Null IGNACIO PINAZO MARTÍNEZ (Valencia, 1883 - Godella, 1970).

"Seated baby", 1…
Description

IGNACIO PINAZO MARTÍNEZ (Valencia, 1883 - Godella, 1970). "Seated baby", 1917. Terracotta hand painted on fire. Signed and dated. Measurements: 9.5 x 7 x 7 cm. He was the son of the artist Ignacio Pinazo Camarlench. At the age of 9 he would begin his artistic career by the hand of his father, and later he would study at the School of Fine Arts of San Carlos, Valencia until he abandoned his studies to devote himself to sculpture. In 1900 he moved to Madrid where he joined Mariano Benlliure's workshop. Four years later he returned to his hometown where he obtained a pension from the Diputación de Valencia to continue his career in Rome. One of his first works was El grabador Esteve. In 1915 he obtained the Second Medal at the National Exhibition of Fine Arts for the sculpture El Saque. Other outstanding works were: El grabador Esteve, El Saque, El Enigma, Ofrenda, Flor de Valencia, Cabeza de labrador valenciano, Fantasía sobre la Dama de Elche, etc. He was interested in baroque and neoclassical statuary art, adopting characteristics of other artists such as Alonso Cano. In 1942 he made the image of Our Father Jesus Nazarene for the Brotherhood of Jesus (Nazarene) of the Holy Week of Cieza (Murcia). In 1950 he made the half-length bust with cape of Pedro Muñoz Seca located in the comedian's hometown, El Puerto de Santa María. In 1969 he was named Academician of Fine Arts and obtained several national and international decorations.

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IGNACIO PINAZO MARTÍNEZ (Valencia, 1883 - Godella, 1970). "Seated baby", 1917. Terracotta hand painted on fire. Signed and dated. Measurements: 9.5 x 7 x 7 cm. He was the son of the artist Ignacio Pinazo Camarlench. At the age of 9 he would begin his artistic career by the hand of his father, and later he would study at the School of Fine Arts of San Carlos, Valencia until he abandoned his studies to devote himself to sculpture. In 1900 he moved to Madrid where he joined Mariano Benlliure's workshop. Four years later he returned to his hometown where he obtained a pension from the Diputación de Valencia to continue his career in Rome. One of his first works was El grabador Esteve. In 1915 he obtained the Second Medal at the National Exhibition of Fine Arts for the sculpture El Saque. Other outstanding works were: El grabador Esteve, El Saque, El Enigma, Ofrenda, Flor de Valencia, Cabeza de labrador valenciano, Fantasía sobre la Dama de Elche, etc. He was interested in baroque and neoclassical statuary art, adopting characteristics of other artists such as Alonso Cano. In 1942 he made the image of Our Father Jesus Nazarene for the Brotherhood of Jesus (Nazarene) of the Holy Week of Cieza (Murcia). In 1950 he made the half-length bust with cape of Pedro Muñoz Seca located in the comedian's hometown, El Puerto de Santa María. In 1969 he was named Academician of Fine Arts and obtained several national and international decorations.

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FERNANDO CARRERA (Alcoy, 1866-1937). "Landscape. Oil on canvas. Signed in the lower right corner. It has some flaws in the golden frame. Measurements: 39 x 47 cm; 54 x 61 cm (frame). In this composition, the author offers a partial view of a leafy landscape framed by the whitewashed pilasters of a patio. The earthy colors in the shade of the covered veranda contrast with the emerald greens of the treetops and the lime green of the undergrowth. Flowering vines hang like a canopy from the roof. The meadow escapes into a bright blue spring sky. The human absence emphasizes the poetic charge of the landscape. Fernando Cabrera Cantó was a Spanish painter and sculptor. He began his artistic training at the Royal Academy of Fine Arts of San Carlos in Valencia, where he was a disciple of the Alcoyano painter Lorenzo Casanova Ruiz, completed them in Madrid with Casto Plasencia and in Italy, a country to which he was able to travel thanks to a pension granted by the Provincial Council of Alicante. He collaborated with the architect Vicente Pascual Pastor in the decoration of the Casa del Pavo, one of the most outstanding works of modernism in Alcoy. In the back of this building he located his painting studio. In the National Exhibition of Fine Arts in 1890 he won the silver medal with a canvas entitled Orphans, and in the one held in 1906 he won the gold medal with the work Al abismo (To the abyss). His work is very influenced by the nineteenth century, mainly by the painters Mariano Fortuny, Ignacio Pinazo Camarlench and Eduardo Rosales, with modernist connections. His work is preserved in the Museum of Fine Arts in Valencia.