Null GEORGE MASSON. Courtyard. Oil on wood
Signed
38x46 cm. Frame in carved and …

Description

GEORGE MASSON. Courtyard. Oil on wood Signed 38x46 cm. Frame in carved and gilt wood.

615

GEORGE MASSON. Courtyard. Oil on wood Signed 38x46 cm. Frame in carved and gilt wood.

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Starting price 200 EUR

Hahn, BerndGrafik-Kalender 1998. 6 signed mixed media with serigraph on wove paper (12 x 12 cm (20.5 x 15 cm)). 4°. OKt. with cloth spine (cover sheet with crease). Ostdeutsche Kunst Hahn, Bernd Grafik-Kalender 1998. 6 signed mixed media with screenprint on wove paper (12 x 12 cm (20.5 x 15 cm)). 4°. OKt. with cloth spine (cover sheet with crease). The splendid prints each signed, dated and with "E.A." - Published by Edition B53, Borthen. - Printed by Bernd Hahn. - Some sheets detached from the perforation, overall in very good condition. With 6 works. Each mixed media and serigraph on wove paper, each signed, dated and inscribed "E.A.". - Cover leaf with crease mark, sheets partly detached from perforation. Altogether in a very good condition. Splendid, richly colored prints.

Estim. 200 - 300 EUR

Albert Hennig, Altschedewitz Suburban houses with a person in the warm light of the fading day, pastel and felt-tip pen on wove paper, signed and dated "AHennig (19)93" lower left, mounted on cardboard, sheet dimensions approx. 19.5 x 23.3 cm. Artist info: German painter, photographer and graphic artist. Painter, photographer and graphic artist (1907 Leipzig - 1998 Zwickau), studied 1932-33 with a scholarship at the Bauhaus Dessau/Berlin under Joost Schmidt, Mies van der Rohe, Wassily Kandinsky, Paul Klee and Josef Albers, subsequently unemployed, 1935-45 conscripted as a construction worker, after 1945 founding member of the group "Bildender Künstler" at the Kulturbund Zwickau, from 1952 member of the Verband Bildender Künstler (VBK) of the GDR, worked as a concrete worker from 1952-72 due to disputes with dogmatic cultural functionaries, in his free time he created an important work in the tradition of the Bauhaus, freelance from 1972 and his work was increasingly recognised in the GDR, received numerous awards, including the Max Pechstein Prize and the Federal Cross of Merit, worked in Zwickau, source: Vollmer, Eisold "Painters in the GDR" and Internet.

Estim. 600 - 900 EUR

Wilhelm Dietzel, "Niederrhein" Elevated view down to a Lower Rhine village with single bare trees, backyards with tools and barns, on the horizon silhouette of a neighbouring town with church tower under a greyish sky, glazed painting in muted colours in Dietzel's typical style of magical realism, signed "Dietzel" and dated "1938" on the lower left, on the reverse signed, dated and titled again with artist's dedication "[....] FÜR MEINE LIEBE FRAU", minor defects in the paint layer in the upper area of the picture, overpainting in the centre of the light sky, soiled, framed, rebate dimensions approx. 60 x 81.5 cm. Artist information: German painter of the New Objectivity and Magic Realism (1898 Schrick to 1954 Kaiserswerth), 1919-23 studied at the Munich and Düsseldorf academies, among others under Thorn-Prikker, 1928-36 lecturer at the Humboldt University Berlin, during the Third Reich internal emigration, afterwards teacher at the textile engineering school Krefeld through Georg Muche, source: Saur.

Estim. 7 000 - 8 000 EUR

JOSEP DE TOGORES LLACH (Cerdanyola del Vallès, 1893 - Barcelona, 1970). "Tertulia de viejos pescadores" (Old fishermen's gathering). 1943. Oil on canvas. Signed and dated in the lower left corner. With label of the Sala Parés. Measurements: 81 x 100 cm; 98 x 117 cm (frame). Togores converts here an everyday and anecdotal subject into an almost magical moment thanks to his ability to endow the elderly with such psychic depth that makes them endearing and close. A melancholic aura envelops the scene. Born into a well-to-do and cultured family that frequented intellectual circles, his interest in painting began at the age of thirteen, when he lost his hearing due to meningitis. He traveled to France and Belgium, where he discovered the paintings of Rembrandt, and at the 1907 International Art Exhibition in Barcelona, he was fascinated by the work of Monet. At the age of eighteen he was already an important artist in Barcelona, and in 1913 he was commissioned to decorate the chapel of Anna Girona in Poblet. With a scholarship from the city council of Barcelona, he moved to Paris to study, where he became acquainted with the painting of Cézanne, who would be a decisive influence on his work from then on. In 1917 he meets Picasso, and comes into contact with cubist theories and circles. In the 1920s he began his relationship with the gallery owner Kahnweiler, who would later become Picasso's dealer. He worked exclusively with him between 1921 and 1931, when his painting went through its most experimental period, approaching automatism and surrealism. Under Kahnweiler's guidance he became an enormously successful artist. In 1932 his painting takes a new turn, a return to figuration. He moves to Barcelona and works with a new dealer, Francesc Cambó. During this period he painted many portraits of the most important people in Catalan society, and became one of the most sought-after painters of the time. During the Civil War he moved to France, but returned in 1939, where he continued to work, without having lost any of his prestige. His work is present in the Museo Patio Herreriano in Valladolid, the Museo Nacional Reina Sofía, the Museo Nacional del Arte de Cataluña, the Getty Museum (Los Angeles), the Museo de Arte de Sabadell, the Städtisches Gelsenkirchen Museum (Germany), the Thyssen-Bornemisza Museum (Madrid), the Palacio Nacional de Montjuic and the Centre Georges Pompidou (Paris), among others.

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