Null Fritz Möritz, 1922 Düsseldorf - 1984, elegant ball lady having tea, oil/can…

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Fritz Möritz, 1922 Düsseldorf - 1984, elegant ball lady having tea, oil/canvas, signed, 30 x30 cm, frame 35 x 35 cm

6025

Fritz Möritz, 1922 Düsseldorf - 1984, elegant ball lady having tea, oil/canvas, signed, 30 x30 cm, frame 35 x 35 cm

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Estim. 150 - 225 EUR

Fraureuth "Edelfasan auf Sockel" Designed by Max Hermann Fritz in 1922, green stamp mark with the addition Kunstabteilung 1915-1926, embossed numbers and brush numbers 22/205 and 31, naturalistic moulding in white porcelain with subtle gold staffage, a rooster sitting vigilantly on a column stump, gilding slightly rubbed and minimally burnt, otherwise good condition, h 41 cm.

Estim. 130 - 195 EUR

Ernst Anders, Portrait of a Lady Head portrait of a young lady with a pearl necklace and opulent hat, looking boldly over her shoulder at the viewer, typical work by the Düsseldorf painter known as a depictor of the elegant ladies' world, about whose œuvre Bruckmann's "Lexikon der Düsseldorfer Malerschule" writes "... At exhibitions ... he mainly showed genre paintings ... Anders earned his living ... primarily with portrait commissions. In a necrology he is described as "one of the most famous artist phenomena from Düsseldorf's old days", ...", glazed portrait painting, oil on canvas and stretcher, c. 1890, signed "E. Anders" upper right, label with contemporary information on the artist on the reverse of the stretcher, old retouching, relined, craquelure, stretcher showing through, tear in the canvas, in need of restoration, unframed, dimensions c. 39.5 x 29.5 cm. Artist information: German engraver. Engraver, portrait and genre painter (1845 Magdeburg to 1911 Mölln), 1860-63 private pupil in engraving under Ludwig Heitland and painting under Andreas Müller in Düsseldorf, studied 1862-68 first sculpture, then painting at the Düsseldorf academy under Carl Müller, Heinrich Mücke, Carl Ferdinand Sohn, Julius Roeting, Andreas Müller, Josef Kohlschein and Rudolf Wiegmann, 1868-72 private pupil of Wilhelm Sohn, then freelance portrait and genre painter in Düsseldorf, member of the Düsseldorf Artists' Association, the General German Art Co-operative and 1871-1911 member of the artists' association "Malkasten", participated in exhibitions in Düsseldorf, the Berlin Academy Exhibition and the Vienna Art Association, active in Düsseldorf, source: Thieme-Becker, Vollmer, AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Bénézit, Bruckmann "Lexikon der Düsseldorfer Malerschule", student lists of the Düsseldorf Academy, Müller-Singer, Seubert, Dressler and Wikipedia.

Estim. 900 - 1 350 EUR

Fritz Sonderland, Der Liebesbrief dusky street scene with a young woman eagerly waiting for a letter and an old postman looking through a pile of letters, poetic, glazed genre painting in dark-toned, restrained colours, Bruckmann "Lexikon der Düsseldorfer Malerschule" comments: "... His extraordinarily popular, mostly ironic and humorous compositions, which show clear references to works by Hiddemann and Benjamin Vautier the Elder, both thematically and in their spatial structure and colouring, appealed because of their naturalness and fine painting technique and found buyers at home and abroad. They were reproduced in numerous illustrated magazines, ...", the motif seems to have enjoyed great popularity, so that Sonderland repeatedly executed it with smaller variations, oil on canvas, c. 1880, mounted on hardboard, signed "F. Sonderland" lower left, labels with information from Boetticher and Müller-Singer on the artist on the reverse, somewhat retouched, paint rubbed off, somewhat in need of restoration, framed in a gilt stucco frame, folding dimensions c. 65 x 55 cm. Artist information: actually Friedrich Sonderland, German painter and graphic artist. Painter and graphic artist (1836 Düsseldorf - 1896 Düsseldorf), son and pupil of the painter, etcher, illustrator and lithographer Johann Baptist Sonderland (1805-1878), initially trained as an engineer, studied painting at the Düsseldorf Academy from 1853-61 under Carl Müller, Christian Köhler, Josef Wintergerst, Theodor Hildebrandt, Eduard Bendemann, Karl Ferdinand Sohn, Rudolf Wiegmann, Karl Mosler and Heinrich Mücke, turned to genre painting under the influence of Friedrich Hiddemann, undertook study trips to the Schwalm, the Black Forest and through Westphalia, as well as to the Rhine and Moselle, From the 1860s onwards, he took part in exhibitions in Düsseldorf, Munich, Berlin, Glasgow, Hanover, Magdeburg, Dresden, Hamburg, Bremen, Vienna and London as well as the 1893 World's Fair in Chicago, 1870 to 1890 stays at the Willingshausen painters' colony in the Schwalm, 1857-96 member of the Düsseldorf artists' association "Malkasten" and the academic painters' association "Orient", achieved national fame through the reproduction of his works in high-circulation magazines such as "Daheim", "Die Gartenlaube", "Über Land und Meer" and "Illustrierte Zeitung", active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Düsseldorf Academy, Boetticher, Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Seubert, Bantzer "Hessen in der dt. Malerei", Wollmann "Die Willingshäuser Malerkolonie und die Malerkolonie Kleinsassen", Schmaling "Künstlerlexikon Hessen-Cassel 1777-2000", Ries, Busse, Schweers and Wikipedia.

Estim. 300 - 450 EUR

Eduard von Gebhardt, Study of an elderly gentleman Portrait study of an elderly man with his hands raised and looking upwards in a pleading manner, expressive character portrait with a concise brushstroke, possibly a study for one of Gebhardt's wall paintings, oil on wood, 1st quarter 20th cent, Signed "E v Gebhardt" upper left, numbered "V" verso and inscribed by hand on label, probably with ownership annotation "Fritz Henkel sen.[ior]" in lead, retouching, attractive bronzed stucco moulding of the period in Art Nouveau style, folded dimensions approx. 61.5 x 57 cm. Artist's note: actually Eduard Karl Franz von Gebhardt, German portrait and history painter (1838 Järva-Jaani/Estonia [Eng.: Sankt Johannis] to 1925 Düsseldorf), 1855-57 studied at the St. Petersburg Academy, 1857-58 at the University of St. Petersburg. Petersburg, 1857-58 on study trips through Belgium and Holland, 1858-59 studied at the Karlsruhe Academy under Ludwig Des Coudres, followed by study trips to Vienna, Munich and Tyrol, settled in Düsseldorf from 1860, a master student and friend of Wilhelm Sohn (1829-1899), member from 1866, later an honorary member of the Düsseldorf artists' association "Malkasten", 1873-75 teacher and 1875-94 professor of history painting at the Düsseldorf Academy, maintained a student studio from 1874, study trip to Italy in the 1880s, exhibited at the world exhibitions in Vienna (1873), Paris (1878 and 1900), St. Louis (1904) and Brussels (1904). Louis (1904) and Brussels (1910) as well as the Great Berlin Art Exhibition, received a gold medal here in 1918, 1885-1911 representative of the Düsseldorf Academy in the Prussian State Art Commission, honorary citizen of the city of Düsseldorf, honoured with the Order Pour le mérite for Sciences and Arts, appointed Real Privy Councillor and Excellency, 1905 honorary doctorate from Strasbourg University and 1918 honorary doctorate from Bonn University, honorary member of the academies of Berlin, Munich, Dresden, Antwerp, Brussels and Vienna, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Mülfarth, Müller-Singer, Boetticher, Dressler, Seubert, Bénézit, Müller-Klunzinger, Ries, Bruckmann "Lexikon der Düsseldorfer Malerschule" and Wikipedia.

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