Null MONTANO, Giovan Battista (1534-1621). Architettura con diversi ornamenti ca…
Description

MONTANO, Giovan Battista (1534-1621). Architettura con diversi ornamenti cavati dall'antico. Rome: Callisto Ferranti, 1636. Scarce first edition, published posthumously, complete with the 42 finely engraved plates. In 1684 the five works by Montano, including this one, were republished by the printer Giovanni Domenico De Rossi as a unified corpus. Besides being an architect, Montano also distinguished himself as a carver: to him we owe the magnificent engraving work of the Biagi organ in the Basilica of San Giovanni in Laterano, the oldest Roman organ still in working order. Folio, (405 x 260 mm). 42 full-page engraved plates, all numbered except the last two, including title-page and dedicatory plate to Cardinal Lelio Biscia. Wide margins, good impressions (occasional dampstaining throughout the volume, occasional browning, chipping touching the engraved plate at plate 8, blank margins of last two plates chipped). Binding in half vellum with marbled boards, title gilt directly to spine. (1)

167 

MONTANO, Giovan Battista (1534-1621). Architettura con diversi ornamenti cavati dall'antico. Rome: Callisto Ferranti, 1636. Scarce first edition, published posthumously, complete with the 42 finely engraved plates. In 1684 the five works by Montano, including this one, were republished by the printer Giovanni Domenico De Rossi as a unified corpus. Besides being an architect, Montano also distinguished himself as a carver: to him we owe the magnificent engraving work of the Biagi organ in the Basilica of San Giovanni in Laterano, the oldest Roman organ still in working order. Folio, (405 x 260 mm). 42 full-page engraved plates, all numbered except the last two, including title-page and dedicatory plate to Cardinal Lelio Biscia. Wide margins, good impressions (occasional dampstaining throughout the volume, occasional browning, chipping touching the engraved plate at plate 8, blank margins of last two plates chipped). Binding in half vellum with marbled boards, title gilt directly to spine. (1)

Auction is over for this lot. See the results

You may also like

Flemish school; 17th century. "Saint John the Baptist". Oil on copper. It presents faults on the pictorial surface. It has a Spanish frame of the XVIIIth century with faults. Measurements: 20 x 15 cm; 43 x 28 cm (frame). The Gospels say about John the Baptist that he was the son of the priest Zechariah and Elizabeth, cousin of the Virgin Mary. He retired at a very young age to the Judean desert to lead an ascetic life and preach penance, and recognised in Jesus, who was baptised by him, the Messiah foretold by the prophets. A year after Christ's baptism, in the year 29, John was arrested and imprisoned by the tetrarch of Galilee Herod Antipas, whose marriage to Herodias, his niece and sister-in-law, he had dared to censure. Finally, St. John was beheaded, and his head given to Salome as a reward for his beautiful dances. This saint appears in Christian art in two different guises: as a child, a playmate of Jesus, and as an adult, an ascetic preacher. The adult Saint John depicted here is dressed in Eastern art in a camel-skin sackcloth, which in the West was replaced by a sheepskin, leaving his arms, legs and part of his torso bare. The red cloak he wears at times, as well as in the scene of his intercession at the Last Judgement, alludes to his martyrdom. In Byzantine art he is depicted as a large-winged angel, with his severed head on a tray which he holds in his hands. However, his attributes in Western art are very different. The most frequent is a lamb, alluding to Jesus Christ, and he often carries a cross of reeds with a phylactery with the inscription "Ecce Agnus Dei".