Pfahlmer, Hugo Wilhelm, 1885 Dresden - 1955 Munich, oil on hardboard, 1924, fore…

Description

Pfahlmer, Hugo Wilhelm, 1885 Dresden - 1955 Munich, oil on hardboard, 1924, forest landscape, inscribed on the left "Mün(chen)" and dated (19)24, signed on the lower right, incised signature "Doris Pfahlmer" below, the painting may be attributed to Doris Pfahlmer, Hugo Pfahlmer was a German painter who specialized in atmospheric landscape painting, small vertical format, 19 cm x 15 cm, in wooden frame

8077

Pfahlmer, Hugo Wilhelm, 1885 Dresden - 1955 Munich, oil on hardboard, 1924, forest landscape, inscribed on the left "Mün(chen)" and dated (19)24, signed on the lower right, incised signature "Doris Pfahlmer" below, the painting may be attributed to Doris Pfahlmer, Hugo Pfahlmer was a German painter who specialized in atmospheric landscape painting, small vertical format, 19 cm x 15 cm, in wooden frame

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Hugo König, attr, In der Bauernstube View into a rustic inn parlour with a large tiled stove and an entering hunter, genre drawing with painterly echoes, pencil and some white heightening on light card, ligatured monogram "HK" and dated "(18)74" lower right, probably from a sketchbook, mounted under passepartout and attributed here, minimal traces of age, depicted dimensions approx. 15.5 x 17.4 cm, sheet dimensions approx. 19.5 x 25 cm. Artist information: German landscape and genre painter (1856 Dresden to 1899 Dresden), studied at the academy in Dresden under Ernst Oehme, from 1879 studied at the academy in Munich, was an academy professor in Munich and a member of the Secession and the association "Die Dachauer", gave up his teaching post and returned to Dresden, numerous works were purchased by museums during his lifetime, source: Thieme-Becker and Singer.

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Prof. Wilhelm Claudius, Portrait of a Gentleman Portrait of a distinguished gentleman with frameless spectacles, wearing a dark suit with stiff white "patricide collar", tie and tie pin, in three-quarter view against a grey background, glazed, partially slightly impasto painting, oil on canvas, signed and dated "Wilh. Claudius 1923", closed losses to the canvas, partially unprofessionally restored, in need of restoration, originally framed in gilt moulding, rebate dimensions approx. 60.5 x 40.5 cm. Artist information: actually Wilhelm Ludwig Heinrich Claudius, German painter, draughtsman and illustrator. Painter, draughtsman and illustrator (1854 Hamburg-Altona - 1942 Dresden), studied 1871-72 at the academy in Dresden and 1875-79 at the academy in Berlin under Karl Gussow, from 1879 resident in Dresden again, 1885 study visit with Carl Bantzer in Niederwalgern in der Schwalm, 1903 appointed professor, 1909 gold medal at the Great Art Exhibition in Munich, member of the Goppeln artists' colony and the Willingshaus painters' colony, active in Hamburg, Thalheim and Dresden-Strehlen, source: Thieme-Becker, Vollmer, Dressler and Internet.

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Egon Graf von Holtzendorff, Summer Landscape View over a green meadow to an avenue with deciduous trees, impasto Impressionist landscape painting, captured in a study-like manner and partially incorporating the colour of the painting ground, oil on card, c. 1920, signed lower left "E. Holtzendorff", modern label "Egon Graf von Holtzendorff - 1860-1940" and number annotation "21" on the reverse, somewhat in need of restoration, framed, folded, dimensions approx. 35 x 49 cm. View over a green meadow to an avenue with deciduous trees, impasto Impressionist landscape painting, captured in a study-like manner and partially incorporating the colour of the painting ground, oil on card, c. 1920, signed lower left "E. Holtzendorff", modern label "Egon Graf von Holtzendorff - 1860-1940" and number annotation "21" on the reverse, somewhat in need of restoration, framed, folded, dimensions approx. 35 x 49 cm. Artist information: German marine and still life painter (1860 Pirna in Saxony to 1940 Munich), descended from an old Saxon noble family, initially a pupil at Anton Ažbe's painting school in Munich, further training with Wilhelm Dürr and Hugo von Habermann in Munich, member of the Reich Association of Visual Artists, active in Munich, source: Dressler and Internet.

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Emil Rau, Sommerabend auf der Alm Alm with green and blooming meadows and two huts, the light of the already low sun still bathes the mountain massif in the background in warm light, landscape study with concise brushstrokes in friendly colours, oil on canvas mounted on cardboard, around 1920, signed lower right "E. RAU" , retouches, frame of the time, folded dimensions approx. 50 x 64 cm. Artist information: actually Carl (Karl) Emil Rau, German illustrator, portrait and genre painter (1858 Dresden to 1937 Munich), initially to take over the family business of the Dresden "Lithographische Anstalt J.H.G. Rau und Sohn" and destined to become a lithographer, first artistic instructions from his father, the court lithographer Carl Emil Heinrich Rau, studied at the Dresden Academy from 1875-79 under Leon Pohle from 1877 and Ferdinand Wilhelm Pauwels from 1878279, from 1879 at the Munich Academy under Carl Theodor von Piloty, Wilhelm von Lindenschmit den Jüngeren and Alexander Wagner, worked freelance in Munich from 1883, influenced by the Defregger circle, worked as an illustrator for the magazines "Jugendlust", "Gartenlaube" and "Fliegende Blätter", member of the Münchner Künstlergenossenschaft, the "Gesellige Vereinigung bildender Künstler Münchens" and the Reichsverband Bildender Künstler Deutschlands, supplied the Munich Glaspalast, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, student lists of the Dresden Academy, matriculation list of the Munich Academy, Bruckmann "Münchner Maler des 19./20. Jh.", Bénézit, Müller-Singer, Info Cornelia Oelwein and Werner Merkl as well as Internet.

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