Null PERE JAUME BORRELL, "PEREJAUME". "A les 4, la Venta-focs de ballarina". (d)…

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PERE JAUME BORRELL, "PEREJAUME". "A les 4, la Venta-focs de ballarina". (d) Oil on canvas On the back, titled. Exhibition: "Pere Jaume", Barcelona, Cercle Artístic de Sant Lluc, 1976, cat. no. 16. 95x95 cm. In good condition, minor defects.

718

PERE JAUME BORRELL, "PEREJAUME". "A les 4, la Venta-focs de ballarina". (d) Oil on canvas On the back, titled. Exhibition: "Pere Jaume", Barcelona, Cercle Artístic de Sant Lluc, 1976, cat. no. 16. 95x95 cm. In good condition, minor defects.

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Ramon Borrell Pla (1876-1963). The village square, pastel, lower right signature, dated 1914, 31/44cm.

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"PEREJAUME"; BORRELL GUINART (Sant Pol de Mar, Barcelona, 1957). "El dibuix que sé fer dels dibuixos que se'n fan", 2020. Mixed media (collage, charcoal and oil) on paper. Signed. With label of the Joan Prats gallery in Barcelona. Measurements: 50 x 65 cm; 56 x 72 cm (frame). Painter, experimental artist and poet, Perejaume had a self-taught training, although influenced by artists such as Joan Brossa, with whom he will share a work halfway between painting and poetry. In 2005 he was awarded the National Prize for Visual Arts, granted by the Generalitat de Catalunya. The following year he was awarded the National Prize for Plastic Arts, from the Ministry of Culture. His work can be seen in the ARTIUM in Vitoria, the Centro de Arte Reina Sofía, the MACBA in Barcelona, the Museo Patio Herreriano in Valladolid, the Museum of Contemporary Art in Sydney, the Coca-Cola and Telefónica Foundations and the Chase Manhattan Bank Collection, the Caja Madrid Contemporary Art Collection, the European Central Bank in Frankfurt and the Deutsche Bank Collection, among other public and private institutions around the world.

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ALFONS BORRELL PALAZÓN (Barcelona, 1931-2020). Untitled. 1998. Mixed media on thick paper. Signed and dated. Measurements: 74 x 112 cm; 82 x 120 cm (frame). Alfons Borrell is considered one of the maximum exponents of the lyrical abstraction in Spain. In this composition the influence of Rothko and his floating color fields can be appreciated. Starting from symmetries and gestural abstractions, his work progressively simplified. With large monochrome surfaces - color has a structural protagonism in Borrell's work - often centered on a single geometric figure or on a graphic sign or dimensioning, the lyricism and austerity of this painting brings it closer to the interior or introspective landscape than to the will of representation. Born in Barcelona but settled in Sabadell since he was a child, Alfons Borrell trained in the fifties with Hermen Anglada Camarasa in Mallorca and at the Escola de Belles Arts in Barcelona. In 1960 he was part of the Grup Gallot, a collective created in Sabadell that practiced actions halfway between action painting and surrealist automatism that questioned the limits of authorship and the pictorial medium. In 1971, he participated in the creation of Sala Tres in Sabadell. A close friend of Joan Brossa and artists such as Perejaume, throughout his extensive career, his pictorial abstraction has been consolidating as an expressive corpus of great intensity and solidity. Since his first solo exhibitions in the late fifties, Borrell has presented his work in prominent art venues in the country and also in France, Germany, the United States and Japan. The art critic Alexandre Cirici invited him to participate in the inaugural exhibition of the first Museu d'Art Contemporani de Barcelona in the dome of the Coliseum Cinema in 1960. In 1978, he was part of the exhibition Seny i rauxa. 11 artistes catalans at the Centre Georges Pompidou in Paris. Among the numerous retrospectives of his work, those presented at the Centre Cultural Tecla Sala in L'Hospitalet de Llobregat (2006), the Museu d'Art de Sabadell (2007) and the Fundació Joan Miró in Barcelona (2015) stand out.

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JULIO BORRELL PLA (Barcelona, 1877 - 1957). "The letter". Oil on canvas. Signed in the lower corner. Measurements: 181 x 103 cm. Two young women read a letter. The emotion is revealed in their pearly smiles and in the brightness of their eyes. Julio Borrell captures with ingenuity the vivacity of the expressions and describes with skill the pleats and laces of the folkloric garments. Son and disciple of Pere Borrell del Caso, Julio Borrell was trained at the School of Fine Arts of Sant Jordi in Barcelona. From his father he was influenced by the Nazarenes Claudio Lorenzale and Pablo Milà i Fontanals. In 1888, at the age of eleven, he participated with a canvas in the Barcelona competition of the Universal Exposition, together with his brother Ramón, also a painter. From 1894 he took part in almost all the official exhibitions held in Barcelona and Madrid, being awarded with honorable mention in 1897. That same year he won a second medal at the exhibition in Arcachon, France. His name had a special resonance throughout his exhibitions at the Sala Parés in Barcelona, between 1915 and 1920. His wide production includes works in oil as well as in pastel, and covers a wide range of themes. The theme he most cultivated was that of the classic Spanish maja, the women with mantilla and comb, depicted in his personal sensorial style, with extraordinary skill and great mastery of drawing. Among his many paintings, some of which have been widely reproduced, it is worth mentioning "El viático al Liceo", "Lavapiés en Jueves Santo", "Bodas reales" (Royal Wedding), which he painted for King Alfonso XIII, "Luna de miel" (Honeymoon), "El triunfo del cristianismo" (The Triumph of Christianity), etc. He also dedicated himself to decorative painting, creating religious murals for the church of San Francisco in Buenos Aires and the dome of the Basilica de la Merced in Barcelona, which was destroyed in 1936. Throughout his career, Borrell held numerous solo exhibitions in various Barcelona galleries, and participated in group exhibitions and competitions. Many of his works are exhibited at the MACBA, as well as at the National Art Museum of Catalonia and others.

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