Null pompous set of silver, Joseph Krischer descendants, Dusseldorf, beginning 2…

Description

pompous set of silver, Joseph Krischer descendants, Dusseldorf, beginning 20th c., 925 silver, interior gilding abraded, baroque decor, lid coronation of wine leaves, engraved, large tray 62x43 cm, coffee pot, teapot, sugar bowl and creamer, traces of age, detailed marked, approx. 5453g

5242

pompous set of silver, Joseph Krischer descendants, Dusseldorf, beginning 20th c., 925 silver, interior gilding abraded, baroque decor, lid coronation of wine leaves, engraved, large tray 62x43 cm, coffee pot, teapot, sugar bowl and creamer, traces of age, detailed marked, approx. 5453g

Auction is over for this lot. See the results

You may also like

Estim. 200 - 300 EUR

Pendant in the style of the Wiener Werkstätten circa 2000, silver with partial gilding stamped 925, based on the designs by Josef Hoffmann, set with citrines and iolites, dimensions approx. 52 x 36 mm, weight approx. 15 g.

Estim. 300 - 450 EUR

Pendant in the style of the Wiener Werkstätten circa 2000, silver partially gilt and tested, based on designs by Josef Hoffmann, open-worked, rectangular, convex curved and textured gilt surfaces, set with emeralds, light ruby cabochon, lapis lazuli and precious opals, minimal signs of wear, dimensions approx. 58 x 45 cm, on a 70 cm long pea chain (silver stamped 800), total weight 35.5 g.

Estim. 130 - 195 EUR

Ernst Anders, Portrait of a Lady Head portrait of a young lady with a pearl necklace and opulent hat, looking boldly over her shoulder at the viewer, typical work by the Düsseldorf painter known as a depictor of the elegant ladies' world, about whose œuvre Bruckmann's "Lexikon der Düsseldorfer Malerschule" writes "... At exhibitions ... he mainly showed genre paintings ... Anders earned his living ... primarily with portrait commissions. In a necrology he is described as "one of the most famous artist phenomena from Düsseldorf's old days", ...", glazed portrait painting, oil on canvas and stretcher, c. 1890, signed "E. Anders" upper right, label with contemporary information on the artist on the reverse of the stretcher, old retouching, relined, craquelure, stretcher showing through, tear in the canvas, in need of restoration, unframed, dimensions c. 39.5 x 29.5 cm. Artist information: German engraver. Engraver, portrait and genre painter (1845 Magdeburg to 1911 Mölln), 1860-63 private pupil in engraving under Ludwig Heitland and painting under Andreas Müller in Düsseldorf, studied 1862-68 first sculpture, then painting at the Düsseldorf academy under Carl Müller, Heinrich Mücke, Carl Ferdinand Sohn, Julius Roeting, Andreas Müller, Josef Kohlschein and Rudolf Wiegmann, 1868-72 private pupil of Wilhelm Sohn, then freelance portrait and genre painter in Düsseldorf, member of the Düsseldorf Artists' Association, the General German Art Co-operative and 1871-1911 member of the artists' association "Malkasten", participated in exhibitions in Düsseldorf, the Berlin Academy Exhibition and the Vienna Art Association, active in Düsseldorf, source: Thieme-Becker, Vollmer, AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Bénézit, Bruckmann "Lexikon der Düsseldorfer Malerschule", student lists of the Düsseldorf Academy, Müller-Singer, Seubert, Dressler and Wikipedia.

Estim. 900 - 1 350 EUR

Fritz Sonderland, Der Liebesbrief dusky street scene with a young woman eagerly waiting for a letter and an old postman looking through a pile of letters, poetic, glazed genre painting in dark-toned, restrained colours, Bruckmann "Lexikon der Düsseldorfer Malerschule" comments: "... His extraordinarily popular, mostly ironic and humorous compositions, which show clear references to works by Hiddemann and Benjamin Vautier the Elder, both thematically and in their spatial structure and colouring, appealed because of their naturalness and fine painting technique and found buyers at home and abroad. They were reproduced in numerous illustrated magazines, ...", the motif seems to have enjoyed great popularity, so that Sonderland repeatedly executed it with smaller variations, oil on canvas, c. 1880, mounted on hardboard, signed "F. Sonderland" lower left, labels with information from Boetticher and Müller-Singer on the artist on the reverse, somewhat retouched, paint rubbed off, somewhat in need of restoration, framed in a gilt stucco frame, folding dimensions c. 65 x 55 cm. Artist information: actually Friedrich Sonderland, German painter and graphic artist. Painter and graphic artist (1836 Düsseldorf - 1896 Düsseldorf), son and pupil of the painter, etcher, illustrator and lithographer Johann Baptist Sonderland (1805-1878), initially trained as an engineer, studied painting at the Düsseldorf Academy from 1853-61 under Carl Müller, Christian Köhler, Josef Wintergerst, Theodor Hildebrandt, Eduard Bendemann, Karl Ferdinand Sohn, Rudolf Wiegmann, Karl Mosler and Heinrich Mücke, turned to genre painting under the influence of Friedrich Hiddemann, undertook study trips to the Schwalm, the Black Forest and through Westphalia, as well as to the Rhine and Moselle, From the 1860s onwards, he took part in exhibitions in Düsseldorf, Munich, Berlin, Glasgow, Hanover, Magdeburg, Dresden, Hamburg, Bremen, Vienna and London as well as the 1893 World's Fair in Chicago, 1870 to 1890 stays at the Willingshausen painters' colony in the Schwalm, 1857-96 member of the Düsseldorf artists' association "Malkasten" and the academic painters' association "Orient", achieved national fame through the reproduction of his works in high-circulation magazines such as "Daheim", "Die Gartenlaube", "Über Land und Meer" and "Illustrierte Zeitung", active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Düsseldorf Academy, Boetticher, Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Seubert, Bantzer "Hessen in der dt. Malerei", Wollmann "Die Willingshäuser Malerkolonie und die Malerkolonie Kleinsassen", Schmaling "Künstlerlexikon Hessen-Cassel 1777-2000", Ries, Busse, Schweers and Wikipedia.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]