Null German tellurium planetarium by Ludwig Julius Heymann, circa 1880-1890. Ear…
Description

German tellurium planetarium by Ludwig Julius Heymann, circa 1880-1890. Earth globe in lithographed "papier maché", moon in painted wood and cast iron supports On the globe, brand of Ludwig Julius Heymann (Berlin) It includes a metal reflector 51x74x23 cm. Rust on the iron, defects and damages on the papier mache and ink marks on some countries. Surface dirt.

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German tellurium planetarium by Ludwig Julius Heymann, circa 1880-1890. Earth globe in lithographed "papier maché", moon in painted wood and cast iron supports On the globe, brand of Ludwig Julius Heymann (Berlin) It includes a metal reflector 51x74x23 cm. Rust on the iron, defects and damages on the papier mache and ink marks on some countries. Surface dirt.

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Julius Seyler, mixed lot of sketches four works show the Karett fishermen at work and a drawing depicting a landscape in the foothills of the Alps, pencil on paper, around 1940, each work signed in lead "J. Seyler", each mounted under a simple passepartout, sheet dimensions max. approx. 11 x 15 cm. Artist info: German landscape and animal painter. Landscape and animal painter and sportsman (1873 Munich - 1955 Munich), initially an enthusiastic ice skater, rower and sailor, among other things German speed skating champion in 1895 and European speed skating champion in 1896 and 1897, destined for an officer's career, later discontinued his training and took private painting lessons with Ludwig Schmid-Reutte from 1890, studied at the Munich Academy under Wilhelm von Diez from 1892, Ludwig von Heterich and Heinrich von Zügel from 1892, turned to open-air painting in 1900, undertook study trips to the Netherlands, Belgium, the Atlantic, Norway, Canada and the USA, worked at Ammersee from 1903-12, then in Munich, travelled to the USA in 1913 to visit relatives of his American wife Helga Boeckmann, where he became friends with the Blackfoot Indians of Montana. World War I prevented his return journey, 1914-21 as a farmer in Balsam Lake/Wisconsin, 1921 return to Munich, 1924 appointment as Professor h. c., Board member of the Munich Secession and member of the Reichsverband Bildender Künstler Deutschlands, travelled to Paris, southern France and regularly visited Sylt from 1920-35, from around 1940 increasing blindness and temporary stay in Icking, lives in Hirschau am Chiemsee from 1943, 1943 destruction of his studio in Munich and 1944 destruction of a large part of his works in the Pinakothek, 1946 return to Munich, source: Thieme-Becker, Vollmer, Dressler, Siegfried Wichmann "Julius Seyler", matriculation of the Munich Academy and Wikipedia.

Emil Strecker, "Junge spielt mit Kind" stille Winkel am Haus mit sitzendem Jungen in Holzpantinen, mit einem Kleinkind Triangel spielen, poetic, glazed, partially slightly impasto genre painting, oil on canvas, signed, inscribed and dated lower left "E. Strecker Df. [Düsseldorf] 1877", various old labels verso, some with biographical annotations such as "Van Emil Strecker, 54 x 66 cm." and "Emil Strecker, Junge spielt mit Kind ...", professionally cleaned, closed losses, somewhat restored and relined, framed in beautiful oak moulding with gold inlay and brass frame label "Emil Strecker", rebate dimensions approx. 66 x 54.5 cm. Artist information: actually Emil Ludwig Strecker, erroneously Strecher, German-Austrian genreAustrian genre, architecture and landscape painter and sculptor (1841 Dresden to 1924 or 1925 Dürnstein), studied at the Dresden Academy from 1855-66, initially sculpting under Ernst Julius Hähnel from 1859, at the same time studying painting under Ludwig Richter, honoured with the Saxon State Prize and a trip to Rome in 1866 for his sculptural work, 1867-69 in Italy, where he mainly worked as a painter, 1870-76 studied at the Düsseldorf Academy under Julius Roeting, Hermann Wislicenus and Wilhelm Sohn, 1875-81 member of the Düsseldorf artists' association "Malkasten", 1883 moved to Vienna, where he trained under Heinrich von Angeli and worked as a freelance artist, from 1884 member of the Vienna Künstlerhaus [official: Genossenschaft bildender Künstler Wiens], from 1900 member of the Hagenbund, finally active in Dürnstein, 1919 founder of the Wachauer Künstlerbund and its honorary president, honorary citizen of Dürnstein, 1904 honoured with the small Golden State Medal, attended exhibitions in Dresden, Düsseldorf, Berlin, Hanover, Vienna and Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Dresden and Düsseldorf academies, ÖBL, Boetticher, Müller-Singer, Seubert, Dressler, Bruckmann "Lexikon der Düsseldorfer Malerschule", Fuchs and Wikipedia.

Julius Seyler, Crevettenfischer im Watt Crevettenfischer bei Ebbe mit Pferden, im Hintergrund ankerde Boote und Schiffe, classically Seylerian, briskly captured impressionistic study with partial release of the painting ground, oil on canvas, 1st half 20th cent, signed lower right "J Seyler", on the reverse with label "Nielsen Wechselrahmen", framed behind glass in a narrow gold-coloured frame, folded dimensions approx. 50.5 x 70 cm. Artist info: German landscape and animal painter. Landscape and animal painter and sportsman (1873 Munich - 1955 Munich), initially an enthusiastic ice skater, rower and sailor, among other things German speed skating champion in 1895 and European speed skating champion in 1896 and 1897, destined for an officer's career, later discontinued training and from 1890 private painting lessons with Ludwig Schmid-Reutte, studied from 1892 at the Munich Academy under Wilhelm von Diez, Ludwig von Heterich and Heinrich von Zügel from 1892, turned to open-air painting in 1900, undertook study trips to the Netherlands, Belgium, the Atlantic, Norway, Canada and the USA, worked at Ammersee from 1903-12, then in Munich, travelled to the USA in 1913 to visit relatives of his American wife Helga Boeckmann, where he became friends with the Blackfoot Indians of Montana. World War I prevented his return journey, 1914-21 as a farmer in Balsam Lake/Wisconsin, 1921 return to Munich, 1924 appointment as Professor h. c., Board member of the Munich Secession and member of the Reichsverband Bildender Künstler Deutschlands, travelled to Paris, southern France and regularly visited Sylt from 1920-35, from approx. 1940 increasing blindness and temporary residence in Icking, from 1943 lives in Hirschau am Chiemsee, 1943 destruction of his studio in Munich and 1944 destruction of a large part of his works in the Pinakothek, 1946 return to Munich, source: Thieme-Becker, Vollmer, Dressler, Siegfried Wichmann "Julius Seyler", register of the Munich Academy and Internet.