Description

Aristide Maillol (1861-1944) Woman seated in profile to the right, one knee bent, one knee raised. 1926. Etching. 240 x 226. Guérin 321. Perfect proof on white vellum, numbered and signed with the monogram in pencil. Full margins. Edition of 125 proofs. Dry stamp: H. Petiet éditeur Paris (Lugt 2021a).

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Aristide Maillol (1861-1944) Woman seated in profile to the right, one knee bent, one knee raised. 1926. Etching. 240 x 226. Guérin 321. Perfect proof on white vellum, numbered and signed with the monogram in pencil. Full margins. Edition of 125 proofs. Dry stamp: H. Petiet éditeur Paris (Lugt 2021a).

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Starting price 2600 EUR

Ovidius Naso, PubliusL'Art d'aimer. With 12 full-page original lithographs, 11 woodcuts and 4 woodcut initials by Aristide Maillol. Lausanne, Frères Gonin, 1935. 122 p., 1 sheet. Folio. Brown full marocco with gilt stamped title, brown suede endpapers, gilt edges on three sides. Half marocco chemise with gilt stamped title (spine slightly rubbed), in matching lined slipcase. Binding signed A. Bourdet. Maillol, Aristide Ovidius Naso, Publius L'Art d'aimer. With 12 full-page original lithographs, 11 woodcuts and 4 woodcut initials by Aristide Maillol. Lausanne, Frères Gonin, 1935. 122 p., 1 sheet. Folio. Brown full marocco with gilt stamped title, brown suede endpapers, gilt edges on three sides. Half marocco chemise with gilt stamped title (spine slightly rubbed), in matching lined slipcase. Binding signed A. Bourdet. First edition. - Monod 8794, Skira 215, Rewald 57-68 - One of 50 copies numbered in Arabic (GA 275). Signed by Philippe Gonin in the first printer's mark and by Aristide Maillol in the second. Printed on pur chanvre Canson. - One of the special features of the work is the contrast between the woodcuts, which are in the traditional pictorial language, and the sculptural sensuality of the lithographs. - Slipcase and chemise somewhat rubbed in places. Very occasional inconspicuous brown spots. A very good copy. With 12 full-page original lithographs, 11 woodcuts in text and 4 woodcut initials by Aristide Maillol. Full brown morocco with gilt title on spine, brown suede endpapers, gilt edges. Half-maroquin chemise with gilt title on spine (spine slightly scuffed), in matching lined slipcase. Binding signed A. Bourdet. - First edition. - One of 50 arabic numbered copies (GA 275). Signed in the first printing note by Philippe Gonin and in the second by Aristide Maillol. Printed on pur chanvre Canson. - One of the peculiarities of the work is the contrast between the woodcuts, which are in the traditional pictorial language, and the sculptural sensuality of the lithographs. - Slipcase and chemise somewhat rubbed in places. Very sporadically with inconspicuous brown spots. Very well preserved copy.

Estim. 250 - 350 EUR

ORFEO TAMBURI Seated female figure Signed and dated lower right: O. Tamburi, 31

Starting price 2500 EUR

Aristide MAILLOL (1861-1944). Crouching Woman - circa 1930. Sanguine on paper. 25 x 33 cm. Note : Double-sided drawing. Study for the bronze "Crouching Nude". Provenance: - Collection of Mademoiselle Wessel (former mistress of Lucien Maillol, the artist's only son). - Sale of her collection Nice Enchères November 28, 2013

Estim. 30 - 40 EUR

MAILLOL (Aristide). The Masters of Drawing. Maillol presented by Jules Romains. Paris, Flammarion, 1949. In-folio, leaves, in cardboard folder, laces. Album reproducing 12 drawings by Aristide Maillol, including 2 in the text and 10 hors texte. Edition of 1050 copies on papier pur fil du Marais (n°460). Very good condition.

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