Null Loetz Glatt Bronze Three Handled Glass Vase
Loetz Bohemia Glass Three Handl…

Description

Loetz Glatt Bronze Three Handled Glass Vase Loetz Bohemia Glass Three Handle iridescent glass vase in the Glatt Bronze design, handles applied with raspberry prints. Measuring H 6.5 D 6 in Some scratches and blemishes to the surface. Provenance: Private Dallas Collector

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Loetz Glatt Bronze Three Handled Glass Vase Loetz Bohemia Glass Three Handle iridescent glass vase in the Glatt Bronze design, handles applied with raspberry prints. Measuring H 6.5 D 6 in Some scratches and blemishes to the surface. Provenance: Private Dallas Collector

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Estim. 2 000 - 3 000 USD

Gustave SERRURIER BOVY (1858-1910). Moulin clock. 1905. Mahogany, brass, painted iron. Rare example with iridescent "Phaenomen" glass from the Loetz factory, Austria. Missing hands. We have an estimate from Haesaerts-le Grelle in Brussels, specialized in the work of Serrurier-Bovy, for the manufacture of needles as originally made. Height: 73 cm.

Loetz - Vase - c. 1910/20, Art Nouveau, probably Loetz, Wwe., Klostermühle, clear and amber glass, round base with amorphous surface, two thin fluted tubes for two single flowers, wrapped in a wide glass band, matt iridescent, minimal signs of age, hca. 15 cm

Starting price 70 EUR

Loetz in the style: Vase circa 1900, mouth-blown iridescent burgundy glass with green threads, H: 11.8, diam: 8.8 cm

Estim. 300 - 350 USD

Art Deco vase, possibly LOETZ; Czech Republic, ca. 1920. Blown glass. Wear due to use and the passage of time. Provenance: Spanish private collection, formed between 1970 and 1995. Measurements: 24 x 16 x 14 cm . Curious iridescent blown glass vase, with ovoid sides. Handles on both sides. Lower foot carved in an octagonal shape. From the type of glass, we can relate this centre to the Austrian manufacturer Loetz, founded in 1840 and a pioneer in the use of new techniques and materials, following the line of experimentation of the glass artists of the second half of the 19th century. The firm took part in the 1889 Paris International Exhibition, where its pieces were unanimously acclaimed by the critics.

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