Null BØRGE MOGENSEN. Six "Asserbo" chairs. Pine wood and bulrush seats
AB Karl A…

Description

BØRGE MOGENSEN. Six "Asserbo" chairs. Pine wood and bulrush seats AB Karl Andersson & Söner Edition 74x51x44 cm With label. In good condition.

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BØRGE MOGENSEN. Six "Asserbo" chairs. Pine wood and bulrush seats AB Karl Andersson & Söner Edition 74x51x44 cm With label. In good condition.

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Starting price 800 JPY

Bury, Thomas TalbotColored Views on the Liverpool and Manchester Railway. 13 hand-colored aquatint plates. London, R. Ackermann, 1831-33, each plate mounted in dots under passepartout, each firmly bound in fol. Ldr. album with staggered fillets, gilt stamped D-title and R-title and endpapers of marbled paper (front cover laterally discolored, slightly rubbed). Eisenbahn Bury, Thomas Talbot Colored Views on the Liverpool and Manchester Railway. 13 hand-colored aquatint plates. London, R. Ackermann, 1831-33. The plates each mounted in dots under passepartout, each firmly bound in landscape fol. Ldr. album with staggered fillets, gilt stamped D-title and R-title and endpapers of marbled paper (front cover laterally discolored, slightly rubbed). The plates show views of early railroad installations in Great Britain, railroad stations, tunnels and gorges, etc. - Plates 1-7 each dated in print with "Feby. 1831", all other plates each with the year. Plates 1 and 11 each with watermarks "Whatman 1830" and "Whatman 1831" respectively (cf. Staatliche Museen zu Berlin, Kupferstichkabinett SM 53.139_WZ). - Thomas Bury was a pupil of the well-known architect and architectural theorist Augustus Pugin. He later worked with his son, among others, on the interior design of the House of Parliament. However, Bury is particularly well known for his views of the Liverpool and Manchester Railway, which first appeared in 1831 as six hand-colored aquatints under the title "Six Coloured Views of the Liverpool and Manchester Railway, with a plate of the coaches, machines, etc.". The work enjoyed great popularity, which is why further editions, extensions and editions in foreign languages were published within a few years. - Bury's professional interests are clearly evident in the elaborate architectural elements of the depictions, which were finally transferred to the aquatint medium by Henry Pyall and S.G. Hughes. - Partially minimally browned in the mat opening, a few plates with occasional pale brown stains. Overall in very good condition. Richly nuanced depictions in luminous coloring. 13 hand colored aquatint plates. The plates each mounted in dots under mat and firmly bound in leather album with staggered fillets, gilt title on cover and spine, marbled paper endpapers (the cover discolored at one side, slightly rubbed). - The plates show views of early railway constructions in Great Britain, railway stations, tunnels and ravines, etc. - plates 1-7 each dated in print with "Feby. 1831", all further plates each with year. Plates 1 and 11 each with watermark "Whatman 1830" and "Whatman 1831". - Thomas Bury was a pupil of the well-known architect and architectural theorist Augustus Pugin. He is particularly known for his views of the Liverpool and Manchester Railway, which were first published in 1831 under the title "Six Coloured Views of the Liverpool and Manchester Railway, with a plate of the coaches, machines, etc." as six hand-colored aquatints. The work enjoyed great popularity, which is why within a few years further editions, extensions and editions in foreign languages were published. - Bury's professional interests are clearly evident in the elaborate architectural elements of the depictions, which were transferred to the medium of aquatints by Henry Pyall and S.G. Hughes. - Partly minimally browned in the mount, a few plates isolated with pale brown spots. At all in very well preserved condition. Richly nuanced prints in luminous coloring.

Estim. 40 - 60 EUR

Six books of furniture literature consisting of: 1) Die Welt von Charles und Ray Eames, Vitra Design Museum 1997, 2) Möbeldesign des 20. Jahrhunderts von K.-J. Sembach, G. Leuthäuser und P. Gössel, Taschenverlag n.d., 3) Thonet Bentwood & other Furniture, the 1904 illustrated Catalogue, Dover Publications Inc., New York n.d., 4) Industriemöbel, Prototypen der Moderne, published by MAK Vienna, Verlag für moderne Kunst 2011, 5) Bent-Wood and Metal furniture 1850-1946, edited by Derek E. Ostergard, The american Federation of Arts 1987, format max. 4°, original paperback, normal signs of age and study.

Estim. 2 800 000 - 3 800 000 EUR

PATEK PHILIPPE REF.7300/1200A-010 TWENTY∼4 WRISTWATCH PATEK PHILIPPE GENEVE SWISS TWENTY-NINE 29 JEWELS ADJUSTED TO HEAT COLD ISOCHRONISM AND SIX POSITIONS hallmark 324 / STAINLESS STEEL A752AAA BO/B case size : 40×39 mm , L17.5 ㎝ , 116 g , 自動巻き / 自動上弦 / automatic movement .0×0.0 cm, 103.3g

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