Null AUGSBURG SCHOOL, 18TH CENTURY. Gallant scene. Reverse-glass painting
18.5x2…

Description

AUGSBURG SCHOOL, 18TH CENTURY. Gallant scene. Reverse-glass painting 18.5x25 cm. Slight wear and tear. Marquetry frame.

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AUGSBURG SCHOOL, 18TH CENTURY. Gallant scene. Reverse-glass painting 18.5x25 cm. Slight wear and tear. Marquetry frame.

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Estim. 12 000 - 14 000 EUR

HANS J. WEGNER (Denmark, 1914 - 2007) for Fritz Hansen. 'China Chair’ in Brazilian Rosewood with natural leather cushion. Model 4283. Designed 1944. Manufactured by Fritz Hansen in 1967, with label. Cushion with signs of wear. Measurements: 81,5 x 58 x 55 cm. With Cites certificate that permit sales within Europe. The China Chair was designed by Hans J. Wegner in 1944. Inspired by the timeless aesthetic of ancient Chinese design in the 17th and 18th century, the China Chair epitomises his lifelong quest to understand the nature of wood and explore its possibilities. In his modern interpretation, he unfolds his talent as a wood craftsman and his flair for expressive and sculptural functionalism. The China Chair shows Wegner’s firm belief that furniture should be beautiful from all angles, as freestanding monuments to the inseparable relationship between handcrafted forms and the fine, natural materials Hans J. Wegner was a leading figure in furniture design, whose ideas contributed to the international popularity of Danish design in the mid-20th century. His work belongs to the modern school, characterized by a special emphasis on functionality. He began his training at a very young age, as an apprentice to the cabinetmaker H. F. Stahlberg. He soon discovered a special taste for the use of wood, and his work in the cabinetmaking workshop allowed him to experiment with different types and designs. At the age of seventeen he completed his apprenticeship, although he remained in the workshop for another three years, until he joined the army. After his military service he entered a technical school, and then the Danmarks Designskole, where he was taught by O. Mølgaard Nielsen, and the Academy of Architecture in Copenhagen. In the Danish capital he came into contact with the Furniture Exhibitions of the Carpenters' Guild, where he began to show his creations in 1927. During these years Wegner collaborated with master cabinetmakers such as J. Hansen, L. Pontoppidan, N. Vodder, J. Kjær, A. J. Iversen, Moos and R. Rasmussen, as well as with the most prominent Danish architects of the time, among them K. Klint, V. Lauritzen and V. Lauritzen. Klint, V. Lauritzen. O. Wanscher and M. Voltelen. The annual exhibitions would give the young cabinetmaker experience of what could be achieved with the combination of design and craftsmanship, which led him to devote himself fully to design. Already in his early pieces, Wegner showed his interest in the concept of "stripping antique chairs of their outer style and showing them in their pure structure." Throughout his career, the designer was awarded prizes such as the Lunning Prize in 1951, the Grand Prix de Milan at the Milan Triennale of the same year, the Prince Eugene Medal in Sweden and the Danish Eckersberg Medal. In 1959 he was appointed honorary royal designer for industry by the Royal Society of Arts in London. Currently his designs are present in collections such as the MoMA in New York or Die Neue Samlung in Munich. Wegner has been referred to as the "King of Chairs" for his proliferated work designing seating. In his lifetime he designed over 500 different chairs, over 100 of which were put into mass production and many of which have become recognizable design icons.

Estim. 80 - 120 EUR

Hans Heinen, "Aprilwetter" Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Artist info: actually Johann Heinen, German painter. Painter, copyist and restorer of paintings (1860 Krefeld to 1943 Munich), artistically self-taught, active in Munich from 1890, participated in the exhibitions in the Glaspalast Munich in 1908 and 1917 as well as in the "Juryfreie Kunstausstellung" in 1911 and 1916, member of the Reichsverband Bildender Künstler Deutschlands, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse and Müller-Singer.

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