer of 1937, before the battle of Belchite, he traveled to Spain with Herbert Kline, former editor of New Theater magazine, and cameraman Jacques Lemare to shoot a documentary on the American Medical Bureau during the Spanish Civil War. They filmed at Villa Paz, the International Brigades hospital in Saelices, not far from Madrid, and on the coast of Valencia to document the recovery of wounded volunteers in the villas of Benicàssim. They also visited the Abraham Lincoln Brigade in Quinto, near Zaragoza, and shot the film With the Abraham Lincoln Brigade in Spain. From 1937 to 1939, Cartier-Bresson was assistant director on three films by Jean Renoir, including The Rules of the Game. In 1940, he spent nearly three years as a prisoner of war in Germany. After it was erroneously assumed that he had died in the war, the Museum of Modern Art in New York dedicated a major "posthumous" retrospective to Cartier-Bresson in 1947. That same year, together with Robert Capa, David Seymour and George Rodger, he founded the Magnum Photos agency in New York with the aim of preserving the rights to the photographers' work.Cartier-Bresson was the first photographer allowed to exhibit at the Louvre in Paris in 1955. His photographs were collected and published in Images à la sauvette (1952, Images in passing), D'une Chine à l'autre (1968, China yesterday and today) and Moscou (1955, Moscow), among others. Cartier-Bresson stopped taking professional photographs in 1972 and devoted himself intensely to the art of drawing. In 1974 he was elected member of the American Academy of Arts and Sciences.

Estim. 6 000 - 8 000 EUR

MARC RIBOUD (Saint-Genis-Laval, 1923-Paris, 2016). "Young girl holding a flower", Washington, 1967. Gelatin silver. Later print. Signed and dedicated "to Patrick" in ink, in the margin. Provenance: Zwigoff collection, New York. Measurements: 25 x 36 cm (image); 31 x 40.5 cm (paper). This photograph of a young woman holding a flower in front of soldiers, taken in the context of a demonstration in Washington against the Vietnam War, is one of Marc Riboud's most celebrated images. The value of the scene, in addition to the emotional force it conveys, is the ability to universalize the message of hope in the midst of the outbreak of violence. Because, in any case, it was always the human side of conflicts that Riboud claimed in his photographs as a war correspondent. Thus, while taking photographs of the war in Vietnam and the Chinese cultural revolution, he also reflected aspects of daily life in cities such as Fez, Angkor, Shaanxi or Benares. Marc Riboud was a French photographer specialized in photojournalism who was part of the Magnum agency. At the outbreak of World War II he was fighting in the Resistance so he began his engineering studies at the École Centrale de Lyon in 1945. He learned photography in a self-taught way from the age of fifteen, using a Vest Pocket Kodak camera provided by his father. After working as an engineer, in 1952 he joined the Magnum agency, after meeting Henri Cartier-Bresson and Robert Capa, where he made the most important reports of his career until 1979. His first photograph published in Life in 1953 was "Painter at the Eiffel Tower". He was among the first photographers allowed to enter China in 1957 and almost the only Westerner to report on the Vietnam War from North Vietnam. He has published numerous books and has exhibited his work in many cities. In 2003 he received the Cornell Capa Award from the Infinity Awards. There have been several retrospective exhibitions of his work such as the one held in 1997 in New York and in 2005 in Paris. Exhibitions (selection since 2010): 2010 Au jardin de Krishna Riboud, Musée national des Arts Asiatiques-Guimet, Paris. 2011 I comme Image, Maison européenne de la photo, Paris. 2012 During the Heritage Days', Saint-Genis-Laval. 2014-2015 Marc Riboud - Beginning of the century, Rhône-Alpes Regional Council. 2014 De grace un geste - Richard Anacreonte Museum of Modern Art, Granville.

Estim. 12 000 - 13 000 EUR

HENRI CARTIER-BRESSON (Chanteloup-en-Brie, France, 1908- Céreste, France, 2004). "Jardins du Palais Royal, Paris, 1959. Gelatin silver, later printing. Signed and annotated "pour Tuto" in ink and photographer's copyright stamp in relief (in the margin). Provenance: Reuben private collection, Chicago. The Pompidou Center has a copy of this photograph. Measurements: 37 x 25 cm (image); 41 x 31 cm (plate). Thanks to his hand-held Leica camera, Henri Cartier-Bresson was able to move with ease as he wandered through new cities and foreign places, taking images that combined his bohemian spontaneity with his painterly sense of composition. This modus operandi became known as "the decisive moment," a famous concept that would influence photographers throughout the 20th century. Henri Cartier-Bresson was a French artist and humanist photographer considered a master of photography and one of the first users of 35mm film. He pioneered the genre of street photography and considered photography as capturing a decisive moment. His first major reportage trip took him to the Ivory Coast in 1931.Photographs from his many travels quickly found a forum in magazines and exhibitions. He also gained experience in New York with Paul Strand. In the late summer of 1937, before the battle of Belchite, he traveled to Spain with Herbert Kline, former editor of New Theater magazine, and cameraman Jacques Lemare to shoot a documentary on the American Medical Bureau during the Spanish Civil War. They filmed at Villa Paz, the International Brigades hospital in Saelices, not far from Madrid, and on the coast of Valencia to document the recovery of wounded volunteers in the villas of Benicàssim. They also visited the Abraham Lincoln Brigade in Quinto, near Zaragoza, and shot the film With the Abraham Lincoln Brigade in Spain. From 1937 to 1939, Cartier-Bresson was assistant director on three films by Jean Renoir, including The Rules of the Game. In 1940, he spent nearly three years as a prisoner of war in Germany. After it was erroneously assumed that he had died in the war, the Museum of Modern Art in New York dedicated a major "posthumous" retrospective to Cartier-Bresson in 1947. That same year, together with Robert Capa, David Seymour and George Rodger, he founded the Magnum Photos agency in New York with the aim of preserving the rights to the photographers' work.Cartier-Bresson was the first photographer allowed to exhibit at the Louvre in Paris in 1955. His photographs were collected and published in Images à la sauvette (1952, Images in passing), D'une Chine à l'autre (1968, China yesterday and today) and Moscou (1955, Moscow), among others. Cartier-Bresson stopped taking professional photographs in 1972 and devoted himself intensely to the art of drawing. In 1974 he was elected member of the American Academy of Arts and Sciences.

Estim. 1 400 - 1 600 EUR

"PACO PEREGRÍN"; PEREGRÍN, Francisco (Almería, 1976). "Alien Beauty (VI)". Model Naadia Kloet (Delphoss). Exemplar 1/10. Small Edition (limited to 10 copies + 1AP). Digital photography. Lambda print under methacrylate on dibond and aluminium frame. Enclosed certificate issued by the artist. Bibliography: "Otherworldly", Theo Mass Lexileictous and Editorial Gestalten, 2016 (Page 238); "Avenue Illustrated" Magazine, issue 19, Spain, 2009 (page 105); "Ozine Magazine", issue October-November 2009 (Page 199). Work signed and numbered. Size: 50 x 37 cm. In the present work, and inspired by the alien aesthetics, Paco Peregrín has created a beautiful, fashionable and "avant-garde" story between futurism and the extraterrestrial. It shows a personal and striking speculation on the evolution of identity and the transfiguration of human features. Paco Peregrín is an Andalusian photographer, currently considered one of the world's leading talents in artistic, editorial and advertising photography, always highlighting his experimental side in all his work, characterised by its strength and forcefulness. He trained in Seville, adopting a mystical sensibility of compositional schemes and chromaticism inspired by baroque art. It is possible that it was his theatrical experience that gave him the ability to direct his models in front of his camera, to develop his spatial perception and to show the body, presence and time in his work. He currently lives in Madrid, a detail that, together with his time in important cultural capitals (London, New York...) has added contemporaneity and freshness to his work, which is unique. It is also important to highlight his wide experience in design, communication, theatre and painting. He alternates fashion photography for magazines such as Vogue, Harper's Bazaar or L'Officiel with commercial work for brands such as Dior, Chanel, Saint Laurent, L'Oréal Paris, Adidas, Nike, Gant, Toyota, Lancôme, Shiseido... with signature photography, having exhibited his work in galleries in New York, Paris, Barcelona, Beijing, Madrid, Berlin, Seville, San Sebastián, etc., and in museums and galleries such as the Centro de Arte y Creación Industrial in Madrid, Barcelona, Beijing, Madrid, Berlin, Sevilla, San Sebastián, etc. and in museums and galleries such as the Centro Andaluz de Arte Contemporáneo (Seville), Museo de Artes y Costumbres Populares de Sevilla, Museo Cristóbal Balenciaga (Getaria, Gipuzkoa), Centro de Cultura Contemporánea de Barcelona, Foro Sur, Sala de exp. del Canal de Isabel II, Museo Provincial de Cádiz, etc. His striking work has been recognised with awards such as the LUX Gold National Professional Photography Prize in Fashion and Beauty (2008). The publishing house Gestalten (specialised in art and architecture) has included him among the most important and original projects in the book "Otherworldly", and the publishing house Prestel published his work in "New Fashion Photography", where he is one of the most important references worldwide in contemporary fashion photography.

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