Null Franz Wenzel Schwarz, 1842 Spittelgrund-1919 Dresden, family portrait, grou…

Description

Franz Wenzel Schwarz, 1842 Spittelgrund-1919 Dresden, family portrait, group of people under a summer pumpkin arbor, reference to thevita of the prophet Jonah: piety motif, interpretation of women as the three ages of life, oil/wood, signed, dated 1873 and inscribed Vienna, 35x25 cm , wide magnificent frame 61x51 cm; from a private collection, acquired from an estate in Mainz in 1979; Wenzel-Schwarz studied at the academy in Dresden and received the silver medal there, followed by studying at the academies in Antwerp and Vienna under Anselm Feuerbach, creating numerous works for churches (including stained glass)

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Franz Wenzel Schwarz, 1842 Spittelgrund-1919 Dresden, family portrait, group of people under a summer pumpkin arbor, reference to thevita of the prophet Jonah: piety motif, interpretation of women as the three ages of life, oil/wood, signed, dated 1873 and inscribed Vienna, 35x25 cm , wide magnificent frame 61x51 cm; from a private collection, acquired from an estate in Mainz in 1979; Wenzel-Schwarz studied at the academy in Dresden and received the silver medal there, followed by studying at the academies in Antwerp and Vienna under Anselm Feuerbach, creating numerous works for churches (including stained glass)

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Villeroy & Boch vase circa 1910, Dresden art department mark, model number 6245, earthenware glazed yellow, painted black and gilded, stylised floral motifs, rubbed and signs of wear, h 25 cm.

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Eduard Leonhardi, attr., Am Felshang partly overgrown rugged cliff edge with stored logs, skilful nature study with beautiful treatment of the light, washed ink over graphite on paper, mid 19th century, Copy of the expertise by Mrs Ulrike Haßler-Schobbert from the Leonhardi Museum Dresden, which attributes the work to Eduard Leonhardi, enclosed, acquired at Galerie Kühl in 1972, slightly stained, remains of old mounting on the reverse, sheet dimensions approx. 26 x 32.5 cm. Artist information: actually Emil August Eduard Leonhardi, German landscape painter, watercolourist. Landscape painter, watercolourist and lithographer (1828 Freiberg - 1905 Dresden-Loschwitz), called "painter of the German forest" because of his romantic landscapes, son of the ink manufacturer August Leonhardi (1805-1865), from 1836 supported by the drawing teacher Anton Müller in Freiberg, 1840 moved to Dresden-Loschwitz, 1842 pupil of the engraver Julius Fleischmann, studied 1842-45 at the Dresden Academy, 1846-49 studio pupil of Ludwig Richter, undertook various study trips with Ludwig Richter to northern Bohemia, 1847 to the Zschopau and Mulde valleys, 1848 to the Harz mountains, from 1949 freelance work in Dresden and stay at the Rabenauer Mühle in Saxon Switzerland, 1852 travelled to Munich, Salzburg, Vienna and Upper Bavaria, 1853-59 study visit to Düsseldorf, then settled in Loschwitz near Dresden, honorary member of the Dresden Academy from 1864, death of his father in 1865 and took over his "Chemical Factory - Leonhardische Tintenwerke", member of the Saxon Art Association from 1866, acquired the Hentschelmühle in Loschwitzgrund in 1879 and converted it into the "Rote Amsel" artists' residence in 1881-84, charitable activities - supported artists such as Robert Sterl and Charles Johann Palmié with his "Rote Amsel" artists' residence, donated a poorhouse and a children's home in Loschwitz, opened the private museum in the "Rote Amsel" in 1885, professor title and honorary member of the Dresden Art Society in 1896, organised exhibitions in Dresden, Vienna, Berlin, Düsseldorf, Hanover and Munich, member of the Düsseldorf artists' association "Malkasten" from 1856-58 and 1867-74, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, "Künstler am Dresdener Elbhang", Friedrich "Ludwig Richter und sein Schülerkreis", Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Lexikon der Düsseldorfer Malerschule", Info Leonhardimuseum Dresden and Wikipedia.

Estim. 100 - 150 EUR

Marta Henckel-Pillnay, Blick auf Dresden View of Dresden from the banks of the Elbe downstream with the Frauenkirche as the dominant point, slightly impasto painting, oil on linen-backed card, c. 1920, signed "M. Henckel-Pillnay" lower right, stamp of a Dresden painting supplies shop on the reverse, in need of cleaning and minimally rubbed, unframed, dimensions c. 37 x 46 cm. Artist information: born Marta Pillnay, also Marta Henckel-Pillnaÿ, Henkel-Pillnay or Martha Henckel-Poíllnay, German painter and copyist. Painter and copyist (mentioned 1910 to 1953 in Dresden), daughter of the factory owner and royal Saxon councillor of commerce Franz Pillnay (1856 Dresden to 1928 Dresden), pupil of the painter Emil Zimmer, practised as a copyist in the Berlin National Gallery around 1910, painted in Garmisch-Partenkirchen, worked in Dresden, source: Elbhang-Kurier August 2009 and Internet.

Estim. 150 - 225 EUR

Franz Trautsch, Gohlis an der Elbe bei Dresden The bank of the Elbe with a moored boat under a loosely cloudy sky, painting in friendly colours, oil on canvas, late 19th century, signed and inscribed "F. Trautsch, Dresden" lower right, inscribed on stretcher "Gohlis, d. Elbe b. Dresden", canvas wavy, unprofessionally restored, framed in gilt stucco moulding of the period, folded dimensions approx. 21.5 x 35.5 cm. Artist information: German landscape and architectural painter (1866 Dresden to 1920 or 1929), source: Thieme-Becker and Internet.

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