Null HANSON Duane. (Tourists). American hyperrealists. European realists. CNAC. …

Description

HANSON Duane. (Tourists). American hyperrealists. European realists. CNAC. 15/2 to 25/3/1974. Silkscreen poster and offset printing for the image. Marquet Paris. Folded, fair condition: restored edge tears, very slight repainting in the blue background. 78 x 55 cm Duane Hanson is an American sculptor known for his realistic, life-size works of people. His work is associated with hyperrealism and the Pop Art movement.

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HANSON Duane. (Tourists). American hyperrealists. European realists. CNAC. 15/2 to 25/3/1974. Silkscreen poster and offset printing for the image. Marquet Paris. Folded, fair condition: restored edge tears, very slight repainting in the blue background. 78 x 55 cm Duane Hanson is an American sculptor known for his realistic, life-size works of people. His work is associated with hyperrealism and the Pop Art movement.

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Estim. 20 - 40 EUR

Mireille Labouret-Grare, Balzac la duchesse et l'idole. Poetics of the aristocratic body. Paris, Honoré Champion, 2003. In-8, 495p. Publisher's binding, mint condition. Joint [Collectif] Sous la direction de Stéphane Vachon, Balzac - Une poétique du roman. Presses Universitaires de Vincennes, 1996. In-8, 460p. Paperback, mint condition. Rose Fortassier, Les Mondains de La Comédie Humaine. Paris, Klincksieck, 1974. In-8, 585p. Paperback, mint condition. [Collectif, textes réunis par] Susi Pietri, L'Invention de Balzac - lectures européennes. Saint-Denis, Presses universitaires de Vincennes, 2004. In-8, 239p. A rare work. Set of 3 studies on Balzac: Lucienne Frappier-Mazur, L'expression métaphorique dans la Comédie humaine. Paris, Klincksieck, 1976. Fernando Navarro Dominguez, Analyse du discours et des proverbes chez Balzac. Paris, L'Harmattan, 2000. Honoré de Balzac, mémoire de la critique. Paris-Sorbonne, 1999. Prefaces and notes by Stéphane Vachon. [Publisher's catalog enclosed]. Paperback. Set of 2 studies on Le curé de Village. "Le curé de village", manuscripts added. Preceded by a study by Ki Wist. Brussels, 1957-1959. Le curé de village, 1839 version. Brussels, Henriquez, 1961. Set of 3 studies: François Boucher, Le vêtement chez Balzac - extractes de la Comédie Humaine. Paris, Institut français de la mode, 2001. Victor Del Litto, Stendhal - Balzac - réaliste et cinéma. Grenoble, presses universitaires, 1978. Gilles Visy, Le colonel chabert au cinéma. Paris, EPU, 2003. Set of 2 studies in German: Anna-Maria Schneiderbauer, Das Element des Daemonnischen in Honoré de Balzacs Comédie humaine. 1967. Robert Winkler, La femme de Trente ans - Der Aufbau eines Romans Bei H de Balzac. Nidau-Biel, Erich Weber, 1949.

Estim. 3 000 - 3 500 EUR

European school; 19th century. "Hawk over barnyard". Oil on canvas. It presents faults in the frame. Measurements: 66 x 107 cm; 94 x 123 cm (frame). This type of painting starring animals became popular during the 19th century, due to the change in the collectors who requested a less regal painting that reflected themes of a lighter tone. In this particular case, a hawk stands over a flock of birds and rabbits, reflecting the artist's great skill in capturing the animals, which are treated aesthetically from a truthful and realistic perspective. Francisco Hohenleiter (Cadiz, 1889 - Seville, 1968) began his training in Puerto de Santa Maria, and in 1918 he moved to Seville, settling permanently in the city. An elegant, colourful painter, he soon became a leading figure in mural decoration and, above all, in posters, magazine illustration and book illustration. His works combine influences from different styles such as modernism, genre painting and romanticism. Through his posters in the 1920s he reinvented Holy Week in Seville, with works based on the use of colour and decorative lines. As a painter he focused on portraiture, landscape and the depiction of popular types, mainly majos, as well as genre scenes. He also produced nudes, church interiors and still lifes. Throughout his career he showed his work in various Spanish cities and also in Paris, with an outstanding exhibition at the Charpentier gallery in 1932. Francisco Hohenleiter's painting is rooted in that of Jiménez Aranda and García Ramos and is inspired by Goya and Alenza. He became the glosador of romantic Seville, the portraitist of the Andalusia set to music by Albéniz. His work is currently scattered all over Andalusia: murals, posters, hand programmes, etc. Today he is represented in various museums and private collections.

Estim. 3 000 - 3 500 EUR

GEORGES ROUSSE (Paris, 1947). Untitled. Barcelona, 2003. Photographic paper, copy 12/30. Signed, numbered, traced and dated by hand. Exhibited at the Carles Taché gallery, Barcelona, 2003. Size: 52 x 41 cm; 75 x 63 cm (frame). Since the early 1980s, Georges Rousse's work has been characterised by the relationships he has established between photography, painting, sculpture and architecture. The photographic language, however, is the backbone of the others, dialoguing with them and playing with spatial effects. This was seen in the exhibition held at the Carles Taché gallery in Barcelona, of which this work was part. Ever since he received a Kodak Brownie Flash as a Christmas present when he was 9 years old, the camera has never left Georges Rousse's hands. While studying medicine in Nice, he decided to learn the techniques of photography and printing from a professional, and then set up his own architectural photography studio. Increasingly, his passion led him to devote himself entirely to the artistic practice of this medium, following in the footsteps of the great American masters Edward Steichen, Alfred Stieglitz and Ansel Adams. It was with the discovery of the works of Land art and Kasimir Malevitch's Black Square on a White Background that Georges Rousse chose to intervene in the field of photography, establishing a relationship between painting and space. He appropriates abandoned places that he has always liked, transforms them into pictorial spaces and builds there a unique and ephemeral work that only photography can reproduce. In order to allow the spectator to share his experience of Space, he has been presenting his images in large format prints since the early 1980s. This strong and singular work, which shifts the boundaries between traditional media, immediately imposed itself on the contemporary art scene. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued to create his installations and show his photographs all over the world, in Europe, Asia (Japan, Korea, China, Nepal), the United States, Quebec and Latin America. He has participated in numerous biennials (Paris, Venice, Sydney) and received many prestigious awards: 1983: Villa Medicis hors les murs, New York City 1985 -1987: Villa Medicis, Rome 1988: International Center of Photography Award, New York 1989: Salon de Montrouge Drawing Award 1992: Romain Roland Fellowship, Calcutta 1993: Grand Prix National de Photographie 2008: Succeeded Sol LeWitt as associate member of the Royal Belgian Academy. He is represented by several European galleries and his works are included in many important collections around the world.

Estim. 12 000 - 15 000 EUR

PORSCHE 928, 1986 1ère mise en circulation : 02/06/1986 Genre : VP Carrosserie : CI Numéro de série : WPOZZZ92ZGS840772 Puissance fiscale : 31 Energie : ES Kilométrage : 162 910 kms (non garantis) La Porsche 928 sera le premier modèle de la célèbre marque à recevoir un moteur V8 installé en position avant. Mal aimée des puristes qui n’ont de yeux que pour la 911, elle était principalement destinée au marché américain avec son design innovant, témoignant de l’esthétique de ces années. Elle connaîtra pourtant une belle longévité puisqu’elle sera produite jusqu’en 1986. En 1973, la première crise pétrolière frappe de plein fouet le marché, obligeant à baisser les prétentions du moteur avec une puissance qui ne dépassera pas les 240 CV. C’est après 6 ans de développement qu’elle est enfin prête et sort à l’automne 1977 pour être élue voiture européenne de l’année 1978, ce qui n’est pas surprenant compte tenue de la technologie embarquée et de son originalité. Ce sera la seule fois ou une voiture de sport obtiendra cette distinction. Ce véhicule nécessitera un passage en cabine de peinture. Carte grise française. Avec son contrôle technique.

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