Hermann Gradl, 1883 Marktheidenfeld-1964 Nuremberg, farmhouses on the stream, oi…

Description

Hermann Gradl, 1883 Marktheidenfeld-1964 Nuremberg, farmhouses on the stream, oil/painting board, signed lower left, approx.50x60cm, frame approx. 60x69cm

6104

Hermann Gradl, 1883 Marktheidenfeld-1964 Nuremberg, farmhous

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Starting price 150 EUR

BARRAUD Gustave François, 1883-1964 Thatched cottage landscape oil on canvas, signed lower right 51x57 cm

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Hermann Vogler, attr., Besuch bei der Großmutter Poetic rural interior scene with an old lady in a wing chair at the spinning wheel, greeting a young woman and a little girl, glazed genre painting, oil on canvas, around 1st half 20th cent, signed and inscribed "H. Vogler Nürnberg" on the lower right, indistinct annotations on the stretcher on the reverse, minor craquelure, framed, rebated dimensions approx. 40.5 x 45.5 cm. Artist info: German painter. Decorative and genre painter (1859 Berlin until after 1943), studied from 1878 at the Munich academy, 1893 probably further training at the Düsseldorf academy under Adolf Schill, study visit to Paris, initially active in Berlin, later resident in Nuremberg, created contributions for the magazine "Die Gartenlaube", 1928-32 member of the "Freie Sezession " Nuremberg, exhibited at the Große Berliner Kunstausstellung and the Munich Glaspalast, mentioned as resident in Nuremberg after 1943, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", matriculation list of the Munich Academy, student lists of the Düsseldorf Academy, Grieb, Dressler, Kalkoff "Handbuch des Kunstmarktes: Kunstadressbuch für das Deutsche Reich, .." and Boetticher.

Estim. 120 - 250 EUR

Hermann Fricke, 1886-1966, autumnal landscape with trees and beck, oil/canvas, right below sign. and dated 1946, approx. 80x 100cm, frameapprox. 94x114cm

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Giovan Battista Crema Giovan Battista Crema (Ferrara 1883-Roma 1964) - The water carrier oil on canvas 59 x 35 cm signed bottom right: GBCrema LITERATURE See M. Carrera, Giovanni Battista Crema (1883-1964). Divisionism, symbol and reality, Rome 2020, p. 61, fig. 59. The present work can be related to the paintings created by Crema in 1926 for the Banca Popolare di Ferrara and in particular to the one representing The agricultural trade of the Ferrara area: the style of the tunic is the same as those shown by the female figures at the center of the composition, just as the pose appears very similar to that of the central woman in the Ferrara painting. The artist's typical filamentous painting appears here particularly successful in the rendering of the translucent fabric of the dress and the flowery meadow behind the young woman. This lot is subject to Artists Resale Rights

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